Other editions of book An Old-Fashioned Girl

The first part of An Old-Fashioned Girl was written in 1869 and the demand for a sequel was made in beseeching little letters that made refusal impossible and rendered it necessary to carry my heroine boldly forward some 6 or 7 years into the future. The domestic nature of the story makes this audacious proceeding possible; while the lively fancies of my young readers will supply all deficiencies, and overlook all discrepancies.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

It was first serialised in the Merry's Museum magazine between July and August in 1869 and consisted of only six chapters. For the finished product, however, Alcott continued the story from the chapter "Six Years Afterwards" and so it ended up with nineteen chapters in all. The book revolves around Polly Milton, the old-fashioned girl who titles the story. Polly visits her wealthy friend Fanny Shaw in the city and is overwhelmed by the fashionable and urban life they live––but also left out because of her "countrified" manners and outdated clothes.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Louisa May Alcott was a 19th century American novelist. Her novels Little Women and Jo's Boys are her best-known works. Alcott became a strong feminist and abolitionist. In 1862-63 she worked as a nurse in the Union Hospital in Georgetown D C. I n An Old-Fashioned Girl Polly, a sensibly brought-up country girl, encounters fashionable life on her first visit to Boston. Later she returns to live there and teach music. For grades 5-8.

POLLY wrote enthusiastically, Ned answered satisfactorily, and after much corresponding, talking, and planning, it was decided that Tom should go West. Never mind what the business was; it suffices to say that it was a good beginning for a young man like Tom, who, having been born and bred in the most conservative class of the most conceited city in New England, needed just the healthy, hearty, social influences of the West to widen his views and make a man of him. Of course there was much lamentation among the women, but every one felt it was the best thing for him; so while they sighed they sewed, packed visions of a brilliant future away with his new pocket handkerchiefs, and rejoiced that the way was open before him even in the act of bedewing his boots with tears. Sydney stood by him to the last, “like a man and a brother” (which expression of Tom’s gave Fanny infinite satisfaction), and Will felt entirely consoled for Ned’s disappointment at his refusal to go and join him, since Tom was to take the place Ned had kept for him.