Books with title Lewis Carroll's Through the Looking Glass

In 1865, English author CHARLES LUTWIDGE DODGSON (1832-1898), aka Lewis Carroll, wrote a fantastical adventure story for the young daughters of a friend. The adventures of Alice-named for one of the little girls to whom the book was dedicated-who journeys down a rabbit hole and into a whimsical underworld realm instantly struck a chord with the British public, and then with readers around the world. In 1872, in reaction to the universal acclaim *Alice's Adventures in Wonderland* received, Dodgson published this sequel. Nothing is quite what it seems once Alice journeys through the looking-glass, and Dodgson's wit is infectious as he explores concepts of mirror imagery, time running backward, and strategies of chess-all wrapped up in the exploits of a spirited young girl who parries with the Red Queen, Tweedledee and Tweedledum, and other unlikely characters. In many ways, this sequel has had an even greater impact on today's pop culture than the first book.

Through the Looking-Glass, and What Alice Found There (1871[1]) (also known as “Alice through the Looking-Glass” or simply “through the Looking-Glass”) is a novel by Lewis Carroll and the sequel to Alice's Adventures in Wonderland (1865). Set six months later than the earlier book, Alice again enters a fantastical world, this time by climbing through a mirror into the world that she can see beyond it. There she finds that, just like a reflection, everything is reversed, including logic (running helps you remain stationary, walking away from something brings you towards it, chessmen are alive, nursery rhyme characters exist, etc) Through the Looking-Glass includes such celebrated verses as "Jabberwocky" and "The Walrus and the Carpenter", and the episode involving Tweedledum and Tweedledee. The mirror which inspired Carroll remains displayed in Charlton Kings

The Mad Hatter and Mirror Master team up to drag Batman and The Flash Through the Looking Glass! Trapped in a wacky Wonderland filled with white rabbits and Cheshire cats, the heroes have to battle past the pair of villains to find their way back to the real world. A glossary and visual discussion questions help this adventure continue even after the story has ended.

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Through the Looking-Glass, and What Alice Found There (1871) is a work of children's literature by Lewis Carroll (Charles Lutwidge Dodgson), generally categorized as literary nonsense. It is the sequel to Alice's Adventures in Wonderland (1865). Although it makes no reference to the events in the earlier book, the themes and settings of Through the Looking-Glass make it a kind of mirror image of Wonderland: the first book begins outdoors, in the warm month of May, on Alice's birthday (May 4), uses frequent changes in size as a plot device, and draws on the imagery of playing cards; the second opens indoors on a snowy, wintry night exactly six months later, on November 4 (the day before Guy Fawkes Night), uses frequent changes in time and spatial directions as a plot device, and draws on the imagery of chess. In it, there are many mirror themes, including opposites, time running backwards, and so on.

Through the Looking-Glass, and What Alice Found There (1871) is a novel by Lewis Carroll (Charles Lutwidge Dodgson), the sequel to Alice's Adventures in Wonderland (1865). Set some six months later than the earlier book, Alice again enters a fantastical world, this time by climbing through a mirror into the world that she can see beyond it. Through the Looking-Glass includes such celebrated verses as "Jabberwocky" and "The Walrus and the Carpenter", and the episode involving Tweedledum and Tweedledee. The mirror which inspired Carroll remains displayed in Charlton Kings.

Through the Looking-Glass, and What Alice Found There (1871) is a novel by Lewis Carroll (Charles Lutwidge Dodgson), the sequel to Alice's Adventures in Wonderland (1865). The themes and settings of Through the Looking-Glass make it a kind of mirror image of Wonderland: the first book begins outdoors, in the warm month of May (4 May), uses frequent changes in size as a plot device, and draws on the imagery of playing cards; the second opens indoors on a snowy, wintry night exactly six months later, on 4 November (the day before Guy Fawkes Night), uses frequent changes in time and spatial directions as a plot device, and draws on the imagery of chess. In it, there are many mirror themes, including opposites, time running backwards, and so on.