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Books with title The Castle of Otranto

  • THE CASTLE OF OTRANTO - A Novel

    Horace WALPOLE, Gordon Noel FISH

    (The Grey Walls Press Limited, July 6, 1950)
    The Castle Of Otranto
  • The Castle of Otranto

    Horace WALPOLE (1717 - 1797)

    (IDB Productions, July 6, 2017)
    The Castle of Otranto is about Manfred, lord of the castle, and his family. The novel opens on the day of matrimony of his unwell son Conrad and princess Isabella. Just before the ceremony, though, Conrad is trodden to death by an enormous hood that plummets on him from overhead. This baffling incident is above all threatening considering an old divination, "that the castle and lordship of Otranto should pass from the present family, whenever the real owner should be grown too large to inhabit it". Manfred, frightened that Conrad's death hints the initiation of the last days for his heritage, agrees to deter obliteration by marrying Isabella himself while separating with his present wife Hippolita, whom he senses could not give birth to a suitable successor. Horatio Walpole, 4th Earl of Orford also called as Horace Walpole, was a British art historian, man of letters, antiquarian and Whig statesman. He had Strawberry Hill House constructed in Twickenham, south-west London, restoring the Gothic fashion a few years before his Victorian descendants. His literary character lies on his Gothic fiction, The Castle of Otranto and his Letters, which are of important communal and administrative relevance. He was the son of the first British Prime Minister Sir Robert Walpole. As Horace Walpole has no child, on his demise his barony pervaded to his cousin of the alike family name, who became the new Earl of Orford. Horace was born in London, the youngest son of British Prime Minister Sir Robert Walpole and his wife Catherine. Same as his father, he got a primary instruction in Bexley, he also studied at Eton College and King's College in Cambridge. Horace’s first acquaintances were perhaps his cousins Francis and Henry Conway, to whom Horace was deeply connected, particularly Henry. At Eton, he created with Charles Lyttelton and George Montagu the Triumvirate, a league of young men.
  • The Castle of Otranto

    Horace Walpole, Elaine Sepani, MuseumAudiobooks.com

    Audiobook (MuseumAudiobooks.com, Nov. 30, 2018)
    The first gothic novel! Manfred, the lord of the castle intends to wed his son to a lovely princess. But after the untimely death of his son, Manfred takes up the task of trying to marry the princess Isabella. She does not desire to marry Manfred, and steals away with the help of a peasant named Theodore.
  • The Castle of Otranto : A Gothic Story

    HORACE WALPOLE

    (Oxford University Press, July 6, 1964)
    None
  • The Castle of Otranto

    Horace Walpole, Matthew Lloyd Davies, Brilliance Audio

    Audiobook (Brilliance Audio, Sept. 10, 2019)
    Hours before his wedding, fifteen-year-old Conrad, heir to the house of Otranto, is crushed to death. His father, Manfred, Lord of Otranto, sees only one recourse to protect the family lineage. He will divorce his wife and marry the boy’s bride-to-be. Her wishes be damned. When the fearful and resistant Isabella takes flight, Manfred follows in mad pursuit. But it is he who must outrun a greater fear: a curse cast on his family generations ago. In 1764, with its wild-eyed tyrant, virtuous damsel, secret passages, and supernatural omens, The Castle of Otranto ushered in a new literary genre: the gothic novel. Revised edition: Previously published as The Castle of Otranto, this edition of The Castle of Otranto (AmazonClassics Edition) includes editorial revisions.
  • The Castle of Otranto

    Horace Walpole

    (CreateSpace Independent Publishing Platform, June 14, 2018)
    The Castle of Otranto tells the story of Manfred, lord of the castle, and his family. The book begins on the wedding-day of his sickly son Conrad and princess Isabella. Shortly before the wedding, however, Conrad is crushed to death by a gigantic helmet that falls on him from above. This inexplicable event is particularly ominous in light of an ancient prophecy, "that the castle and lordship of Otranto should pass from the present family, whenever the real owner should be grown too large to inhabit it". Manfred, terrified that Conrad's death signals the beginning of the end for his line, resolves to avert destruction by marrying Isabella himself while divorcing his current wife Hippolita, who he feels has failed to bear him a proper heir. However, as Manfred attempts to marry Isabella, she escapes to a church with the aid of a peasant named Theodore. Manfred orders Theodore's death while talking to the friar Jerome, who ensured Isabella's safety in the church. When Theodore removes his shirt to be killed, Jerome recognizes a marking below his shoulder and identifies Theodore as his own son. Jerome begs for his son's life, but Manfred says Jerome must either give up the princess or his son's life. They are interrupted by a trumpet and the entrance of knights from another kingdom who want to deliver Isabella. This leads the knights and Manfred to race to find Isabella. Theodore, having been locked in a tower by Manfred, is freed by Manfred's daughter Matilda. He races to the underground church and finds Isabella. He hides her in a cave and blocks it to protect her from Manfred and ends up fighting one of the mysterious knights. Theodore badly wounds the knight, who turns out to be Isabella's father, Frederic. With that, they all go up to the castle to work things out. Frederic falls in love with Matilda and he and Manfred begin to make a deal about marrying each other's daughters. Manfred, suspecting that Isabella is meeting Theodore in a tryst in the church, takes a knife into the church, where Matilda is meeting Theodore. Thinking his own daughter is Isabella, he stabs her. Theodore is then revealed to be the true prince of Otranto and Matilda dies, leaving Manfred to repent. Theodore becomes king and eventually marries Isabella because she is the only one who can understand his true sorrow.
  • The Castle of Otranto

    Horace Walpole

    (CreateSpace Independent Publishing Platform, April 16, 2013)
    “Sparked the vogue for Gothic romance in English literature.” –Observer “My Lord,” said Theodore, “you wrong my father: neither he nor I are capable of harbouring a thought against your peace. Is it insolence thus to surrender myself to your Highness’s pleasure?” added he, laying his sword respectfully at Manfred’s feet. “Behold my bosom; strike, my Lord, if you suspect that a disloyal thought is lodged there. There is not a sentiment engraven on my heart that does not venerate you and yours.” Considered the first Gothic novel, The Castle of Otranto, by Horace Walpole was published in 1764, and is an incredible and vital read. The novel is filled with mystery, damsels in distress, supernatural occurrences and murder. The Castle of Otranto was an important inspiration to the likes of Ann Radcliffe, Bram Stoker, and Edgar Allen Poe. Published on Christmas Eve, 1764, on Walpole's private press at Strawberry Hill, his Gothicized country house, The Castle of Otranto became an instant and immediate classic of the Gothic genre as well as the prototype for Gothic fiction for the next two hundred years. Walpole's brooding and intense drama, The Mysterious Mother, focuses on the protagonist's angst over an act of incest with his mother, and includes the appearance of Father Benedict, Gothic literature's first evil monk. Appendices in this edition include selections from Walpole’s letters, contemporary responses, and writings illustrating the aesthetic and intellectual climate of the period.
  • The Castle of Otranto

    Horace Walpole

    (Franklin Classics Trade Press, Nov. 8, 2018)
    This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • The Castle of Otranto

    Horace Walpole

    (Collier, July 6, 1974)
    None
  • The Castle of Otranto

    Horace Walpole, Emily Lam

    (CreateSpace Independent Publishing Platform, March 8, 2014)
    The Castle of Otranto is a 1764 novel by Horace Walpole. It is generally regarded as the first gothic novel, initiating a literary genre which would become extremely popular in the later 18th century and early 19th century. Thus, Walpole, by extension, is arguably the forerunner to such authors as Charles Maturin, Ann Radcliffe, Bram Stoker, Edgar Allan Poe and Daphne du Maurier. History The initial 1764 edition was titled in full The Castle of Otranto, A Story. Translated by William Marshal, Gent. From the Original Italian of Onuphrio Muralto, Canon of the Church of St. Nicholas at Otranto. This first edition purported to be a translation based on a manuscript printed at Naples in 1529 and recently rediscovered in the library of "an ancient Catholic family in the north of England". This "ancient Catholic family" is possibly the Percy family, as Walpole would have known the Duke of Northumberland and his wife Elizabeth Percy, though this is not proven. The Italian manuscript's story, it was claimed, derived from a story still older, dating back perhaps as far as the Crusades. This Italian manuscript, along with alleged author "Onuphrio Muralto", were Walpole's fictional creations, and "William Marshal" his pseudonym. In the second and subsequent editions, Walpole acknowledges authorship of his work, writing: "The favourable manner in which this little piece has been received by the public, calls upon the author to explain the grounds on which he composed it" as "an attempt to blend the two kinds of romance, the ancient and the modern. In the former all was imagination and improbability: in the latter, nature is always intended to be, and sometimes has been, copied with success...". There was some debate at the time about the function of literature, that is, whether or not works of fiction should be representative of life, or more purely imaginative (i.e. natural vs. romantic). The first edition was well received by some reviewers who understood the novel as belonging to medieval fiction, "between 1095, the era of the First Crusade, and 1243, the date of the last", as the first preface states; and some referred to Walpole as an "ingenious translator". Following Walpole's admission of authorship, however, many critics were loath to lavish much praise on the work and dismissed it as absurd, fluffy, romantic fiction. In his 1924 edition of The Castle of Otranto, Montague Summers showed that the life story of Manfred of Sicily inspired some details of the plot. The real medieval castle of Otranto was among Manfred's possessions.
  • The Castle of Otranto

    Horace Walpole

    (Naxos and Blackstone Publishing, Nov. 12, 2019)
    MP3 CD Format The Castle of Otranto is regarded as the first Gothic novel.The son of Manfred, Prince of Otranto, is mysteriously killed on his wedding day by a huge helmet. The event leads to a fast-paced story of jealous passion, intrigue, murder, and supernatural phenomena unfolding in an atmosphere of thunderclaps, moonlight, and dark castle walls--mirroring the inner turmoils of the characters themselves. Horace Walpole's tale, an immediate success when it first appeared in 1764, is a classic of its genre.
  • The Castle of Otranto

    Horace Walpole

    (Perennial Press, Dec. 8, 2015)
    The Castle of Otranto is a 1764 novel by Horace Walpole. It is generally regarded as the first gothic novel, initiating a literary genre which would become extremely popular in the later 18th century and early 19th century, with authors such as Charles Maturin, Ann Radcliffe, Bram Stoker, Edgar Allan Poe and Daphne du Maurier.