Other editions of book Roderick Hudson

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1907]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - eng, Pages 566. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

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Roderick Hudson is a novel by Henry James(15 April 1843 – 28 February 1916). Originally published in 1875 as a serial in The Atlantic Monthly, it is a bildungsroman that traces the development of the title character, a sculptor.Rowland Mallet, a wealthy Bostonian bachelor and art connoisseur, visits his cousin Cecilia in Northampton, Massachusetts, before leaving for Europe. There he sees a Grecian figure he thinks is a remarkable work of art. Cecilia introduces him to the local sculptor, Roderick Hudson, a young law student who sculpts in his spare time. Mallet—who loves art but is without artistic talent himself—sees an opportunity to contribute: he offers to advance Roderick a sum of money against future works which will allow Roderick to join him in moving to Italy for two years. Mallet believes that in Rome, Roderick will be exposed to the kind of artistic influences which will allow his natural talent to fully mature. Roderick is galvanized by the offer, but he fears his highly protective mother's disapproval and urges Mallet to meet with and reassure her. Mallet does so, eventually overcoming the woman's doubts. At the meeting, Mallet is also introduced to Mary Garland, a distant poor cousin of the Hudsons who has been living with them as a companion to Mrs. Hudson. Mallet finds himself unexpectedly attracted to the young woman—to her simplicity, her lack of affectation, her honesty. During a farewell picnic attended by many of the Hudsons' friends and family, Mallet realizes he has fallen in love for the first time in his life. But, because of his natural reserve and imminent departure for two years, he fails to declare his feelings, yet still harbors hopes that something may yet come of the relationship.

In this beautifully wrought novel from master of American fiction Henry James, a talented young sculptor is taken under the wing of a rich and powerful patron who attempts to help foster the full emergence of the sculptor's creative prowess by setting him up in grand style in Italy. However, plans rarely go off as conceived, and before long, the sculptor Roderick finds himself unable to work and in love with the wrong woman.

Mallet had made his arrangements to sail for Europe on the first of September, and having in the interval a fortnight to spare, he determined to spend it with his cousin Cecilia, the widow of a nephew of his father. He was urged by the reflection that an affectionate farewell might help to exonerate him from the charge of neglect frequently preferred by this lady. It was not that the young man disliked her; on the contrary, he regarded her with a tender admiration, and he had not forgotten how, when his cousin had brought her home on her marriage, he had seemed to feel the upward sweep of the empty bough from which the golden fruit had been plucked, and had then and there accepted the prospect of bachelorhood. The truth was, that, as it will be part of the entertainment of this narrative to exhibit, Rowland Mallet had an uncomfortably sensitive conscience, and that, in spite of the seeming paradox, his visits to Cecilia were rare because she and her misfortunes were often uppermost in it.

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Mallet had made his arrangements to sail for Europe on the first of September, and having in the interval a fortnight to spare, he determined to spend it with his cousin Cecilia, the widow of a nephew of his father. He was urged by the reflection that an affectionate farewell might help to exonerate him from the charge of neglect frequently preferred by this lady. It was not that the young man disliked her; on the contrary, he regarded her with a tender admiration, and he had not forgotten how, when his cousin had brought her home on her marriage, he had seemed to feel the upward sweep of the empty bough from which the golden fruit had been plucked, and had then and there accepted the prospect of bachelorhood. The truth was, that, as it will be part of the entertainment of this narrative to exhibit, Rowland Mallet had an uncomfortably sensitive conscience, and that, in spite of the seeming paradox, his visits to Cecilia were rare because she and her misfortunes were often uppermost in it.