Books with title The Book of Tea

The Book of Tea (1906) by Okakura Kakuzō is a long essay which examines the role of chadō (Teaism) in the aesthetic and cultural aspects of Japanese life. The author explains Teaism as “a philosophy founded on the adoration of the beautiful among the sordid facts of everyday existence”. Originally written in English for a western audience, the essay deals with the spiritual traditions of Zen and Taoism, as well as the secular side of tea in Japanese life. The author shows how tea as a metaphor inspired the elegant simplicity which characterizes - inter alia - the art and architecture of Japan. According to the philosopher Tomonobu Imamichi, Martin Heidegger's concept of “Dasein” was inspired by Kakuzō’s expression “being-in-the-worldness” for the philosophy of Zhuangzi who composed a foundational text of the Tao. Kakuzó concludes that Teaism in itself serves as a universal remedy for promoting peace and tranquillity.

We are delighted to publish this classic book as part of our extensive classic literature collection. This book is a reproduction of an important historical work. Unlike some other reproductions of classic texts, We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. Also in books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy. We use state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.The Philosophy of Tea is not mere aestheticism in the ordinary acceptance of the term, for it expresses conjointly with ethics and religion our whole point of view about man and nature. It is hygiene, for it enforces cleanliness; it is economics, for it shows comfort in simplicity rather than in the complex and costly; it is moral geometry, inasmuch as it defines our sense of proportion to the universe. It represents the true spirit of Eastern democracy by making all its votaries aristocrats in taste.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Book of Tea was written by Okakura Kakuzo in the early 20th century. It was first published in 1906, and has since been republished many times. In the book, Kakuzo introduces the term Teaism and how Tea has affected nearly every aspect of Japanese culture, thought, and life. The book is accessibile to Western audiences because Kakuzo was taught at a young age to speak English; and spoke it all his life, becoming proficient at communicating his thoughts to the Western Mind. In his book, he discusses such topics as Zen and Taoism, but also the secular aspects of Tea and Japanese life. The book emphasises how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzo argues that this tea-induced simplicity affected art and architecture, and he was a long-time student of the visual arts. He ends the book with a chapter on Tea Masters, and spends some time talking about Sen no Rikyu and his contribution to the Japanese Tea Ceremony. According to Tomonobu Imamichi, Heidegger's concept of Dasein in Sein und Zeit was inspired — although Heidegger remains silent on this — by Okakura Kakuzo's concept of das-in-dem-Welt-sein (to be in the being of the world) expressed in The Book of Tea to describe Zhuangzi's philosophy, which Imamichi's teacher had offerred to Heidegger in 1919, after having followed lessons with him the year before.

The Book of Tea by Okakura Kakuzo was drafted at the beginning of the 20th century. It was first released in 1906, and has later been reprinted several times. In the volume, Okakura presents the word Teaism and how Tea has changed almost all facets of Japanese tradition, thinking and existence. The volume is acclaimed to be available to Western readers for the reason that although Okakura was born and reared Japanese, he was educated at an early age to communicate in English; and would articulate it in his lifetime, becoming adept at speaking his thinking in the Western Mind. In his volume, he explicates the themes such as Zen and Taoism, but also the laical features of Tea and Japanese existence. The volume stresses how Teaism instructed the Japanese several aspects, more significantly, classicality. Okakura Kakuzō also named as Okakura Tenshin was a Japanese academic who proffered to the advancement of creativity in Japan. Apart from Japan, he is mostly commemorated at present as the writer of The Book of Tea. He was born in Yokohama to parents coming from Fukui, Okakura was taught English while studying in a school administered by Christian missionary, Dr. Curtis Hepburn. When he was 15 years old, he enrolled at Tokyo Imperial University, where he first encountered and taught under Harvard-learned educator Ernest Fenollosa. Then, Okakura co-established the newspaper Kokka. He was among the main formators of the Tokyo School of Fine Arts, and thereafter became its principal, though he was thenceforth expelled from the school in an departmental conflict. From thereon, he also formed the Japan Art Institute with Hashimoto Gahō and Yokoyama Taikan. He was encouraged by William Sturgis Bigelow to the Museum of Fine Arts, Boston and became the first leader of the art division in Asia.

The Book of Tea, one of the great English tea classics, is a long essay about the connection between teaism, Taoism, and the aesthetics of Japanese culture. It was written by Okakura Kakuzō in English and was published in the United States in 1906. The essay targets a Western audience and seeks to explain the importance of tea in Japanese culture, not just as a beverage, but as a form of art expressed in different aspects. After a brief introduction of the Western attitude towards tea, Okakura demystifies the admiration of the Japanese people for this green plant by presenting the different schools of tea, its connection to Zen philosophy, and how it has affected the arts. The famous tea ceremony and its rigid formalities are explained, together with the contributions of the great tea-masters. The Book of Tea is considered by many to be one of the first books to introduce Eastern culture and philosophy to the Western world. This was possible due to Okakura's early contact with the English language and Western thought, but also due to his later involvement in the Asian art division of the Boston Museum of Fine Arts, which he came to head in 1910.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.