Books with title Howards End

"Howards End" is a novel by English novelist, short story writer, essayist and librettist E. M. Forster. It was first published in 1910. "Howards End" is considered by some to be Forster's masterpiece. In 1998, the Modern Library ranked "Howards End" 38th on its list of the 100 best English-language novels of the 20th century. It's about social conventions, codes of conduct, and personal relationships in turn-of-the-century England. This is also a story of difference between the middle class and the poor. The story revolves complex story of relationship between three families belonging to three different classes of pre-war England.

Excerpt from Howards EndBut, Margaret dear, I mean, we mustn't be unpractical now that we've come to facts. It is too sudden, surely.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

First published in 1910, Howards End is the novel that earned E. M. Forster recognition as a major writer. At its heart lie two families--the wealthy and business-minded Wilcoxes and the cultured and idealistic Schlegels. When the beautiful and independent Helen Schlegel begins an impetuous affair with the ardent Paul Wilcox, a series of events is sparked--some very funny, some very tragic--that results in a dispute over who will inherit Howards End, the Wilcoxes' charming country home. As much about the clash between individual wills as the clash between the sexes and the classes, Howards End is a novel whose central tenet, "Only connect," remains a powerful prescription for modern life.

Howards End is a novel by E. M. Forster, first published in 1910, about social conventions, codes of conduct and relationships in turn-of-the-century England. Howards End is considered by many to be Forster's masterpiece.The story revolves around three families in England at the beginning of the 20th century: the Wilcoxes, rich capitalists with a fortune made in the colonies; the half-German Schlegel siblings (Margaret, Helen, and Tibby), whose cultural pursuits have much in common with the Bloomsbury Group; and the Basts, an impoverished young couple from a lower-class background. The idealistic, intelligent Schlegel sisters seek to help the struggling Basts and to rid the Wilcoxes of some of their deep-seated social and economic prejudices.The Schlegels had briefly met and befriended the Wilcoxes when both families were touring Germany. Helen, the younger Schlegel daughter, then visits the Wilcoxes at their country house, Howards End. There, she is romantically attracted to the younger Wilcox son, Paul; they become engaged in haste but soon regret their decision. The engagement is broken off by mutual consent.Later that year, the Wilcoxes move to London, taking an apartment close to the Schlegels' house. Margaret Schlegel befriends the Wilcox matriarch, Ruth. Howards End is Ruth's most prized possession; she feels a strong connection to it. Her husband and children do not share her feelings for the old house. Perceiving that Margaret is a kindred spirit, Ruth, while on her deathbed, decides to write a note to bequeath Howards End to Margaret. When the widowed Henry Wilcox reads this note, it causes him great consternation. Henry and his children burn the note without telling Margaret about her inheritance.A few years later, Henry Wilcox and Margaret Schlegel renew their acquaintance. Their friendship blossoms into romance and Henry proposes to Margaret, who accepts. It is apparent that their personalities could not be more different. The courageous, idealistic, compassionate, high-minded and romantically inclined Margaret tries to get the rigid, unsentimental, staunchly rational Henry to open up more. Henry's children do not look upon her engagement to their father with a friendly eye. But the only real opposition comes from Charles and his wife Dolly; as they fear that Margaret endangers their inheritance of Howards End.

From: WHY WE SHOULD READ, by S. P. B. Mais, (1921) We read HOWARD'S END for its unexpectedness, its elliptic talk, which so exactly hits off the characters he creates, for its manifestation of the Comic Spirit.... We read HOWARD'S END for the merciless skill which E. M. Forster shows in laying bare the soul of Leonard Bast, the clerk in the insurance office, who reads Ruskin and goes to the Queen's Hall in order to improve himself, who is dragged into the gutter by his loose-living mistress ("she seemed all strings and bell-pulls, ribbons, chains, bead necklaces that chinked and caught—").... We read HOWARD'S END for the equally merciless sketch of the millionaire husband of the heroine ("a man who ruins a woman for his pleasure, and casts her off to ruin other men. And gives bad financial advice, and then says he is not responsible. These men are you. You can't recognise them, because you cannot connect. I've had enough of your unweeded kindness. I've spoilt you long enough. All your life you have been spoiled.... No one has ever told what you are—muddled, criminally muddled"). If we demand of modern novels that they should portray human character exactly as it is and that the author should have a definite standpoint for his philosopher of life, one need quote no further to prove that in HOWARD'S END these two desirable factors are to be found in profusion. Mr E. M. Forster is a conscious artist of a very high order and our only quarrel with him is that he writes too little.

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The self-interested disregard of a dying woman's bequest, an impulsive girl's attempt to help an impoverished clerk, and the marriage between an idealist and a materialist — all intersect at a Hertfordshire estate called Howards End. The fate of this beloved country home symbolizes the future of England itself in E. M. Forster's exploration of social, economic, and philosophical trends, as exemplified by three families: the Schlegels, symbolizing the idealistic and intellectual aspect of the upper classes; the Wilcoxes, representing upper-class pragmatism and materialism; and the Basts, embodying the aspirations of the lower classes. Written in 1910, Howards End won international acclaim for its insightful portrait of English life during the post-Victorian era.

Howard's End By E. M. Forster Presented by The Online Stage "Only connect!" E. M. Forster's classic 1910 novel follows the lives and loves of the Schlegel sisters, Margaret and Helen, as they attempt to make connections with members of two very different families: the conservative, wealthy Wilcoxes, and the working-class Basts. Cast: Narrator - Elizabeth Klett Helen Schlegel - Amanda Friday Margaret Schlegel - Arielle Lipshaw Aunt Juley - Cate Barratt Charles Wilcox - David Prickett Mrs. Wilcox - Erin Louttit Paul Wilcox - Jeff Moon Tibby Schlegel - Russell Gold Leonard Bast - Craig Franklin Jacky Bast - Elizabeth Klett Dolly Wilcox - Elizabeth Chambers Evie Wilcox - PJ Morgan Henry Wilcox - Steve Gough Audio edited by Elizabeth Klett

Considered by many to be E. M. Forster's greatest novel, Howards End is a beautifully subtle tale of two very different families brought together by an unusual event. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes are practical and materialistic, leading lives of "telegrams and anger". When the elder Mrs. Wilcox dies and her family discovers she has left their country home - Howards End - to one of the Schlegel sisters, a crisis between the two families is precipitated that takes years to resolve. Written in 1910, Howards End is a symbolic exploration of the social, economic, and intellectual forces at work in England in the years preceding World War I, a time when vast social changes were occurring. In the Schlegels and the Wilcoxes, Forster perfectly embodies the competing idealism and materialism of the upper classes, while the conflict over the ownership of Howards End represents the struggle for possession of the country's future. Forster refuses to take sides in this conflict. Instead he poses one of the book's central questions: In a changing modern society, what should be the relation between the inner and outer life, between the world of the intellect and the world of business? Can they ever, as Forster urges, "only connect"?