Books with title THE OLD MAN IN THE CORNER

The Old Man in the Corner is an unnamed armchair detective who appears in a series of short stories written by Baroness Orczy. He examines and solves crimes while sitting in the corner of a genteel London tea-room in conversation with a female journalist. He was one of the first of this character-type created in the wake of the huge popularity of the Sherlock Holmes stories. The character's moniker is used as the title of the collection of the earliest stories featuring the character. The character first appeared in The Royal Magazine in 1901 in a series of six "Mysteries of London". The following year he returned in seven "Mysteries of Great Cities" set in large provincial centers of the British Isles. The stories are told by an unnamed lady journalist who reports the conversation of the 'man in the corner' who sits at the same table in the A.B.C. teashop. For the book, twelve were rewritten in the third person, with the lady journalist now named Polly Burton. The title, The Old Man in the Corner (U.S. edition: The Man in the Corner) was given to one of the book collections of the earliest stories. Although it contains the earliest written stories in the series, they were not collected in book form until four years after the chronologically later stories in The Case of Miss Elliott (1905). The last book in the series is the much later Unravelled Knots (1925).

The Old Man in the Corner is an unnamed armchair detective who appears in a series of short stories written by Baroness Orczy. He examines and solves crimes while sitting in the corner of a genteel London tea-room in conversation with a female journalist. He was one of the first of this character-type created in the wake of the huge popularity of the Sherlock Holmes stories. The character's moniker is used as the title of the collection of the earliest stories featuring the character. Baroness Emma Magdolna Rozália Mária Jozefa Borbála "Emmuska" Orczy de Orci ( 23 September 1865 – 12 November 1947) was a Hungarian-born British novelist and playwright. She is best known for her series of novels featuring the Scarlet Pimpernel, the alter ego of Sir Percy Blakeney, a wealthy English fop who turns into a quick-thinking escape artist in order to save ill-fated French royalty from "Madame Guillotine" during the French revolution, establishing the "hero with a secret identity" into popular culture.

The man in the corner pushed aside his glass, and leant across the table."Mysteries!" he commented. "There is no such thing as a mystery in connection with any crime, provided intelligence is brought to bear upon its investigation."Very much astonished Polly Burton looked over the top of her newspaper, and fixed a pair of very severe, coldly inquiring brown eyes upon him.She had disapproved of the man from the instant when he shuffled across the shop and sat down opposite to her, at the same marble-topped table which already held her large coffee (3d.), her roll and butter (2d.), and plate of tongue (6d.).Now this particular corner, this very same table, that special view of the magnificent marble hall—known as the Norfolk Street branch of the Aërated Bread Company's depôts—were Polly's own corner, table, and view. Here she had partaken of eleven pennyworth of luncheon and one pennyworth of daily information ever since that glorious never-to-be-forgotten day when she was enrolled on the staff of the Evening Observer (we'll call it that, if you please), and became a member of that illustrious and world-famed organization known as the British Press.She was a personality, was Miss Burton of the Evening Observer. Her cards were printed thus:Miss Mary J. Burton. Evening Observer.She had interviewed Miss Ellen Terry and the Bishop of Madagascar, Mr. Seymour Hicks and the Chief Commissioner of Police. She had been present at the last Marlborough House garden party—in the cloak-room, that is to say, where she caught sight of Lady Thingummy's hat, Miss What-you-may-call's sunshade, and of various other things modistical or fashionable, all of which were duly described under the heading "Royalty and Dress" in the early afternoon edition of the Evening Observer.(The article itself is signed M.J.B., and is to be found in the files of that leading halfpennyworth.)For these reasons—and for various others, too—Polly felt irate with the man in the corner, and told him so with her eyes, as plainly as any pair of brown eyes can speak.She had been reading an article in the Daily Telegraph. The article was palpitatingly interesting. Had Polly been commenting audibly upon it? Certain it is that the man over there had spoken in direct answer to her thoughts.She looked at him and frowned; the next moment she smiled. Miss Burton (of the Evening Observer) had a keen sense of humour, which two years' association with the British Press had not succeeded in destroying, and the appearance of the man was sufficient to tickle the most ultra-morose fancy. Polly thought to herself that she had never seen any one so pale, so thin, with such funny light-coloured hair, brushed very smoothly across the top of a very obviously bald crown. He looked so timid and nervous as he fidgeted incessantly with a piece of string; his long, lean, and trembling fingers tying and untying it into knots of wonderful and complicated proportions.Having carefully studied every detail of the quaint personality Polly felt more amiable."And yet," she remarked kindly but authoritatively, "this article, in an otherwise well-informed journal, will tell you that, even within the last year, no fewer than six crimes have completely baffled the police, and the perpetrators of them are still at large."

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

Created by Baroness Orczy, author of the famous Scarlet Pimpernel series, The Old Man In the Corner was one of the earliest armchair detectives, popping up with so many others in the wake of the huge popularity of the Sherlock Holmes stories.The Old Man relies mostly upon sensationalistic "penny dreadful" newspaper accounts, with the occasional courtroom visit. He narrates all this information, while tying complicated knots in a piece of string, to a female Journalist who frequents the same tea-shop (the ABC Teashop on the corner of Norfolk Street and the Strand). They enjoy an antagonistic relationship, as the Journalist attempts to cut the Old Man's ego down to size and the Old Man trumps her every time.

Created by Baroness Orczy, author of the famous Scarlet Pimpernel series, The Old Man In the Corner was one of the earliest armchair detectives, popping up with so many others in the wake of the huge popularity of the Sherlock Holmes stories. The Old Man relies mostly upon sensationalistic "penny dreadful" newspaper accounts, with the occasional courtroom visit. He narrates all this information, while tying complicated knots in a piece of string, to a female Journalist who frequents the same tea-shop (the ABC Teashop on the corner of Norfolk Street and the Strand). They enjoy an antagonistic relationship, as the Journalist attempts to cut the Old Man's ego down to size and the Old Man trumps her every time.

A nameless old man sits in the corner of a cozy London tea shop, and without leaving his seat, solves baffling crimes reported to him by an admiring lady journalist. Using only methods of pure deduction, the eccentric, self-assured sleuth unravels the mysteries behind a wide range of criminal acts — from gruesome murders (The Lisson Grove Mystery) and daring thefts (The Affair at the Novelty Theatre) to brilliant deceptions (The Liverpool Mystery) and deadly blackmail schemes (The Murder of Miss Pebmarsh). Set in the fog-shrouded streets of London, where gas lamps flicker in the gloom and details of lurid crimes splash across the pages of the daily papers, these ingenious, well-crafted stories by the author of The Scarlet Pimpernel are among the first and great collections of detective fiction. They will delight devotees of Sherlock Holmes and other mystery-loving fans.

The man in the corner pushed aside his glass, and leant across the table. "Mysteries!" he commented. "There is no such thing as a mystery in connection with any crime, provided intelligence is brought to bear upon its investigation." Very much astonished Polly Burton looked over the top of her newspaper, and fixed a pair of very severe, coldly inquiring brown eyes upon him.

The man in the corner pushed aside his glass, and leant across the table. "Mysteries!" he commented. "There is no such thing as a mystery in connection with any crime, provided intelligence is brought to bear upon its investigation." Very much astonished Polly Burton looked over the top of her newspaper, and fixed a pair of very severe, coldly inquiring brown eyes upon him. She had disapproved of the man from the instant when he shuffled across the shop and sat down opposite to her, at the same marble-topped table which already held her large coffee (3d.), her roll and butter (2d.), and plate of tongue (6d.). Now this particular corner, this very same table, that special view of the magnificent marble hall—known as the Norfolk Street branch of the Aërated Bread Company's depôts—were Polly's own corner, table, and view. Here she had partaken of eleven pennyworth of luncheon and one pennyworth of daily information ever since that glorious never-to-be-forgotten day when she was enrolled on the staff of the Evening Observer (we'll call it that, if you please), and became a member of that illustrious and world-famed organization known as the British Press.

The Old Man in the Corner is an unnamed armchair detective who appears in a series of short stories written by Baroness Orczy. He examines and solves crimes while sitting in the corner of a genteel London tea-room in conversation with a female journalist. He was one of the first of this character-type created in the wake of the huge popularity of the Sherlock Holmes stories. The character's moniker is used as the title of the collection of the earliest stories featuring the character.The Old Man relies mostly upon sensationalistic newspaper accounts, with the occasional courtroom visit, and relates all this while tying complicated knots in a piece of string. The plots themselves are typical of Edwardian crime fiction, resting on a foundation of unhappy marriages and the inequitable division of family property. Other period details include a murder in the London Underground, the murder of a female doctor, and two cases involving artists living in "bohemian" lodgings. Another new and noteworthy feature is that no one is ever brought to justice. Though the villains are identified by the narrator (who disdains to inform the police), most cannot be proven guilty beyond a reasonable doubt.