Other editions of book The Brothers Karamazov

Book I. The History Of A Family Chapter I. Fyodor Pavlovitch Karamazov Alexey Fyodorovitch Karamazov was the third son of Fyodor Pavlovitch Karamazov, a land owner well known in our district in his own day, and still remembered among us owing to his gloomy and tragic death, which happened thirteen years ago, and which I shall describe in its proper place. For the present I will only say that this “landowner”—for so we used to call him, although he hardly spent a day of his life on his own estate—was a strange type, yet one pretty frequently to be met with, a type abject and vicious and at the same time senseless. But he was one of those senseless persons who are very well capable of looking after their worldly affairs, and, apparently, after nothing else. Fyodor Pavlovitch, for instance, began with next to nothing; his estate was of the smallest; he ran to dine at other men's tables, and fastened on them as a toady, yet at his death it appeared that he had a hundred thousand roubles in hard cash. At the same time, he was all his life one of the most senseless, fantastical fellows in the whole district. I repeat, it was not stupidity—the majority of these fantastical fellows are shrewd and intelligent enough—but just senselessness, and a peculiar national form of it. He was married twice, and had three sons, the eldest, Dmitri, by his first wife, and two, Ivan and Alexey, by his second. Fyodor Pavlovitch's first wife, Adelaïda Ivanovna, belonged to a fairly rich and distinguished noble family, also landowners in our district, the Miüsovs. How it came to pass that an heiress, who was also a beauty, and moreover one of those vigorous, intelligent girls, so [pg 002] common in this generation, but sometimes also to be found in the last, could have married such a worthless, puny weakling, as we all called him, I won't attempt to explain. I knew a young lady of the last “romantic” generation who after some years of an enigmatic passion for a gentleman, whom she might quite easily have married at any moment, invented insuperable obstacles to their union, and ended by throwing herself one stormy night into a rather deep and rapid river from a high bank, almost a precipice, and so perished, entirely to satisfy her own caprice, and to be like Shakespeare's Ophelia. Indeed, if this precipice, a chosen and favorite spot of hers, had been less picturesque, if there had been a prosaic flat bank in its place, most likely the suicide would never have taken place. This is a fact, and probably there have been not a few similar instances in the last two or three generations. Adelaïda Ivanovna Miüsov's action was similarly, no doubt, an echo of other people's ideas, and was due to the irritation caused by lack of mental freedom. She wanted, perhaps, to show her feminine independence, to override class distinctions and the despotism of her family. And a pliable imagination persuaded her, we must suppose, for a brief moment, that Fyodor Pavlovitch, in spite of his parasitic position, was one of the bold and ironical spirits of that progressive epoch, though he was, in fact, an ill-natured buffoon and nothing more. What gave the marriage piquancy was that it was preceded by an elopement, and this greatly captivated Adelaïda Ivanovna's fancy. Fyodor Pavlovitch's position at the time made him specially eager for any such enterprise, for he was passionately anxious to make a career in one way or another. To attach himself to a good family and obtain a dowry was an alluring prospect. As for mutual love it did not exist apparently, either in the bride or in him, in spite of Adelaïda Ivanovna's beauty. This was, perhaps, a unique case of the kind in the life of Fyodor Pavlovitch, who was always of a voluptuous temper, and ready to run after any petticoat on the slightest encouragement. She seems to have been the only woman who made no particular appeal to his senses.

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[Unabridged & Uncensored Original 1880 Edition.] Dostoevsky's last and greatest novel is, above all, the story of a murder, told with hair-raising intellectual clarity and a feeling for the human condition unsurpassed in world literature. It is a masterpiece that chronicles the bitter love-hate struggle between an outsized father and his three very different sons. The author's towering reputation as one of the handful of thinkers who forged the modern sensibility has sometimes obscured the purely novelistic virtues – brilliant characterizations, flair for suspense and melodrama, instinctive theatricality – that made his work so immensely popular in nineteenth-century Russia.

The Brothers Karamazov is a passionate philosophical novel that enters deeply into the ethical debates of God, free will, and morality. It is a spiritual drama of moral struggles concerning faith, doubt, and reason, set against a modernizing Russia. Dostoyevsky composed much of the novel in Staraya Russa, which is also the main setting of the novel.

The Brothers Karamazov is the final novel by the Russian author Fyodor Dostoyevsky. Dostoyevsky spent nearly two years writing The Brothers Karamazov, which was published as a serial in The Russian Messenger and completed in November 1880. Dostoyevsky intended it to be the first part in an epic story titled The Life of a Great Sinner, but he died less than four months after its publication. The Brothers Karamazov is a passionate philosophical novel set in 19th century Russia, that enters deeply into the ethical debates of God, free will, and morality. It is a spiritual drama of moral struggles concerning faith, doubt, and reason, set against a modernizing Russia. Dostoyevsky composed much of the novel in Staraya Russa, which inspired the main setting. Since its publication, it has been acclaimed as one of the supreme achievements in literature.

The Brothers Karamazov is the final novel by the Russian author Fyodor Dostoyevsky. Dostoyevsky spent nearly two years writing The Brothers Karamazov, which was published as a serial in The Russian Messenger from January 1879 to November 1880. The author died less than four months after its publication. The Brothers Karamazov is a passionate philosophical novel set in 19th-century Russia, that enters deeply into the ethical debates of God, free will, and morality. It is a spiritual drama of moral struggles concerning faith, doubt, judgment, and reason, set against a modernizing Russia, with a plot which revolves around the subject of patricide. Dostoyevsky composed much of the novel in Staraya Russa, which inspired the main setting. Since its publication, it has been acclaimed as one of the supreme achievements in world literature.

Having spent four years in a Siberian penal settlement, during which time he underwent a religious conversion, Dostoevsky developed a keen ability for deep character analysis. In The Brothers Karamazov, he explores human nature at its most loathsome and cruel but never flinches at what he finds. The Brothers Karamazov tells the stirring tale of four brothers: the pleasure-seeking, impatient Dmitri; the brilliant and morose Ivan; the gentle, loving, and honest Alyosha; and the illegitimate Smerdyakov: shy, silent, and cruel. The four unite in the murder of one of literature's most despicable characters -- their father. This was Dostoevsky's final and best work. Fyodor Mikhailovich Dostoevsky (1821-1881) was born in Moscow, the son of a surgeon. Leaving the study of engineering for literature, he published Poor Folk in 1846. As a member of revolutionary circles in St. Petersburg, he was condemned to death in 1849. A last-minute reprieve sent him to Siberia for hard labor. Returning to St. Petersburg in 1859, he worked as a journalist and completed his masterpiece, Crime and Punishment, as well as other works including The Idiot and The Brothers Karamazov. Frederick Davidson (1932-2005) was born in London and trained at the Royal Academy of Dramatic Art. He performed in BBC radio plays before coming to America in 1976. He went on to record more than eight hundred audiobooks, garnering AudioFile's Golden Voice Award, numerous Earphones Awards, and a Grammy nomination for his readings.

“Alexey Fyodorovitch Karamazov was the third son of FyodorPavlovitch Karamazov, a land owner well known in our districtin his own day, and still remembered among us owing to hisgloomy and tragic death, which happened thirteen years ago,and which I shall describe in its proper place. For the presentI will only say that this “landowner”—for so we used to call him,although he hardly spent a day of his life on his own estate—wasa strange type, yet one pretty frequently to be met with, a typeabject and vicious and at the same time senseless. But he was oneof those senseless persons who are very well capable of lookingafter their worldly affairs, and, apparently, after nothing else.Fyodor Pavlovitch, for instance, began with next to nothing; hisestate was of the smallest; he ran to dine at other men’s tables,and fastened on them as a toady, yet at his death it appeared thathe had a hundred thousand roubles in hard cash. At the same time,he was all his life one of the most senseless, fantastical fellowsin the whole district. I repeat, it was not stupidity—the majorityof these fantastical fellows are shrewd and intelligent enough—but just senselessness, and a peculiar national form of it.”