Books with title Owls After Dark

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> After Dark; Volume 367 Of Collection Of British And American Authors; Victorian Fiction And Other Nineteenth Century Fiction; After Dark; Wilkie Collins; Volume 367 Of Collection Of British Authors<author> Wilkie Collins<publisher> B. Tauchnitz, 1856<subjects> Fiction; Mystery & Detective; General; Fiction / Classics; Fiction / Mystery & Detective / General

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Before I begin, by the aid of my wife's patient attention and ready pen, to relate any of the stories which I have heard at various times from persons whose likenesses I have been employed to take, it will not be amiss if I try to secure the reader's interest in the following pages, by briefly explaining how I became possessed of the narrative matter which they contain. Of myself I have nothing to say, but that I have followed the profession of a traveling portrait-painter for the last fifteen years. The pursuit of my calling has not only led me all through England, but has taken me twice to Scotland, and once to Ireland. In moving from district to district, I am never guided beforehand by any settled plan. Sometimes the letters of recommendation which I get from persons who are satisfied with the work I have done for them determine the direction in which I travel. Sometimes I hear of a new neighborhood in which there is no resident artist of ability, and remove thither on speculation. Sometimes my friends among the picture-dealers say a good word on my behalf to their rich customers, and so pave the way for me in the large towns. Sometimes my prosperous and famous brother-artists, hearing of small commissions which it is not worth their while to accept, mention my name, and procure me introductions to pleasant country houses. Thus I get on, now in one way and now in another, not winning a reputation or making a fortune, but happier, perhaps, on the whole, than many men who have got both the one and the other. So, at least, I try to think now, though I started in my youth with as high an ambition as the best of them. Thank God, it is not my business here to speak of past times and their disappointments. A twinge of the old hopeless heartache comes over me sometimes still, when I think of my student days.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> After Dark<author> Wilkie Collins<publisher> Dodd, Mead and Company, 1912

A prolific author of the Victorian era, Wilkie Collins (1824–89) specialized in tales of suspense. The forerunners of today's detective and suspense fiction, his best-known works include The Moonstone and The Woman in White. The six short stories of After Dark ― tales of murder, mystery, and family drama ― originally appeared in the periodical Household Words, which was published by Collins's friend and fellow storyteller Charles Dickens. The opening sequence, "Leaves from Leah's Diary," in which an itinerant painter of portraits reminisces about some of his most curious subjects, provides a narrative framework for the stories. "The Traveller's Story: A Terribly Strange Bed," relates an insomniac gambler's brush with disaster. "The Lawyer's Story: A Stolen Letter" involves blackmail, and "The French Governess's Story: Sister Rose" unfolds in Paris during the Revolution. "The Angler's Story: The Lady of Glenwith Grange" recounts a romance with a dashing stranger, and "The Nun's Story: Gabriel's Marriage" tells of estrangement and reconciliation. The final tale, "The Professor's Story: The Yellow Mask," concerns a stolen inheritance.

After Dark is a collection of six stories, written by Wilkie Collins, that revolves around the life of a portrait artist who is forced to stop his work in order to rest his damaged eyes. Wilkie Collins was a prominent English writer in the 19th century. Collins was a close friend of Charles Dickens and his books were often featured in Dickens' journals All the Year Round and Household Words. Collins' books still enjoy wide popularity, especially mystery and detective novels such as The Woman in White, The Moonstone, and Armadale.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

After Dark is a collection of six short stories by Wilkie Collins, first published in 1856. It was the author’s first collection of short stories. Five of the stories were previously published in Household Words, a magazine edited by Charles Dickens. The stories are linked by a narrative framework. At the beginning and end of the book are ”Leaves from Leah’s Diary”: William Kerby, a travelling portrait-painter, is in danger of losing his sight, and is required by his doctor to cease painting for a while. His wife Leah realizes that destitution threatens. He is a good story-teller, and Leah has the idea of writing down his stories and publishing them. Each story has a prologue, which was added to the original story that appeared in Household Words.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> After Dark; Volume 367 Of Collection Of British And American Authors<author> Wilkie Collins<publisher> B. Tauchnitz, 1856