Books with title Messenger

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

About five o’clock that evening a Rhode Island battery clanked through the village and parked six dusty guns in a pasture occupied by some astonished cows. A little later the cavalry arrived, riding slowly up the tree-shaded street, escorted by every darky and every dog in the country-side. The clothing of this regiment was a little out of the ordinary. Instead of the usual campaign head gear the troopers wore forage caps strapped under their chins, heavy visors turned down, and their officers were conspicuous in fur-trimmed hussar tunics slung from the shoulders of dark-blue shell jackets; but most unusual and most interesting of all, a mounted cavalry band rode ahead, led by a bandmaster who sat his horse like a colonel of regulars—a slim young man with considerable yellow and gold on his faded blue sleeves, and an easy manner of swinging forward his heavy cut-and-thrust sabre as he guided the column through the metropolitan labyrinths of Sandy River. Sandy River had seen and scowled at Yankee cavalry before, but never before had the inhabitants had an opportunity to ignore a mounted band and bandmaster. There was, of course, no cheering; a handkerchief fluttered from a gallery here and there, but Sandy River was loyal only in spots, and the cavalry pressed past groups of silent people, encountering the averted heads or scornful eyes of young girls and the cold hatred in the faces of gray-haired gentlewomen, who turned their backs as the ragged guidons bobbed past and the village street rang with the clink-clank of scabbards and rattle of Spencer carbines. But there was a small boy on a pony who sat entranced as the weather-ravaged squadrons trampled by. Cap in hand, straight in his saddle, he saluted the passing flag; a sunburnt trooper called out: “That’s right, son! Bully for you!” The boy turned his pony and raced along the column under a running fire of approving chaff from the men, until he came abreast of the bandmaster once more, at whom he stared with fascinated and uncloyed satisfaction. Into a broad common wheeled the cavalry; the boy followed on his pony, guiding the little beast in among the mounted men, edging as close as possible to the bandmaster, who had drawn bridle and wheeled his showy horse abreast of a group of officers. When the boy had crowded up as close as possible to the bandmaster he sat in silence, blissfully drinking in the splendors of that warrior’s dusty apparel.

Robert William Chambers (May 26, 1865 – December 16, 1933) was an American artist and fiction writer, best known for his book of short stories entitled The King in Yellow, published in 1895.He was born in Brooklyn, New York, to William P. Chambers (1827–1911), a corporate and bankruptcy lawyer, and Caroline Smith Boughton (1842-1913). His parents met when Caroline was twelve years old and William P. was interning with her father, Joseph Boughton, a prominent corporate lawyer. Eventually the two formed the law firm of Chambers and Boughton which continued to prosper even after Joseph's death in 1861. Robert's great-grandfather, William Chambers (birth unknown), a lieutenant in the British Royal Navy, was married to Amelia Saunders,(1765-1822), the great grand daughter of Tobias Saunders, of Westerly, Rhode Island. The couple moved from Westerly, to Greenfield, Massachusetts and then to Galway, New York, where their son, also William Chambers, (1798-1874) was born. The second William graduated from Union College at the age of 18, and then went to a college in Boston, where he studied to be a doctor. Upon graduating, he and his wife, Eliza P. Allen (1793-1880), a direct descendant of Roger Williams, the founder of Providence, Rhode Island were among the first settlers of Broadalbin, New York. His brother was architect Walter Boughton Chambers. Robert was first educated at the Brooklyn Polytechnic Institute, and then entered the Art Students' League at around the age of twenty, where the artist Charles Dana Gibson was his fellow student. Chambers studied at the École des Beaux-Arts, and at Académie Julian, in Paris from 1886 to 1893, and his work was displayed at the Salon as early as 1889. On his return to New York, he succeeded in selling his illustrations to Life, Truth, and Vogue magazines. Then, for reasons unclear, he devoted his time to writing, producing his first novel, In the Quarter (written in 1887 in Munich). His most famous, and perhaps most meritorious, effort is The King in Yellow, a collection of Art Nouveau short stories published in 1895. This included several famous weird short stories which are connected by the theme of a fictitious drama of the same title, which drives those who read it insane.E. F. Bleiler described The King in Yellow as one of the most important works of American supernatural fiction.It was also strongly admired by H. P. Lovecraft and his circle. Chambers returned to the weird genre in his later short story collections The Maker of Moons, The Mystery of Choice and The Tree of Heaven, but none earned him as much success as The King in Yellow. Some of Chambers's work contains elements of science fiction, such as In Search of the Unknown and Police!!!, about a zoologist who encounters monsters. Chambers later turned to writing romantic fiction to earn a living. According to some estimates, Chambers had one of the most successful literary careers of his period, his later novels selling well and a handful achieving best-seller status. Many of his works were also serialized in magazines. His novel The Man They Hanged was about Captain Kidd, and argued that Kidd was not a pirate, and had been made a scapegoat by the British government.During World War I he wrote war adventure novels and war stories, some of which showed a strong return to his old weird style, such as "Marooned" in Barbarians (1917). After 1924 he devoted himself solely to writing historical fiction.Chambers for several years made Broadalbin, New York, his summer home. Some of his novels touch upon colonial life in Broadalbin and Johnstown.On July 12, 1898, he married Elsa Vaughn Moller (1882–1939). They had a son, Robert Edward Stuart Chambers (who sometimes used the name Robert Husted Chambers).Robert W. Chambers died on December 16, 1933, after having undergone intestinal surgery three days earlier.

Special Messenger is presented here in a high quality paperback edition. This popular classic work by Robert W. (Robert William) Chambers is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Robert W. (Robert William) Chambers then we highly recommend this publication for your book collection.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.