Books with title Blue Fairy Book

The King and the Queen lived in a city which was on the top of a hill, and had a wall round it, and the King’s palace was in the middle of it. In the springtime Rainbow was taken to a high tower which looked on to the little round city, and from her window you could see the spires of the churches, the ramparts, and the broad green plain beyond. But a curtain made of canvas was fastened outside Rainbow’s window, so that she could see nothing, and she was not allowed to go outside her tower until the springtime was over. Rainbow grew up into a most beautiful Princess, with grey eyes and fair hair, and until she was sixteen all went well, and nothing happened to interfere with her happiness. It was on her sixteenth birthday, which was in April, and she was sitting alone in her room, looking at her birthday presents, when she began to wonder for the first time why she was shut up in her tower during three months of the year, and why a curtain was placed outside her window, so that she could see nothing outside. Her mother and her nurse had told her that this was done so that she might not fall ill, and she had always believed it; but on that day, for the first time, she began to wonder whether there might be any other reason as well. It was a lovely Spring day, and the sun shone through the canvas curtain which was stretched outside Rainbow’s open window; a breeze came into her room from the outside world, and Rainbow felt a great longing to tear aside the curtain and to see what was happening out of doors.

The Blue Fairy Book written and published in 1889 is a book of selective fairy tales, stories from the Brother Grimm, Madame d’Aulnoy, the Arabian Nights, and Norwegian fairy tales, and many others. The Blue Fairy Book is the first volume in the fairy tale series, it has some of the famous tales, from many different bases. It consists of tales such as The Bronze Ring, Prince Hyacinth and the Dear Little Princess, East of the Sun and West of the Moon, The Yellow Dwarf, Little Red Riding Hood, The Sleeping Beauty in the Wood, Cinderella or the Little Glass Slipper, Aladdin and the Wonderful Lamp, The Tale of a Youth Who Set Out to Learn What Fear Was, Rumpelstiltskin, Beauty and the Beast, The Master Maid, Why the Sea Is Salt, The Master Cat or Puss in Boots, Felicia and the Pot of Pinks, The White Cat, The Water-lily. The Gold-spinners, The Terrible Head, The Story of Pretty Goldilocks, The History of Whittington, The Wonderful Sheep, Little Thumb, The Forty Thieves, Hansel and Gretel. Snow-White and Rose-Red, The Goose-girl, Toads and Diamonds, Prince Darling, Blue Beard, Trusty John, The Brave Little Tailor, A Voyage to Lilliput, The Princess on the Glass Hill, The Story of Prince Ahmed and the Fairy Paribanou, The History of Jack the Giant-killer, The Black Bull of Norroway, and The Red Etin. The Blue Fairy Book was collected and written by Andrew Lang, a Scottish poet, novelist, literary critic, and anthropologist. He is famous for his collection of both folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him. He is best known for his stories on folklore, mythology, and religion. He was inspired in writing folklore in his childhood years because of John Ferguson McLennan and Sir Edward Burnett Tylor. In his book of Myth, Ritual and Religion, he narrated the unintelligible facets of mythology as a constancy from more basic strategies.

Andrew Lang's Fairy Books are a series of twenty-five collections of true and fictional stories for children, published between 1889 and 1913. The best known books of the series are the twelve collections of fairy tales, known as Andrew Lang's "Coloured" Fairy Books or Andrew Lang's Fairy Books of Many Colors. In all, the volumes feature 798 stories, besides the 153 poems in The Blue Poetry Book. The first edition of The Blue Fairy Book consisted of 5000 copies, which sold for 6 shillings each. The book assembled a wide range of tales, with seven from the Brothers Grimm, five from Madame d'Aulnoy, three from the Arabian Nights, and four Norwegian fairytales, among other sources. The Blue Fairy Book was the first volume in the series, and so it contains some of the best known tales, taken from a variety of sources. Stories Included Within This Book: The Bronze Ring Prince Hyacinth and the Dear Little Princess East of the Sun and West of the Moon The Yellow Dwarf Little Red Riding Hood The Sleeping Beauty in the Wood Cinderella or the Little Glass Slipper Aladdin and the Wonderful Lamp The Tale of a Youth Who Set Out to Learn What Fear Was Rumpelstiltskin Beauty and the Beast The Master Maid Why the Sea Is Salt The Master Cat or Puss in Boots Felicia and the Pot of Pinks The White Cat The Water-lily. The Gold-spinners The Terrible Head The Story of Pretty Goldilocks The History of Whittington The Wonderful Sheep Little Thumb The Forty Thieves Hansel and Gretel Snow-White and Rose-Red The Goose-girl Toads and Diamonds Prince Darling Blue Beard Trusty John The Brave Little Tailor A Voyage to Lilliput The Princess on the Glass Hill The Story of Prince Ahmed and the Fairy Paribanou The History of Jack the Giant-killer The Black Bull of Norroway The Red Etin

THE TALES in this volume are intended for children, who will like, it is hoped, the old stories that have pleased so many generations. The tales of Perrault are printed from the old English version of the eighteenth century. The stories from the Cabinet des Fees and from Madame d'Aulnoy are translated, or rather adapted, by Miss Minnie Wright, who has also, by M. Henri Carnoy's kind permission, rendered "The Bronze Ring" from his Traditions Populaires de l'Asie Mineure (Maisonneuve, Paris, 1889). The stories from Grimm are translated by Miss May Sellar; another from the German by Miss Sylvia Hunt; the Norse tales are a version by Mrs. Alfred Hunt; "The Terrible Head" is adapted from Apollodorus, Simonides, and Pindar by the Editor; Miss Violet Hunt condensed "Aladdin"; Miss May Kendall did the same for Gulliver's Travels; "The Fairy Paribanou" is abridged from the old English translation of Galland. Messrs. Chambers have kindly allowed us to reprint "The Red Etin" and "The Black Bull of Norroway" from Mr. Robert Chambers' Popular Traditions of Scotland. "Dick Whittington" is from the chap book edited by Mr. Gomme and Mr. Wheatley for the Villon Society; "Jack the Giant-Killer" is from a chap book, but a good version of this old favourite is hard to procure.

“The Blue Fairy Book”, the first of twelve in Andrew Lang’s “Coloured” Fairy Book series, was originally published in 1889. This edition contains all 37 of the original stories and all 127 of the original black-and-white illustrations. *** The collections were specifically intended for children, and consequently edited for that end. *** When Andrew began publishing these books there were almost no English fairy tale books in circulation. The series proved of great influence in children’s literature, and inspired a host of imitators. The series also proved to be an inspiration to J.R. Tolken and his Middle-Earth collection of novels. *** This book includes the stories: The Bronze Ring; Prince Hyacinth and the Dear Little Princess; East of the Sun and West of the Moon; The Yellow Dwarf; Little Red Riding Hood; The Sleeping Beauty in the Wood; Cinderella, or The Little Glass Slipper; Aladdin and the Wonderful Lamp; The Tale of a Youth who set out to learn what Fear was; Rumpelstiltzkin; Beauty and The Beast; The Master-Maid; Why the Sea is Salt; The Master Cat; or, Puss in Boots; Felicia and the Pot of Pinks; The White Cat; The Water-Lily. The Gold-Spinners.; The Terrible Head; The Story of Pretty Goldilocks; The History of Whittington; The Wonderful Sheep; Little Thumb; The Forty Thieves; Hansel and Grettel; Snow-White and Rose-Red; The Goose-Girl; Toads andDiamonds; Prince Darling; Blue Beard; Trusty John; The Brave Little Tailor; A Voyage to Lilliput; The Princess on the Glass Hill; The Story of Prince Ahmed and the Fairy Paribanou; The History of Jack The Giant-Killer; The Black Bull of Norroway; and The Red Etin. * * * * Check out the other Andrew Lang books published by Flying Chipmunk Publishing at www.FlyingChipmunkPublishing.com or Friend us on Facebook for our latest releases.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Rumpelstiltskin," from Lang's Fairy TalesLang is now chiefly known for his publications on folklore, mythology, and religion. The interest in folklore was from early life; he read John Ferguson McLennan before coming to Oxford, and then was influenced by E. B. Tylor.[4]The earliest of his publications is Custom and Myth (1884). In Myth, Ritual and Religion (1887) he explained the "irrational" elements of mythology as survivals from more primitive forms. Lang's Making of Religion was heavily influenced by the 18th century idea of the "noble savage": in it, he maintained the existence of high spiritual ideas among so-called "savage" races, drawing parallels with the contemporary interest in occult phenomena in England.[2] His Blue Fairy Book (1889) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was followed by many other collections of fairy tales, collectively known as Andrew Lang's Fairy Books. In the preface of the Lilac Fairy Book he credits his wife with translating and transcribing most of the stories in the collections.[5] Lang examined the origins of totemism in Social Origins (1903).Psychical researchLang was one of the founders of "psychical research" and his other writings on anthropology include The Book of Dreams and Ghosts (1897), Magic and Religion (1901) and The Secret of the Totem (1905).[2] He served as President of the Society for Psychical Research in 1911.[6]Classical scholarshipSee also: English translations of Homer § LangHe collaborated with S. H. Butcher in a prose translation (1879) of Homer's Odyssey, and with E. Myers and Walter Leaf in a prose version (1883) of the Iliad, both still noted for their archaic but attractive style. He was a Homeric scholar of conservative views.[2] Other works include Homer and the Study of Greek found in Essays in Little (1891), Homer and the Epic (1893); a prose translation of The Homeric Hymns (1899), with literary and mythological essays in which he draws parallels between Greek myths and other mythologies; Homer and his Age (1906); and "Homer and Anthropology" (1908).[7]