Books with title Sylvie and Bruno Concluded

SECOND VOLUME IN THE SERIES “SYLVIE AND BRUNO - COMPLETE”.SYLVIE AND BRUNO, FIRST PUBLISHED IN 1889, AND ITS SECOND VOLUME SYLVIE AND BRUNO CONCLUDED PUBLISHED IN 1893, FORM THE LAST NOVEL BY LEWIS CARROLL PUBLISHED DURING HIS LIFETIME. BOTH VOLUMES WERE ILLUSTRATED BY HARRY FURNISS. THE NOVEL HAS TWO MAIN PLOTS: ONE SET IN THE REAL WORLD AT THE TIME THE BOOK WAS PUBLISHED (THE VICTORIAN ERA), THE OTHER IN THE FANTASY WORLD OF FAIRYLAND. WHILE THE LATTER PLOT IS A FAIRY TALE WITH MANY NONSENSE ELEMENTS AND POEMS, SIMILAR TO CARROLL'S ALICE BOOKS, THE STORY SET IN VICTORIAN BRITAIN IS A SOCIAL NOVEL, WITH ITS CHARACTERS DISCUSSING VARIOUS CONCEPTS AND ASPECTS OF RELIGION, SOCIETY, PHILOSOPHY AND MORALITY.“Sylvie and Bruno is characterized by his peculiar and whimsical humor, his extravagant conceits, and the grotesqueness and inconsistency of plot, characters, and incidents in his stories.... It is a charming piece of work.”—New York Sun.“Mr. Furniss’s illustrations, which are numerous, are at once graceful and full of humor. We pay him a high compliment when we say he proves himself a worthy successor to Mr. Tenniel in illustrating Mr. Lewis Carroll’s books.”—St. James’s Gazette.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Sylvie and Bruno Concluded, published in 1893 by the famous author Lewis Carroll is the last novel published in his lifetime, the final being the conclusion, Sylvie and Bruno Concluded. The novel is split between two worlds, much like Carroll’s previous novel, Alice’s Adventures in Wonderland; the first is Carroll’s own time of Victorian era England, and the second is a fantasy world of Fairyland.Odin’s Library Classics is dedicated to bringing the world the best of humankind’s literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Sylvie and Bruno, first published in 1889, and its second volume Sylvie and Bruno Concluded published in 1893, form the last novel by Lewis Carroll published during his lifetime. Both volumes were illustrated by Harry Furniss.There are two strands to the plot: the conspiracy against the Warden of Outland, instigated by the Sub-Warden and Chancellor, and the love of a young doctor, Arthur, for Lady Muriel.Condensed narrativeEditVolume 1, Sylvie and BrunoEditConspiracy in Outland; Arthur and Lady MurielEditChapter 1The narrator is in his spacious breakfast-saloon, high above the noisy public square. The Chancellor has hired a mob to put on a ”spontaneous” protest, but the rioters seem confused whether to chant for more or less of bread and taxes. Bruno enters, looking for Sylvie, but he ends up on the Chancellor's knee with Sylvie, listening to the Warden's report of the Professor's return from his travels in search of health. In the Library the Professor tells them about his troubles with barometric and ”horizontal weather” issues.[5]Chapter 2The narrator finds himself in a train compartment, which a veiled young lady has just entered. He is on his way to see Arthur, a doctor friend, for a consultation; he rereads Arthur's letter, and absent-mindedly repeats out loud its last line, "Do you believe in Fate?" The lady laughs, and a conversation ensues. The scene changes abruptly to the breakfast-saloon, in which the Professor is explaining his plunge-bath invention to the Sub-Warden, his wife, her son, the Chancellor, Warden, Sylvie, and Bruno.Chapter 3The Chancellor tries to persuade the Warden to elevate the Sub-Warden to Vice-Warden. The Warden asks the Sub-Warden for a private talk. The Sub-Warden's wife asks the Professor about his Lecture, suggesting a Fancy Dress Ball. He gives Sylvie a birthday present: a pincushion. Uggug throws butter over Sylvie. The Sub-Warden distracts his wife by saying a pig is in the garden; the Chancellor drags Uggug out by his ear.Chapter 4The Warden agrees to the changes. After he has signed the Agreement and left (to become Monarch of Fairyland), the Chancellor, Vice-Warden and his wife laugh about how they have deceived him, the document having been altered at the last minute to give the Vice-Warden dictatorial powers. A beggar appears beneath the window; Uggug and his mother throw water over him. Bruno tries to throw him some food, but he has gone.Chapter 5The narrator wakes up, and he and the lady discuss ghosts. They change trains at Fayfield Junction; he notices her name on her luggage: Lady Muriel Orme. An old tramp is sent on his way. The narrator falls asleep again, and hears the first stanza of the Mad Gardener's Song. The Gardener directs Sylvie and Bruno after the beggar. They give him cake, and he leads them to an underground octagonal room lined with creepers bearing fruit and flowers. His clothes transform, and they find it is their father.Chapter 6He says they are in Elfland. Bruno tries to eat the fruit (Phlizz) but it has no taste. Their father shows Sylvie two lockets, one blue ("All will love Sylvie") and one red ("Sylvie will love all"). She chooses the red. The narrator finds himself at the railway station of his destination, Elveston. On arriving at Arthur's house, he tells him of Lady Muriel Orme, and it turns out that Arthur knows her and is in love with her. The narrator falls asleep again, and hears the Chancellor warn the Vice-Warden that the Ambassador of Elfland has arrived and that they will need to convince him that Uggug is Bruno, or as able as Bruno.Chapter 7The Ambassador, Baron Doppelgeist, is given demonstrations of Uggug's abilities which always happen when he is looking the other way. Finding his guestroom full of frogs, he leaves in anger.Chapter 8The narrator visits Lady Muriel and her father, the Earl, in the company of Arthur. They discuss weightlessness. Later, Arthur and the narrator visit the beach.

Sylvie and Bruno, first published in 1889, and its second volume Sylvie and Bruno Concluded published in 1893, form the last novel by Lewis Carroll published during his lifetime. The novel has two main plots: one set in the real world at the time the book was published (the Victorian era), the other in the fantasy world of Fairyland. While the latter plot is a fairy tale with many nonsense elements and poems, similar to Carroll's Alice books, the story set in Victorian Britain is a social novel, with its characters discussing various concepts and aspects of religion, society, philosophy and morality.