Other editions of book The Trial

Written in 1914, The Trial is one of the most important novels of the twentieth century. It is the terrifying tale of Josef K., a respectable bank officer who is arrested on a charge that is never identified or explained. Whether read as an existential tale, a parable, or a prophecy of the excesses of modern bureaucracy wedded to the madness of totalitarianism, Kafka's nightmare resonates with chilling truth. Newly designed and typeset in a modern 6-by-9-inch format by Waking Lion Press.

Josef K. is an employee at a bank, an Everyman without any particular qualities or ambitions. His inconsequence makes doubly strange his "arrest" by an officer of the court, made with no formal charges or explanation. Disoriented and consumed with guilt for a "crime" he does not understand, Josef K. must justify his life to a "court" with which he cannot communicate. The defendant can only ask questions, but receives no answers to clarify the surreal world in which he is compelled to wander. Through the court's relentless bureaucratic proceedings and absurd juxtapositions of different hypotheses of cause and effect, the whole rational structure of the world is undermined. The trial of Josef K. becomes a chilling existential metaphor for life itself, where every sentence is a sentence of death.

World's Classics Deluxe EditionThis book and other World's Classics Deluxe Edition are frequently included among the great literature of the 20th century, including the Modern Library 100 Best Novels, The Observer′s, BBC's and The Telegraph's" 100 Greatest Novels of All Time", and The Guardian′s "1000 novels everyone must read".iBoo Press House uses state-of-the-art technology to digitally reconstruct the work. We preserve the original format whilst repairing imperfections present in the aged copy. All Deluxe Edition titles are unabridged (100% Original content), designed with a nice Jacketed Case Laminate, Digital Cloth Blue Cover with linen textured lamination underneath, quality paper and a large font that's easy to read. Enjoy reading.Visit iboo.com/en/novelsto see all the Best Greatest Novels of All Time.

The Metamorphosis (German: Die Verwandlung, also sometimes translated as The Transformation) is a novella by Franz Kafka, first published in 1915. It has been called one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the Western world. The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed (metamorphosed) into a large, monstrous insect-like creature. The cause of Gregor's transformation is never revealed, and Kafka himself never gave an explanation. The rest of Kafka's novella deals with Gregor's attempts to adjust to his new condition as he deals with being burdensome to his parents and sister, who are repelled by the horrible, verminous creature Gregor has become. The Trial During 1914, Kafka began the novel Der Process (The Trial), the story of a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed neither to him nor to the reader. Kafka did not complete the novel, although he finished the final chapter. According to Nobel Prize winner and Kafka scholar Elias Canetti, Felice is central to the plot of Der Process and Kafka said it was "her story".Canetti titled his book on Kafka's letters to Felice Kafka's Other Trial, in recognition of the relationship between the letters and the novel. Michiko Kakutani notes in a review for The New York Times that Kafka's letters have the "earmarks of his fiction: the same nervous attention to minute particulars; the same paranoid awareness of shifting balances of power; the same atmosphere of emotional suffocation—combined, surprisingly enough, with moments of boyish ardor and delight."

The Trial by Franz Kafka, narrated by award-winning narrator Mike Vendetti, begins like a nightmare - only K is awake, and he is being arrested and indicted on charges he never learns. He is caught up in a legal system that will destroy his life. This is a text that often is used in English classes because it is so deep. Kafka attacks the norms of society, religion, and the legal system. This line is from the next to last chapter: "'No,' said the priest, 'you don't need to accept everything as true, you only have to accept it as necessary.' 'Depressing view,' said K. 'The lie made into the rule of the world could well be taken to mean religion and its effect upon the world.'"

The Trial by Franz Kafka.-there are 10 chapter in this book.-0nly 231 pages.-easy reading.Franz Kafka was a German-speaking Bohemian novelist and short-story writer, widely regarded as one of the major figures of 20th-century literature. His work fuses elements of realism and the fantastic.It typically features isolated protagonists facing bizarre or surrealistic predicaments and incomprehensible socio-bureaucratic powers. It has been interpreted as exploring themes of alienation, existential anxiety, guilt, and absurdity.His best known works include "Die Verwandlung" ("The Metamorphosis"), Der Process (The Trial), and Das Schloss (The Castle). The term Kafkaesque has entered the English language to describe situations like those found in his writing.Chapter One Arrest - Conversation with Mrs. Grubach - Then Miss BürstnerSomeone must have been telling lies about Josef K., he knew he had done nothing wrong but, one morning, he was arrested. Every day at eight in the morning he was brought his breakfast by Mrs. Grubach's cook - Mrs. Grubach was his landlady - but today she didn't come. That had never happened before. K. waited a little while, looked from his pillow at the old woman who lived opposite and who was watching him with an inquisitiveness quite unusual for her, and finally, both hungry and disconcerted, rang the bell. There was immediately a knock at the door and a man entered. He had never seen the man in this house before. He was slim but firmly built, his clothes were black and close-fitting, with many folds and pockets, buckles and buttons and a belt, all of which gave the impression of being very practical but without making it very clear what they were actually for. "Who are you?" asked K., sitting half upright in his bed. The man, however, ignored the question as if his arrival simply had to be accepted, and merely replied, "You rang?" "Anna should have brought me my breakfast," said K. He tried to work out who the man actually was, first in silence, just through observation and by thinking about it, but the man didn't stay still to be looked at for very long. Instead he went over to the door, opened it slightly, and said to someone who was clearly standing immediately behind it, "He wants Anna to bring him his breakfast." There was a little laughter in the neighbouring room, it was not clear from the sound of it whether there were several people laughing. The strange man could not have learned anything from it that he hadn't known already, but now he said to K., as if making his report "It is not possible." "It would be the first time that's happened," said K., as he jumped out of bed and quickly pulled on his trousers. "I want to see who that is in the next room, and why it is that Mrs. Grubach has let me be disturbed in this way." It immediately occurred to him that he needn't have said this out loud, and that he must to some extent have acknowledged their authority by doing so, but that didn't seem important to him at the time. That, at least, is how the stranger took it, as he said, "Don't you think you'd better stay where you are?" "I want neither to stay here nor to be spoken to by you until you've introduced yourself." "I meant it for your own good," said the stranger and opened the door, this time without being asked. The next room, which K. entered more slowly than he had intended, looked at first glance exactly the same as it had the previous evening. It was Mrs. Grubach's living room, over-filled with furniture, tablecloths, porcelain and photographs. Perhaps there was a little more space in there than usual today, but if so it was not immediately obvious, especially as the main difference was the presence of a man sitting by the open window with a book from which he now looked up. "You should have stayed in your room! Didn't Franz tell you?" "And what is it you want, then?" GET THIS BOOK TO ENJOY FURTHER READING. THANK YOU VERY MUCH FOR YOUR SUPPORT.