Books published by publisher Grove Press 2008

Doctor Dealer is the story of Larry Lavin, a bright, charismatic young man who rose from his working-class upbringing to win a scholarship to a prestigious boarding school, earn Ivy League college and dental degrees, and buy his family a house in one of Philadelphia's most exclusive suburbs. But behind the facade of his success was a dark secret -- at every step of the way he was building the foundation for a cocaine empire that would grow to generate over $60 million in annual sales. Award-winning journalist Mark Bowden tells the saga of Lavin's rise and fall with the gripping, novelistic narrative style that won him international acclaim as the author of the New York Times best-seller Black Hawk Down. "Immensely readable . . . eye-popping . . . a smoothly crafted, exciting, can't-put-it-down book." -- Louisville New Voice

This “interesting and perceptive” memoir recalls the familial country house the author’s grandparents bought in 1923 (The Washington Post Book World). The only child of divorced parents, Penelope Lively was often sent to stay at her grandparents’ country house, Golsoncott. Long after the house was sold out of the family, she begins to piece together the lives of those she knew fifty years before. As her narrative shifts from room to room, object to object, Lively paints a moving portrait of an era of rapid change—and of a family that transformed with the times. Charting the course of the domestic tensions of class and community among her relatives, she brings to light the evidence of the horrors endured during the Russian Revolution and the Holocaust through accounts of the refugees who came to live with them. “An elegiac yet resolutely unsentimental book, the house becomes a Rosetta stone for the author’s familial memories and an unwitting index of social change” in this eloquent meditation on place and time, memory and history, and tribute to the meaning of home (Michiko Kakutani, The New York Times).

“Beautifully written . . . A celebration of girls and athletics.” The national bestselling sports classic from a Pulitzer Prize–winning journalist (USA Today). Expanded and updated with a new epilogue, Madeleine Blais’ book tells the story of a season in the life of the Amherst Lady Hurricanes, a girls’ high school basketball team from the Western Massachusetts college town. The Hurricanes were a talented team with a near-perfect record, but for five straight years, when it came to the crunch of the playoffs, they somehow lacked the desire to go all the way. Now, led by senior guards Jen Pariseau, a three-point specialist, and Jamila Wideman, an All-American phenom, this was the year to prove themselves. It was a season to test their passion for the sport and their loyalty to each other, and a chance to discover who they really were. As an off-season of summer jobs and basketball camps turns to fall, as students arrive and the games begin, Blais charts the ups and downs of the team and paints a portrait of the wider Amherst community, which comes to revel in the athletic exploits of their girls. Finally, a women’s team was getting the attention they deserve. And the Hurricanes were richly deserving; these teenage girls are fierce and funny, smart and ambitious, and they are the heart of this gripping book. “Extraordinary.” —The Baltimore Sun “A picture of a changing period in American sports history, when a town rallied around its female athletes in a way that had previously been reserved for males.” —Publishers Weekly

The 50th Anniversary Edition of Jacqueline Susann's All-Time Pop-Culture ClassicThe perfect gift for any Valley fan or your favorite Doll, featuring a new cover design • introduction by Simon Doonan • never-before-seen archival material • an essay from Jackie, “My Book Is Not Dirty!”At a time when women were destined to become housewives, Jacqueline Susann let us dream. Anne, Neely, and Jennifer become best friends as struggling young women in New York City trying to make their mark. Eventually, they climb their way to the top of the entertainment industry only to find that there’s no place left to go but down, into the Valley of the Dolls.

In his essential writing guide, This Year You Write Your Novel, Walter Mosley supplied aspiring writers with the basic tools to write a novel in one year. In this com-plementary follow up, Mosley guides the writer through the elements of not just any fiction writing, but the kind of writing that transcends convention and truly stands out. How does one approach the genius of writers like Melville, Dickens, or Twain? In The Elements of Fiction Writing, Walter Mosley contemplates the answer. In a series of instructive and conversational chapters, Mosley demonstrates how to master fiction's most essential elements: character and char-acter development, plot and story, voice and narrative, context and description, and more. The result is a vivid depiction of the writing process, from the blank page to the first draft to rewriting, and rewriting again. Throughout, The Elements of Fiction Writing is enriched by brilliant demonstrative examples that Mosley himself has written here for the first time. Inspiring, accessible, and told in a voice both trustworthy and wise, The Elements of Fiction writing will intrigue and encourage writers and readers alike.

Renowned historian John Julius Norwich has crafted a bold tapestry of Europe and the Middle East in the early sixteenth century, when a quartet of legendary rulers―all born within a ten-year period―towered over the era. Francis I of France was the personification of the Renaissance, and a highly influential patron of the arts and education. Henry VIII, who was not expected to inherit the throne but embraced the role with gusto, broke with the Roman Catholic Church and appointed himself head of the Church of England. Charles V, the most powerful and industrious man at the time, was unanimously elected Holy Roman Emperor. Suleiman the Magnificent―who stood apart as a Muslim―brought the Ottoman Empire to its apogee of political, military, and economic power. Against the vibrant background of the Renaissance, these four men collectively shaped the culture, religion, and politics of their respective domains. With remarkable erudition, John Julius Norwich delves into this entertaining and layered history, indelibly depicting four dynamic characters, and how their incredible achievements―and obsessions with one another―changed European history.

Originally published in 1998 and a best seller in its hardcover and paperback publications, Gary Kinder’s Ship of Gold in the Deep Blue Sea tells the story of the sinking of the SS Central America, a side-wheel steamer carrying nearly six hundred passengers returning from the California Gold Rush, two hundred miles off the Carolina coast in September 1857. Over four hundred lives and twenty-one tons of California gold were lost. It was the worst peacetime disaster at sea in American history, a tragedy that remained lost in legend for over a century.In the 1980s, a young engineer from Ohio set out to do what no one, not even the U.S. Navy, had been able to do: establish a working presence on the deep ocean floor and open it to science, archaeology, history, medicine, and recovery. The SS Central America became the target of his project. After years of intensive efforts, Tommy Thompson and the Columbus-America Discovery Group found the Central America in eight thousand feet of water, and in October 1989 they sailed into Norfolk with her recovered treasure: gold coins, bars, nuggets, and dust, plus steamer trunks filled with period clothes, newspapers, books, journals, and even an intact cigar sealed under water for 130 years. Life magazine called it “the greatest treasure ever found.”Gary Kinder tells an extraordinary tale of history, human drama, heroic rescue, scientific ingenuity, and individual courage. Ship of Gold in the Deep Blue Sea is a testament to the human will to triumph over adversity. It is also a great American adventure story of the opening of Earth’s last frontier.

As the single work at the heart of Christianity, the world’s largest organized religion, the Bible is the spiritual guide for one out of every three people in the world. It is also the world’s most widely distributed book and its best-selling, with an estimated six billion copies sold in the last two hundred years. But the Bible is a complex work with a complicated and obscure history. Its contents have changed over the centuries, it has been transformed by translation and, through interpretation, has developed manifold meanings to various religions, denominations, and sects.In this seminal account, acclaimed historian Karen Armstrong discusses the conception, gestation, life, and afterlife of history’s most powerful book. Armstrong analyzes the social and political situation in which oral history turned into written scripture, how this all-pervasive scripture was collected into one work, and how it became accepted as Christianity’s sacred text, and how its interpretation changed over time. Armstrong’s history of the Bible is a brilliant, captivating book, crucial in an age of declining faith and rising fundamentalism.

As the single work at the heart of Christianity, the world’s largest organized religion, the Bible is the spiritual guide for one out of every three people in the world. It is also the world’s most widely distributed book and its best-selling, with an estimated six billion copies sold in the last two hundred years. But the Bible is a complex work with a complicated and obscure history. Its contents have changed over the centuries, it has been transformed by translation and, through interpretation, has developed manifold meanings to various religions, denominations, and sects.In this seminal account, acclaimed historian Karen Armstrong discusses the conception, gestation, life, and afterlife of history’s most powerful book. Armstrong analyzes the social and political situation in which oral history turned into written scripture, how this all-pervasive scripture was collected into one work, and how it became accepted as Christianity’s sacred text, and how its interpretation changed over time. Armstrong’s history of the Bible is a brilliant, captivating book, crucial in an age of declining faith and rising fundamentalism.

Donna Leon’s Death at La Fenice, the first novel in her beloved Commissario Guido Brunetti series, introduced readers to the glamorous and cutthroat world of opera and one of Italy’s finest living sopranos, Flavia Petrelli—then a suspect in the poisoning of a renowned German conductor. Years after Brunetti cleared her name and saved the life of her female American lover in Acqua Alta, Flavia has returned to Venice and La Fenice to sing the lead in Tosca, and Brunetti has tickets to an early performance.The night he and his wife, Paola, attend, Flavia gives a stunning performance to a standing ovation. Back in her dressing room, she finds bouquets of yellow roses—too many roses. Every surface of the room is covered with them. An anonymous fan has been showering Flavia with these beautiful gifts in London, St. Petersburg, Amsterdam, and now, Venice, but she no longer feels flattered. A few nights later, invited by Brunetti to dine at his in-laws’ palazzo, Flavia confesses her alarm at these excessive displays of adoration. Brunetti promises to look into it. And when a talented young Venetian singer who has caught Flavia’s attention is savagely attacked, Brunetti begins to think that Flavia’s fears are justified in ways neither of them imagined. He must enter in the psyche of an obsessive fan before Flavia, or anyone else, comes to harm.

From an inauspicious beginning at the tiny Left Bank Théâtre de Babylone in 1953, followed by bewilderment among American and British audiences, Waiting for Godot has become one of the most important and enigmatic plays of the past fifty years and a cornerstone of twentieth-century drama. As Clive Barnes wrote, “Time catches up with genius. . . . Waiting for Godot is one of the masterpieces of the century.” Beckett wrote the play in French and then translated it into English himself. In doing so he chose to revise and eliminate various passages. With side-by-side text, the reader can experience the mastery of Beckett’s language and explore its nuances. Upon being asked who Godot is, Samuel Beckett told director Alan Schneider, “If I knew, I would have said so in the play.” Although we may never know who we are waiting for, in this special edition we can rediscover one of the most poignant and humorous allegories of our time.