Other editions of book The Shadow Line

CONRAD, Joseph (Józef Teodor Konrad Korzeniowski) (1857-1924), was born of Polish parents in the Russian-dominated Ukraine. His father political opinions caused the family to be exiled to Volagda, in northern Russia, where Conrad´s mother died when he was 7. His father also died after their return to Poland, and Conrad went to live with his uncle, Tadeusz Bobrowski, who had an enormous influence in his life. From an early age he began the career as a sailor, and in 1874 he went to Marseilles. In 1886 he became a British subject and a master mariner. In 1894, after twenty years at sea, he settled in England and devoted himself to writing in English, his third language. Towards the end of his literary career, Conrad was well established as one of the leading Modernists; a decline of interest in the 1930s was followed by increasing scholarly and critical attention. Today, Conrad is placed among the very great novelists in English language.“A Personal Record” (1912), is Conrad´s autobiography.

The Shadow-Line is a short novel being written from February to December 1915. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist.

The Shadow-Line is based upon events and experiences from twenty-seven years earlier to which Conrad returned obsessively in his fiction. A young sea captain's first command brings with it a succession of crises: his sea is becalmed, the crew laid low by fever, and his deranged first mate is convinced that the ship is haunted by the malignant spirit of a previous captain. This is indeed a work full of "sudden passions," in which Conrad is able to show how the full intensity of existence can be experienced by the man who, in the words of the older Captain Giles, is prepared to "stand up to his bad luck, to his mistakes, to his conscience." A subtle and penetrating analysis of the nature of manhood, The Shadow-Line investigates varieties of masculinity and desire in a subtext that counters the tale's seemingly conventional surface.

The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial in New York's Metropolitan Magazine (September-October) in the English Review (September 1916-March 1917) and published in book form in 1917 in the UK (March) and America (April). The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist.

Written in 1915, The Shadow-Line is based upon events and experiences from twenty-seven years earlier to which Conrad returned obsessively in his fiction. A young sea-captain's first command brings with it a succession of crises: his sea is becalmed, the crew laid low by fever, and his deranged first mate is convinced that the ship is haunted by the malignant spirit of a previous captain.

The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial in New York's Metropolitan Magazine (September—October) in the English Review (September 1916-March 1917) and published in book form in 1917 in the UK (March) and America (April). The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Andrzej Wajda has made a 1976 film adaptation of the novel under its Polish title - Smuga cienia. In the 2004 novel (trs 2005) House of Paper by Carlos Maria Dominguez the plot is driven by the narrator's quest for the person who sent a copy of The Shadow Line to a recently deceased colleague. Joseph Conrad (Polish:; born Józef Teodor Konrad Korzeniowski; 3 December 1857 – 3 August 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language. Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature. Conrad wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe. Conrad is considered an early modernist, though his works contain elements of 19th-century realism. His narrative style and anti-heroic characters have influenced numerous authors, and many films have been adapted from, or inspired by, his works. Numerous writers and critics have commented that Conrad's fictional works, written largely in the first two decades of the 20th century, seem to have anticipated later world events. Writing near the peak of the British Empire, Conrad drew, among other things, on his native Poland's national experiences and on his own experiences in the French and British merchant navies, to create short stories and novels that reflect aspects of a European-dominated world—including imperialism and colonialism—and that profoundly explore the human psyche.

The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in book form in 1917 in the UK (March) and America (April). The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Odin’s Library Classics is dedicated to bringing the world the best of humankind’s literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.