Books published by publisher GIANLUCA

Presented as the memoir of one Ephraim Mackellar, steward of the Durrisdeer estate in Scotland, the novel opens in 1745, the year of the Jacobite Rising. When Bonnie Prince Charlie raises the banner of the Stuarts, the Durie family—the Laird of Durrisdeer, his older son James Durie (the Master of Ballantrae) and his younger son Henry Durie—decide on a common strategy: one son will join the uprising while the other will join the loyalists. That way, whichever side wins, the family's noble status and estate will be preserved.

Presented as the memoir of one Ephraim Mackellar, steward of the Durrisdeer estate in Scotland, the novel opens in 1745, the year of the Jacobite Rising. When Bonnie Prince Charlie raises the banner of the Stuarts, the Durie family—the Laird of Durrisdeer, his older son James Durie (the Master of Ballantrae) and his younger son Henry Durie—decide on a common strategy: one son will join the uprising while the other will join the loyalists. That way, whichever side wins, the family's noble status and estate will be preserved.

Presented as the memoir of one Ephraim Mackellar, steward of the Durrisdeer estate in Scotland, the novel opens in 1745, the year of the Jacobite Rising. When Bonnie Prince Charlie raises the banner of the Stuarts, the Durie family—the Laird of Durrisdeer, his older son James Durie (the Master of Ballantrae) and his younger son Henry Durie—decide on a common strategy: one son will join the uprising while the other will join the loyalists. That way, whichever side wins, the family's noble status and estate will be preserved.

Presented as the memoir of one Ephraim Mackellar, steward of the Durrisdeer estate in Scotland, the novel opens in 1745, the year of the Jacobite Rising. When Bonnie Prince Charlie raises the banner of the Stuarts, the Durie family—the Laird of Durrisdeer, his older son James Durie (the Master of Ballantrae) and his younger son Henry Durie—decide on a common strategy: one son will join the uprising while the other will join the loyalists. That way, whichever side wins, the family's noble status and estate will be preserved.

Presented as the memoir of one Ephraim Mackellar, steward of the Durrisdeer estate in Scotland, the novel opens in 1745, the year of the Jacobite Rising. When Bonnie Prince Charlie raises the banner of the Stuarts, the Durie family—the Laird of Durrisdeer, his older son James Durie (the Master of Ballantrae) and his younger son Henry Durie—decide on a common strategy: one son will join the uprising while the other will join the loyalists. That way, whichever side wins, the family's noble status and estate will be preserved.

Presented as the memoir of one Ephraim Mackellar, steward of the Durrisdeer estate in Scotland, the novel opens in 1745, the year of the Jacobite Rising. When Bonnie Prince Charlie raises the banner of the Stuarts, the Durie family—the Laird of Durrisdeer, his older son James Durie (the Master of Ballantrae) and his younger son Henry Durie—decide on a common strategy: one son will join the uprising while the other will join the loyalists. That way, whichever side wins, the family's noble status and estate will be preserved.

Presented as the memoir of one Ephraim Mackellar, steward of the Durrisdeer estate in Scotland, the novel opens in 1745, the year of the Jacobite Rising. When Bonnie Prince Charlie raises the banner of the Stuarts, the Durie family—the Laird of Durrisdeer, his older son James Durie (the Master of Ballantrae) and his younger son Henry Durie—decide on a common strategy: one son will join the uprising while the other will join the loyalists. That way, whichever side wins, the family's noble status and estate will be preserved.

Presented as the memoir of one Ephraim Mackellar, steward of the Durrisdeer estate in Scotland, the novel opens in 1745, the year of the Jacobite Rising. When Bonnie Prince Charlie raises the banner of the Stuarts, the Durie family—the Laird of Durrisdeer, his older son James Durie (the Master of Ballantrae) and his younger son Henry Durie—decide on a common strategy: one son will join the uprising while the other will join the loyalists. That way, whichever side wins, the family's noble status and estate will be preserved.

The Professor was the first novel by Charlotte Bronte. It was originally written before Jane Eyre and rejected by many publishing houses, but was eventually published posthumously in 1857. In this book, Bronte inhabits the voice and consciousness of a man, William Crimsworth. Like Jane Eyre he is parentless; like Lucy Snowe in Villette he leaves the certainties of England to forge a life in Brussels. But as a man, William has freedom of action, and as a writer Bronte is correspondingly liberated, exploring the relationship between power and sexual desire.

There are works, and this is one of them, that are best begun with a portrait of the author. And here, indeed, because of a very natural misunderstanding this is the only course to take. Throughout these papers sounds a note, a distinctive and personal note, a note that tends at times towards stridency; and all that is not, as these words are, in Italics, is in one Voice. Now, this Voice, and this is the peculiarity of the matter, is not to be taken as the Voice of the ostensible author who fathers these pages. You have to clear your mind of any preconceptions in that respect. The Owner of the Voice you must figure to yourself as a whitish plump man, a little under the middle size and age, with such blue eyes as many Irishmen have, and agile in his movements and with a slight tonsorial baldness, a penny might cover it, of the crown. His front is convex. He droops at times like most of us, but for the greater part he bears himself as valiantly as a sparrow. Occasionally his hand flies out with a fluttering gesture of illustration. And his Voice (which is our medium henceforth) is an unattractive tenor that becomes at times aggressive. Him you must imagine as sitting at a table reading a manuscript about Utopias, a manuscript he holds in two hands that are just a little fat at the wrist. The curtain rises upon him so.

Poor people is the first novel by Fyodor Dostoyevsky, written over a period of nine months between 1844 and 1845 and is written in the form of letters between the two protagonists, Makar Devushkin and Varvara Dobroselova, who are poor second cousins. The novel showcases the lives of poor people, their relationship with wealthy people, and poverty in general.

Poor people is the first novel by Fyodor Dostoyevsky, written over a period of nine months between 1844 and 1845 and is written in the form of letters between the two protagonists, Makar Devushkin and Varvara Dobroselova, who are poor second cousins. The novel showcases the lives of poor people, their relationship with wealthy people, and poverty in general.