Other editions of book The Innocence of Father Brown

The first book of G.K. Chesterton’s ingenious, thoughtful, and lyrically written mystery stories featuring the unassuming little priest who solves crimes by imagining himself inside the mind and soul of criminals, thus understanding their motives. The stories are full of paradox, spiritual insight, and “Chestertonian fantasy”, or seeing the extraordinary in the ordinary. Father Brown is a direct challenge to the conventional detective and in many ways he is more amusing and ingenious.Contains the following 12 stories;The Blue CrossThe Secret GardenThe Queer FeetThe Flying StarsThe Invisible ManThe Strange JusticeThe Wrong ShapeThe Sins of Prince SaradineThe Bolt from the BlueThe Eye of ApolloThe Sign of the Broken SwordThe Three Tools of Death

In his day, Flambeau was a legend of the underworld. Even now, his old confederates remember with pride the Tyrolean Dairy scheme, in which he built a thriving milk business despite owning not a single cow. But today the master thief finally meets his match. Attempting to steal a priceless cross, Flambeau runs afoul of Father Brown, an ordinary-looking priest with amazing insight into the criminal mind. With grace, logic, and good humor, the stout little clergyman soon reforms one of England's most notorious villains.In thrilling tales such as "The Blue Cross," "The Secret Garden," and "The Hammer of God," G. K. Chesterton's immortal priest-detective applies his extraordinary intuition to the most intricate of mysteries. No corner of the human soul is too dark for Father Brown, no villain too ingenious. The Innocence of Father Brown is a testament to the power of faith and the pleasure of a story well told.

In his day, Flambeau was a legend of the underworld. Even now, his old confederates remember with pride the Tyrolean Dairy scheme, in which he built a thriving milk business despite owning not a single cow. But today the master thief finally meets his match. Attempting to steal a priceless cross, Flambeau runs afoul of Father Brown, an ordinary-looking priest with amazing insight into the criminal mind. With grace, logic, and good humor, the stout little clergyman soon reforms one of England's most notorious villains.In thrilling tales such as "The Blue Cross," "The Secret Garden," and "The Hammer of God," G. K. Chesterton's immortal priest-detective applies his extraordinary intuition to the most intricate of mysteries. No corner of the human soul is too dark for Father Brown, no villain too ingenious. The Innocence of Father Brown is a testament to the power of faith and the pleasure of a story well told.

Diminutive, bespectacled, and endearing, Father Brown only appears unworldly. But the cherubic parish priest is privy to the inner workings of the most surprising of sinners. And as an amateur sleuth, he intuits motives for Essex's unsolvable crimes. One of the most beloved characters in 20th-century detective fiction, the kindly cleric leverages his unrivaled insights into human nature to decipher 12 ingenious mysteries from the witty and clever mind of G. K. Chesterton. Revised edition: Previously published as The Innocence of Father Brown, this edition of The Innocence of Father Brown (AmazonClassics Edition) includes editorial revisions.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." * Not long after he published _Orthodoxy, _ G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it -- and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories. _The Innocence of Father Brown_ was the first collection of them, and it's a great lot of fun.

Between the silver ribbon of morning and the green glittering ribbon of sea, the boat touched Harwich and let loose a swarm of folk like flies, among whom the man we must follow was by no means conspicuous—nor wished to be. There was nothing notable about him, except a slight contrast between the holiday gaiety of his clothes and the official gravity of his face. His clothes included a slight, pale grey jacket, a white waistcoat, and a silver straw hat with a grey-blue ribbon. His lean face was dark by contrast, and ended in a curt black beard that looked Spanish and suggested an Elizabethan ruff. He was smoking a cigarette with the seriousness of an idler. There was nothing about him to indicate the fact that the grey jacket covered a loaded revolver, that the white waistcoat covered a police card, or that the straw hat covered one of the most powerful intellects in Europe. For this was Valentin himself, the head of the Paris police and the most famous investigator of the world; and he was coming from Brussels to London to make the greatest arrest of the century.Flambeau was in England. The police of three countries had tracked the great criminal at last from Ghent to Brussels, from Brussels to the Hook of Holland; and it was conjectured that he would take some advantage of the unfamiliarity and confusion of the Eucharistic Congress, then taking place in London. Probably he would travel as some minor clerk or secretary connected with it; but, of course, Valentin could not be certain; nobody could be certain about Flambeau.