Other editions of book The Raven

Excerpt from The Raven: A MelodramaOnly word there spoken was the whispered word, Le This I whispered and an echo murmured nore! Back the Word Le nore! Mere-ly this.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Raven is noted for its musicality, stylized language and supernatural atmosphere, it tells of the mysterious visit of a talking raven to a distraught lover, tracing his slow descent into madness. This illustrated version contains detailed, masterly engravings by Gustave Dorés, from a 19th-century edition of The Raven, among the most popular American poems ever written. Dreamlike, otherworldly illustrations perfectly capture the bleak despair and mournful musings of Poe’s poem. Includes an introduction/analysis by Edmund. C. Stedman.

The RavenEdgar Allan Poe (1809 - 1849) was an American writer and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a one of the key figures of American Literature Romanticism and was one of the United States earliest practitioners of the short story. Equally Poe is often considered the inventor of both the detective fiction genre and helping the emergence of the science fiction genre. With all this still to this day "The Raven" stands out as the most often synonymous with his name. Gustave Doré (1832-1883) was one of the busiest, most in-demand artists of the 19th century, made his name illustrating works by such authors as Rabelais, Balzac, Milton, and Dante. The engravings here made just before his death (and published posthumous) are a example of the skill he possessed to bring such vivid tales to life. Here they are presented in a new way. Not with single line accompaniments but whole stanzas to shed a new way at seeing them both.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This reproduction was printed from a digital file created at the Library of Congress as part of an extensive scanning effort started with a generous donation from the Alfred P. Sloan Foundation. The Library is pleased to offer much of its public domain holdings free of charge online and at a modest price in this printed format. Seeing these older volumes from our collections rediscovered by new generations of readers renews our own passion for books and scholarship.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The secret of a poem, no less than a jest’s prosperity, lies in the ear of him that hears it. Yield to its spell, accept the poet’s mood: this, after all, is what the sages answer when you ask them of its value. Even though the poet himself, in his other mood, tell you that his art is but sleight of hand, his food enchanter’s food, and offer to show you the trick of it,–believe him not. Wait for his prophetic hour; then give yourself to his passion, his joy or pain. “We are in Love’s hand to-day!” sings Gautier, in Swinburne’s buoyant paraphrase,–and from morn to sunset we are wafted on the violent sea: there is but one love, one May, one flowery strand. Love is eternal, all else unreal and put aside. The vision has an end, the scene changes; but we have gained something, the memory of a charm. As many poets, so many charms. There is the charm of Evanescence, that which lends to supreme beauty and grace an aureole of Pathos. Share with Landor his one “night of memories and of sighs” for Rose Aylmer, and you have this to the full.Edgar Allan Poe was an American writer, poet, editor and literary critic, considered part of the American Romantic Movement. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and is considered the inventor of the detective-fiction genre. He is further credited with contributing to the emerging genre of science fiction.

"The Raven" is an appropriately supernatural poem for the Halloween period. First published in 1845, it has long been a favorite of Edgar Allan Poe enthusiasts. Expertly voiced by Phillip J. Mather, this performance brings a musicality to the language of the poem, luring the listener into the desolate scene and keeping him spellbound as the tale unfolds.

“The Raven” takes place in the speaker’s chambers at midnight on a “bleak December” night as the speaker lapses between reading an old book and falling asleep. He is roused by a tapping sound that he presumes to come from a visitor outside of his room. He does not immediately answer; he is in a sorrowful mood because of the death of his lover, the “lost Lenore.” He snaps out of these sad thoughts and assures himself that the sound is that of a visitor. He addresses his unknown guest but finds no one there when he opens the door. Peering into the silent darkness, the young man whispers Lenore’s name to himself. When he returns to his room, however, the rapping sound resumes, louder than before. He now figures that the sounds are merely those of the wind beating on the shutters of his window.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.