Other editions of book The Man Who Knew Too Much

Why buy our paperbacks? Expedited shipping High Quality Paper Made in USA Standard Font size of 10 for all books 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated The Man Who Knew Too Much by G. K. Chesterton The Man Who Knew Too Much is a compilation of eight detective stories by the English philosopher and prolific writer Gilbert Keith Chesterton. The protagonist of these stories is the man of the title, Horne Fisher, an upper-class detective whose investigative gifts often put him in uncomfortable situations where he has to take difficult decisions. In stories like “The Face in the Target” and “The Vengeance of the Statue,” which are all told by a third-person narrator, Fisher uses his deductive faculties and theatrical representations to absolve the innocent and incriminate the guilty. Most of the crimes dealt with in these stories are about mysterious murders. Yet, Fisher has also to solve other cases related to theft as well as to disputes over money and estates. Due to his friendly or family relationships with influential statesmen, Fisher often finds himself with “too much” knowledge about the way things are run in the country. This paradoxically valuable and embarrassing knowledge forces him many a time to let the murderer get away with his crime in order to avoid something more dangerous to happen to the country such as war or rebellion.

The Face in the Target Harold March, the rising reviewer and social critic, was walking vigorously across a great tableland of moors and commons, the horizon of which was fringed with the far-off woods of the famous estate of Torwood Park. He was a good-looking young man in tweeds, with very pale curly hair and pale clear eyes. Walking in wind and sun in the very landscape of liberty, he was still young enough to remember his politics and not merely try to forget them. For his errand at Torwood Park was a political one; it was the place of appointment named by no less a person than the Chancellor of the Exchequer, Sir Howard Horne, then introducing his so-called Socialist budget, and prepared to expound it in an interview with so promising a penman. Harold March was the sort of man who knows everything about politics, and nothing about politicians. He also knew a great deal about art, letters, philosophy, and general culture; about almost everything, indeed, except the world he was living in. Abruptly, in the middle of those sunny and windy flats, he came upon a sort of cleft almost narrow enough to be called a crack in the land. It was just large enough to be the water-course for a small stream which vanished at intervals under green tunnels of undergrowth, as if in a dwarfish forest. Indeed, he had an odd feeling as if he were a giant looking over the valley of the pygmies. When he dropped into the hollow, however, the impression was lost; the rocky banks, though hardly above the height of a cottage, hung over and had the profile of a precipice. As he began to wander down the course of the stream, in idle but romantic curiosity, and saw the water shining in short strips between the great gray boulders and bushes as soft as great green mosses, he fell into quite an opposite vein of fantasy. It was rather as if the earth had opened and swallowed him into a sort of underworld of dreams. And when he became conscious of a human figure dark against the silver stream, sitting on a large boulder and looking rather like a large bird, it was perhaps with some of the premonitions proper to a man who meets the strangest friendship of his life. The man was apparently fishing; or at least was fixed in a fisherman’s attitude with more than a fisherman’s immobility. March was able to examine the man almost as if he had been a statue for some minutes before the statue spoke. He was a tall, fair man, cadaverous, and a little lackadaisical, with heavy eyelids and a highbridged nose. When his face was shaded with his wide white hat, his light mustache and lithe figure gave him a look of youth. But the Panama lay on the moss beside him; and the spectator could see that his brow was prematurely bald; and this, combined with a certain hollowness about the eyes, had an air of headwork and even headache. But the most curious thing about him, realized after a short scrutiny, was that, though he looked like a fisherman, he was not fishing. He was holding, instead of a rod, something that might have been a landing-net which some fishermen use, but which was much more like the ordinary toy net which children carry, and which they generally use indifferently for shrimps or butterflies. He was dipping this into the water at intervals, gravely regarding its harvest of weed or mud, and emptying it out again. “No, I haven’t caught anything,” he remarked, calmly, as if answering an unspoken query. “When I do I have to throw it back again; especially the big fish. But some of the little beasts interest me when I get ‘em.” “A scientific interest, I suppose?” observed March. “Of a rather amateurish sort, I fear,” answered the strange fisherman. “I have a sort of hobby about what they call ‘phenomena of phosphorescence.’ But it would be rather awkward to go about in society carrying stinking fish.”

Excerpt from The Man Who Knew Too Much March thought of asking him what he was looking for; but, feeling unequal to a technical discussion at least as deep as the deep-sea hsbcs. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Man Who Knew Too Much is a collection of detective stories by the famed English author G. K. Chesterton. Published in 1922 the book contains eight stories about “the man who knew too much.” The collection includes: "The Face in the Target" "The Vanishing Prince" "The Soul of the Schoolboy" "The Bottomless Well" "The Hole in the Wall" "The Fad of the Fisherman" "The Fool of the Family" "The Vengeance of the Statue" Odin’s Library Classics is dedicated to bringing the world the best of humankind’s literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

First published in 1922 and filled with evocative portraits of pre-World War I society, these eight stories from the creator of the Father Brown mysteries recount the adventures of Horne Fisher, a socialite who uses his immense knowledge and powerful deductive gifts to investigate crimes committed on the sprawling country estates of the aristocracy-crimes that must, alas, go largely unpunished due to the greater harm that justice would unleash.

Renowned English author G. K. Chesterton is praised for his brilliant writing, his social criticism, and his blending of philosophy and theology in his works. Not only this, but his work spans many different genres, ranging from adventurous fiction to Catholic apologetics to mystery and much more.From the “prince of paradox,” The Man Who Knew Too Much is a novel full of suspenseful whodunnit stories that are unlike other tales from this genre. Set in pre-WWI England, these eight adventures follow Horne Fisher, the alleged 'man who knew too much,' and his incredible detective skills. Each of the eight tales, with unique characters and tragic stories, are connected by some invisible string of fate and end with Chesterton’s usual theme of moral questioning.With classic murder mysteries such as “The Fad of the Fisherman” and social commentary in “The Vanishing Prince,” Chesterton’s The Man Who Knew Too Much combines rich storytelling with intense questioning of the universe to make this novel an essential read.

The Man Who Knew Too Much and other stories (1922) is a book of detective stories by English writer G. K. Chesterton, published in 1922 by Cassell and Company in the United Kingdom, and Harper Brothers in the United States. The book contains eight connected short stories about "The Man Who Knew Too Much", and additional unconnected stories featuring separate heroes/detectives. The United States edition contained one of these additional stories: "The Trees of Pride", while the United Kingdom edition contained "Trees of Pride" and three more, shorter stories: "The Garden of Smoke", "The Five of Swords" and "The Tower of Treason".

The Man Who Knew Too Much and other stories (1922) is a book of detective stories by English writer G. K. Chesterton, published in 1922 by Cassell and Company in the United Kingdom, and Harper Brothers in the United States.[1][2][3][4] The book contains eight connected short stories about "The Man Who Knew Too Much", and additional unconnected stories featuring separate heroes/detectives. The United States edition contained one of these additional stories: "The Trees of Pride", while the United Kingdom edition contained "Trees of Pride" and three more, shorter stories: "The Garden of Smoke", "The Five of Swords" and "The Tower of Treason". The 1934 and 1956 films have nothing except the title in common with this book. Alfred Hitchcock, who directed both films, decided to use the title because he held the film rights for some of the stories in the book.

Why buy our paperbacks? Standard Font size of 10 for all books High Quality Paper Fulfilled by Amazon Expedited shipping 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated About The Man Who Knew Too Much by Gilbert Keith Chesterton The Man Who Knew Too Much is a compilation of eight detective stories by the English philosopher and prolific writer Gilbert Keith Chesterton. The protagonist of these stories is the man of the title, Horne Fisher, an upper-class detective whose investigative gifts often put him in uncomfortable situations where he has to take difficult decisions. In stories like “The Face in the Target” and “The Vengeance of the Statue,” which are all told by a third-person narrator, Fisher uses his deductive faculties and theatrical representations to absolve the innocent and incriminate the guilty. Most of the crimes dealt with in these stories are about mysterious murders. Yet, Fisher has also to solve other cases related to theft as well as to disputes over money and estates. Due to his friendly or family relationships with influential statesmen, Fisher often finds himself with “too much” knowledge about the way things are run in the country. This paradoxically valuable and embarrassing knowledge forces him many a time to let the murderer get away with his crime in order to avoid something more dangerous to happen to the country such as war or rebellion.

About The Man Who Knew Too Much by Gilbert Keith ChestertonHow is this book unique?E-reader & tablet formatted, Font Adjustments100% Original contentUnabridged EditionAuthor Biography InsideIllustrations includedThe Man Who Knew Too Much is a compilation of eight detective stories by the English philosopher and prolific writer Gilbert Keith Chesterton. The protagonist of these stories is the man of the title, Horne Fisher, an upper-class detective whose investigative gifts often put him in uncomfortable situations where he has to take difficult decisions. In stories like “The Face in the Target” and “The Vengeance of the Statue,” which are all told by a third-person narrator, Fisher uses his deductive faculties and theatrical representations to absolve the innocent and incriminate the guilty. Most of the crimes dealt with in these stories are about mysterious murders. Yet, Fisher has also to solve other cases related to theft as well as to disputes over money and estates. Due to his friendly or family relationships with influential statesmen, Fisher often finds himself with “too much” knowledge about the way things are run in the country. This paradoxically valuable and embarrassing knowledge forces him many a time to let the murderer get away with his crime in order to avoid something more dangerous to happen to the country such as war or rebellion.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.