Other editions of book Twenty Years After - The Romances of Alexander Dumas

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1901]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - English, Pages 819. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

Twenty Years After is a novel by Alexandre Dumas, first serialized from January to August 1845. A book of The d'Artagnan Romances, it is a sequel to The Three Musketeers and precedes The Vicomte de Bragelonne (which includes the sub-plot Man in the Iron Mask).The novel follows events in France during the Fronde, during the childhood reign of Louis XIV, and in England near the end of the English Civil War, leading up to the victory of Oliver Cromwell and the execution of King Charles I. Through the words of the main characters, particularly Athos, Dumas comes out on the side of the monarchy in general, or at least the text often praises the idea of benevolent royalty. His musketeers are valiant and just in their efforts to protect young Louis XIV and the doomed Charles I from their attackers.

Twenty Years After 1. The Shade of Cardinal Richelieu. In a splendid chamber of the Palais Royal, formerly styled the Palais Cardinal, a man was sitting in deep reverie, his head supported on his hands, leaning over a gilt and inlaid table which was covered with letters and papers. Behind this figure glowed a vast fireplace alive with leaping flames; great logs of oak blazed and crackled on the polished brass andirons whose flicker shone upon the superb habiliments of the lonely tenant of the room, which was illumined grandly by twin candelabra rich with wax-lights. Any one who happened at that moment to contemplate that red simar--the gorgeous robe of office--and the rich lace, or who gazed on that pale brow, bent in anxious meditation, might, in the solitude of that apartment, combined with the silence of the ante-chambers and the measured paces of the guards upon the landing-place, have fancied that the shade of Cardinal Richelieu lingered still in his accustomed haunt. It was, alas! the ghost of former greatness. France enfeebled, the authority of her sovereign contemned, her nobles returning to their former turbulence and insolence, her enemies within her frontiers--all proved the great Richelieu no longer in existence.

First serialized from January to August, 1845, Twenty Years After is the second book in The D’Artagnan Romances, and follows the gallant adventures of the musketeers, as they are once again summoned to alleviate the various threats that lurk in the political scene of France, as the country is threatened by a possible uprising. Enriched with exciting and well-developed characters, the novel adds more detail to its familiar characters, as the musketeers have matured and are portrayed in a more introspective light.Set twenty years after the conclusion of its predecessor, Twenty Years After commences with the appearance of d’Artagnan, who despite his propitious circumstances to progress in his area of interest, remains a lieutenant in the Musketeers for twenty years. Conversely, much has changed in the political scene of France during the twenty-year period, as the country is ruled by chief-minister, Cardinal Mazarin, who is loathed by much of the French population. Consequently, France is on the brink of civil war, as it is divided into those who support Mazarin’s governance, and those who oppose his rule, regarding him as inadequate. Fearing for his safety, Mazarin appoints d’Artagnan as his escort, after hearing of his daring feats in the past and additionally requests assistance from his musketeer companions, Athos, Porthos, and Aramis. Subsequently, d’Artagnan is reunited with his old friends, who have all drifted apart due to following individual paths, and informs them of his task. However, the group is also divided, as Porthos is willing to be in the Cardinal’s service, whereas Athos and Aramis take the side of the opposition. As a result, the group must overcome their contrasting views and loyalties, and test the durability of their friendship, as they are brought out of retirement and once again hurled into a gripping adventure, while beset by various enemies.Nevertheless, Dumas presents an effective complementary sequel to his well-loved tale that successfully enthralls with its complex plot, vibrant characters, steady action, historical references, and a vivid description of the political scene prevailing at the time. Needless to say, the novel will undoubtedly motivate readers to continue the series that has been enjoyed by generations.

"First serialized from January to August, 1845, Twenty Years After is the second book in The D’Artagnan Romances, and follows the gallant adventures of the musketeers, as they are once again summoned to alleviate the various threats that lurk in the political scene of France, as the country is threatened by a possible uprising. Enriched with exciting and well-developed characters, the novel adds more detail to its familiar characters, as the musketeers have matured and are portrayed in a more introspective light.Set twenty years after the conclusion of its predecessor, Twenty Years After commences with the appearance of d’Artagnan, who despite his propitious circumstances to progress in his area of interest, remains a lieutenant in the Musketeers for twenty years. Conversely, much has changed in the political scene of France during the twenty-year period, as the country is ruled by chief-minister, Cardinal Mazarin, who is loathed by much of the French population. Consequently, France is on the brink of civil war, as it is divided into those who support Mazarin’s governance, and those who oppose his rule, regarding him as inadequate. Fearing for his safety, Mazarin appoints d’Artagnan as his escort, after hearing of his daring feats in the past and additionally requests assistance from his musketeer companions, Athos, Porthos, and Aramis. Subsequently, d’Artagnan is reunited with his old friends, who have all drifted apart due to following individual paths, and informs them of his task. However, the group is also divided, as Porthos is willing to be in the Cardinal’s service, whereas Athos and Aramis take the side of the opposition. As a result, the group must overcome their contrasting views and loyalties, and test the durability of their friendship, as they are brought out of retirement and once again hurled into a gripping adventure, while beset by various enemies.Nevertheless, Dumas presents an effective complementary sequel to his well-loved tale that successfully enthralls with its complex plot, vibrant characters, steady action, historical references, and a vivid description of the political scene prevailing at the time. Needless to say, the novel will undoubtedly motivate readers to continue the series that has been enjoyed by generations."

Two decades have passed since the famous swordsmen triumphed over Cardinal Richelieu and Milady in The Three Musketeers. Time has weakened their resolve, and dispersed their loyalties. But treasons and strategems still cry out for justice: civil war endangers the throne of France, while in England, Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is the titanic struggle with the son of Milady who wears the face of evil.In a splendid chamber of the Palais Royal, formerly styled the Palais Cardinal, a man was sitting in deep reverie, his head supported on his hands, leaning over a gilt and inlaid table which was covered with letters and papers. Behind this figure glowed a vast fireplace alive with leaping flames; great logs of oak blazed and crackled on the polished brass andirons whose flicker shone upon the superb habiliments of the lonely tenant of the room, which was illumined grandly by twin candelabra rich with wax-lights.Any one who happened at that moment to contemplate that red simar–the gorgeous robe of office–and the rich lace, or who gazed on that pale brow, bent in anxious meditation, might, in the solitude of that apartment, combined with the silence of the ante-chambers and the measured paces of the guards upon the landing-place, have fancied that the shade of Cardinal Richelieu lingered still in his accustomed haunt.

Two decades have passed since the famous swordsmen triumphed over Cardinal Richelieu and Milady in The Three Musketeers. Time has weakened their resolve, and dispersed their loyalties. But treasons and strategems still cry out for justice: civil war endangers the throne of France, while in England, Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is the titanic struggle with the son of Milady who wears the face of evil.Alexandre Dumas (Père) was a French writer, best known for his numerous historical novels of high adventure which have made him one of the most widely read French authors in the world. Many of his novels, including The Count of Monte Cristo, The Three Musketeers, and The Man in the Iron Mask were serialized, and he also wrote plays and magazine articles and was a prolific correspondent. In 1829 his first solo play, Henry III and his Court, was produced, meeting with great public acclaim and after writing many successful plays, he turned his efforts to novels.Dumas made extensive use of the aid of numerous ghost-writers of which Auguste Maquet was the best known. It was Maquet who outlined the plot of The Count of Monte Cristo and made substantial contributions to The Three Musketeers and its sequels, as well as several other novels. When working together, Maquet proposed plots and wrote drafts, while Dumas added the details, dialogues, and the final chapters.Despite his success and aristocratic connections, being of mixed-blood would affect him all his life. In 1843, he wrote a short novel, Georges, which addressed some of the issues of race and the effects of colonialism. Nevertheless, racist attitudes impacted his rightful position in France’s history long after his death in 1870.