Books with title Measure For Measure

This is the play-text/program for the 2020 production of Measure For Measure. This publication is the actors play text so there are no stage directions, its formatted in the old English folio, and it’s specific to our company’s minimalistic approach to productions. This socially distanced production integrated the most restrictive measures to combat the transmission COVID-19 into the production such as actors in face coverings, the maintaining of 6ft in the blocking, and single use props- to name a few.

Mercy and Justice-- Measure for Measure is a play that balances Mercy against Justice and pride against humility. Vincentio, the Duke of Vienna, tells his people that he is leaving on a diplomatic mission and will leave the city in the care of a judge, Angelo. But the Duke does not leave, he disguises himself and see how his fair city is run in his absence.

Shakespeare's vivid dramatic projection of moral and ethical issues in Measure for Measure has given the play great appeal to both readers and theatergoers. Exploring the play's qualities as a complex work of art written specifically for the theatre, the introduction to this new edition sets the play in its historical context, discussing the originality of Shakespeare's treatment of a well-known story. Bawcutt explains the obsolete marriage customs, and also offers a comprehensive account of the text's theatrical afterlife from Restoration adaptations to recent productions.

The Oxford School Shakespeare has become the preferred introduction to the literary legacy of the greatest playwright in the English language. This exclusive collection of the Bard's best works has been designed specifically for readers new to Shakespeare's rich literary legacy. Each play is presented complete and unabridged, in large print. Every book is well illustrated, and starts with a commentary and character summary. Scene synopses and character summaries clarify confusing plots, while incisive essays explore the historical context and Shakespeare's sources. Each book ends with a complete list of Shakespeare's plays and a brief chronology of the Bard's life. The detailed explanatory notes are written clearly and positioned right next to the text--no more squinting at microscopic footnotes or flipping pages back and forth in search of endnotes! The new edition of the series features new covers and new illustrations, including both new drawings and photos from recent productions of Shakespeare's plays around the globe. In addition, the notes and the introductory material have been completely revised in line with new research and in order to make them clearer and more accessible. Finally, the entire text has been redesigned and reset to enhance readability. The new edition achieves the feat of unprecedented clarity of presentation without any cuts to the original text or the detailed explanations.

Since the rediscovery of Elizabethan stage conditions early this century, admiration for Measure for Measure has steadily risen. It is now a favorite with the critics and has attracted widely different styles of performance. At one extreme the play is seen as a religious allegory, at the other it has been interpreted as a comedy protesting against power and privilege. Brian Gibbons focuses on the unique tragi-comic experience of watching the play, the intensity and excitement offered by its dramatic rhythm, the reversals and surprises that shock the audience even to the end. The introduction describes the play's critical reception and stage history and how these have varied according to prevailing social, moral and religious issues, which were highly sensitive when Measure for Measure was written, and have remained so to the present day.

Measure for Measure is a play by William Shakespeare, believed to have been written in 1603 or 1604. Originally published in the First Folio of 1623, where it was listed as a comedy, the play's first recorded performance occurred in 1604. The play's main themes include justice, "mortality and mercy in Vienna," and the dichotomy between corruption and purity: "some rise by sin, and some by virtue fall." Mercy and virtue predominate, since the play does not end tragically.