Other editions of book Echoes Of The War

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Three nice old ladies and a criminal, who is even nicer, are discussing the war over a cup of tea. The criminal, who is the hostess, calls it a dish of tea, which shows that she comes from Caledonia; but that is not her crime. They are all London charwomen, but three of them, including the hostess, are what are called professionally 'charwomen and' or simply 'ands.' An 'and' is also a caretaker when required; her name is entered as such in ink in a registry book, financial transactions take place across a counter between her and the registrar, and altogether she is of a very different social status from one who, like Mrs. Haggerty, is a charwoman but nothing else. Mrs. Haggerty, though present, is not at the party by invitation; having seen Mrs. Dowey buying the winkles, she followed her downstairs, so has shuffled into the play and sat down in it against our wish. We would remove her by force, or at least print her name in small letters, were it not that she takes offence very readily and says that nobody respects her. So, as you have slipped in, you sit there, Mrs. Haggerty; but keep quiet.

Though today he is best remembered for his work for younger audiences, including the beloved classic Peter Pan, J. M. Barrie was a writer of remarkable breadth and versatility who didn't shy away from tough subjects. This volume of plays showcases an array of British families and their very different methods of coping with the aftermath of World War I.

Though today he is best remembered for his work for younger audiences, including the beloved classic Peter Pan, J. M. Barrie was a writer of remarkable breadth and versatility who didn't shy away from tough subjects. This volume of plays showcases an array of British families and their very different methods of coping with the aftermath of World War I.

J. M. Barrie wrote plays to promote support for the war to end all wars. Yet they are not plays about war, but rather about parents and the children they send off to war. Though intended to foster support for WWI, from today’s vantage point they can just as easily be interpreted as anti-war. In this play, two old ladies and a criminal sit down to tea to discuss war.