Books published by publisher Modern Library,2003

Based on the true story of Alexander Selkirk, who survived alone for almost five years on an uninhabited island off the coast of Chile, The Mysterious Island is considered by many to be Jules Verne’s masterpiece. “Wide-eyed mid-nineteenth-century humanistic optimism in a breezy, blissfully readable translation by Stump” (Kirkus Reviews), here is the enthralling tale of five men and a dog who land in a balloon on a faraway, fantastic island of bewildering goings-on and their struggle to survive as they uncover the island’s secret.

A pair of masterly short novels, featuring an introduction by Elizabeth Strout, the Pulitzer Prize–winning author of Anything Is Possible and My Name Is Lucy Barton Thought Edith Wharton is best known for her cutting contemplation of fashionable New York, Ethan Frome and Summer are set in small New England towns, far from Manhattan’s beau monde. Together in one volume, these thematically linked short novels display Wharton’s characteristic criticism of society’s hypocrisy, and her daring exploration of the destructive consequences of sexual appetite. From the wintry setting of Ethan Frome, where a man hounded by community standards is destroyed by the very thing that might bring him happiness, to the florid town of Summer, where a young woman’s first romance projects her into a dizzying rite of passage, Wharton captures beautifully the urges and failures of human nature. Praise for Edith Wharton and Ethan Frome “Ethan Frome [is considered] Mrs. Wharton’s masterpiece . . . The secret of its greatness is the stark human drama of it; the social crudity and human delicacy intermingled; the defiant, over-riding passion, and the long-drawn-out logic of the paid penalty. It has no contexts, no mitigations; it is plain, raw, first-hand human stuff.”—The New York Times “Ethan Frome [has] become part of the American mythology. . . . Wharton’s astonishing authority here is to render such pain with purity and economy . . . Truly it is a northern romance, akin even to Wuthering Heights.”—Harold Bloom “Traditionally, Henry James has always been placed slightly higher up the slope of Parnassus than Edith Wharton. But now that the prejudice against the female writer is on the wane, they look to be exactly what they are: giants, equals, the tutelary and benign gods of our American literature.”—Gore Vidal

Introduction by Jeffrey Eugenides • Nominated as one of America’s best-loved novels by PBS’s The Great American Read Written in his distinctively dazzling manner, Oscar Wilde’s story of a fashionable young man who sells his soul for eternal youth and beauty is the author’s most popular work. The tale of Dorian Gray’s moral disintegration caused a scandal when it first appeared in 1890, but though Wilde was attacked for the novel’s corrupting influence, he responded that there is, in fact, “a terrible moral in Dorian Gray.” Just a few years later, the book and the aesthetic/moral dilemma it presented became issues in the trials occasioned by Wilde’s homosexual liaisons, which resulted in his imprisonment. Of Dorian Gray’s relationship to autobiography, Wilde noted in a letter, “Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be—in other ages, perhaps.”

Sodom and Gomorrah opens a new phase of In Search of Lost Time. While watching the pollination of the Duchess de Guermantes’s orchid, the narrator secretly observes a sexual encounter between two men. “Flower and plant have no conscious will,” Samuel Beckett wrote of Proust’s representation of sexuality. “They are shameless, exposing their genitals. And so in a sense are Proust’s men and women . . . shameless. There is no question of right and wrong.”For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).

With an Introduction by Jane SmileyFirst published in America in 1794, Charlotte Temple took the country by storm—in fact, it was this nation’s first bona fide “bestseller.” Susanna Rowson’s most famous work is the story of an innocent British schoolgirl who takes the advice of her depraved French teacher— with tragic consequences. Seduced by the dashing Lieutenant Montraville, who persuades her to move to America with him, the fifteen-year-old Charlotte leaves her adoring parents and makes the treacherous sea voyage to New York. In the land of opportunity, Charlotte is callously abandoned by Montraville. Alone and pregnant with an illegitimate child, she valiantly fights to stave off poverty and ruin. This Modern Library Paperback Classic is set from the text of the first American edition.

A Major New TranslationThe Red and the Black, Stendhal’s masterpiece, is the story of Julien Sorel, a young dreamer from the provinces, fueled by Napoleonic ideals, whose desire to make his fortune sets in motion events both mesmerizing and tragic. Sorel’s quest to find himself, and the doomed love he encounters along the way, are delineated with an unprecedented psychological depth and realism. At the same time, Stendhal weaves together the social life and fraught political intrigues of post–Napoleonic France, bringing that world to unforgettable, full-color life. His portrait of Julien and early-nineteenth-century France remains an unsurpassed creation, one that brilliantly anticipates modern literature. Neglected during its time, The Red and the Black has assumed its rightful place as one of the world’s great books, and Burton Raffel’s extraordinary new translation, coupled with an enlightening Introduction by Diane Johnson, helps it shine more brightly than ever before.

During World War Two, 131 German cities and towns were targeted by Allied bombs, a good number almost entirely flattened. Six hundred thousand German civilians died—a figure twice that of all American war casualties. Seven and a half million Germans were left homeless. Given the astonishing scope of the devastation, W. G. Sebald asks, why does the subject occupy so little space in Germany’s cultural memory? On the Natural History of Destruction probes deeply into this ominous silence.

Could an Irish monk in the sixth century really have sailed all the way across the Atlantic in a small open boat, thus beating Columbus to the New World by almost a thousand years? Relying on the medieval text of St. Brendan, award-winning adventure writer Tim Severin painstakingly researched and built a boat identical to the leather curragh that carried Brendan on his epic voyage. He found a centuries-old, family-run tannery to prepare the ox hides in the medieval way; he undertook an exhaustive search for skilled harness makers (the only people who would know how to stitch the three-quarter-inch-thick hides together); he located one of the last pieces of Irish-grown timber tall enough to make the mainmast. But his courage and resourcefulness were truly tested on the open seas, including one heart-pounding episode when he and his crew repaired a dangerous tear in the leather hull by hanging over the side--their heads sometimes submerged under the freezing waves--to restitch the leather. A modern classic in the tradition of Kon-Tiki, The Brendan Voyage seamlessly blends high adventure and historical relevance. It has been translated into twenty-seven languages since its original publication in 1978.With a new Introduction by Malachy McCourt, author of A Monk Swimming

A pair of masterly short novels, featuring an introduction by Elizabeth Strout, the Pulitzer Prize–winning author of Anything Is Possible and My Name Is Lucy Barton Thought Edith Wharton is best known for her cutting contemplation of fashionable New York, Ethan Frome and Summer are set in small New England towns, far from Manhattan’s beau monde. Together in one volume, these thematically linked short novels display Wharton’s characteristic criticism of society’s hypocrisy, and her daring exploration of the destructive consequences of sexual appetite. From the wintry setting of Ethan Frome, where a man hounded by community standards is destroyed by the very thing that might bring him happiness, to the florid town of Summer, where a young woman’s first romance projects her into a dizzying rite of passage, Wharton captures beautifully the urges and failures of human nature. Praise for Edith Wharton and Ethan Frome “Ethan Frome [is considered] Mrs. Wharton’s masterpiece . . . The secret of its greatness is the stark human drama of it; the social crudity and human delicacy intermingled; the defiant, over-riding passion, and the long-drawn-out logic of the paid penalty. It has no contexts, no mitigations; it is plain, raw, first-hand human stuff.”—The New York Times “Ethan Frome [has] become part of the American mythology. . . . Wharton’s astonishing authority here is to render such pain with purity and economy . . . Truly it is a northern romance, akin even to Wuthering Heights.”—Harold Bloom “Traditionally, Henry James has always been placed slightly higher up the slope of Parnassus than Edith Wharton. But now that the prejudice against the female writer is on the wane, they look to be exactly what they are: giants, equals, the tutelary and benign gods of our American literature.”—Gore Vidal

Illustrated by Rockwell Kent • Nominated as one of America’s best-loved novels by PBS’s The Great American ReadFirst published in 1851, Herman Melville’s masterpiece is, in Elizabeth Hardwick’s words, “the greatest novel in American literature.” The saga of Captain Ahab and his monomaniacal pursuit of the white whale remains a peerless adventure story but one full of mythic grandeur, poetic majesty, and symbolic power. Filtered through the consciousness of the novel’s narrator, Ishmael, Moby-Dick draws us into a universe full of fascinating characters and stories, from the noble cannibal Queequeg to the natural history of whales, while reaching existential depths that excite debate and contemplation to this day.

David Halberstam’s masterpiece, the defining history of the making of the Vietnam tragedy, with a new Foreword by Senator John McCain.Using portraits of America’s flawed policy makers and accounts of the forces that drove them, The Best and the Brightest reckons magnificently with the most important abiding question of our country’s recent history: Why did America become mired in Vietnam, and why did we lose? As the definitive single-volume answer to that question, this enthralling book has never been superseded. It is an American classic.