Books with title MRS. CAUDLE'S CURTAIN LECTURES

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1846]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - eng, Pages 172. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

Excerpt from Mrs. Caudle's Curtain LecturesThe man called for the water-rate to-day; but I should like to know how people are to pay tax es who throw away five pounds to every fellow that asks them.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Curtain LecturesThe difficulty is to persuade enthusiastic readers, that most modern men of letters have the appearance and manners of ordinary English gentlemen and never go to balls or routs in shooting jackets, nor wear their rair curled to the waist.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Curtain LecturesThe difficulty is to persuade enthusiastic readers, that most modern men of letters have the appearance and manners of ordinary English gentlemen and never go to balls or routs in shooting jackets, nor wear their rair curled to the waist.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Mrs. Caudle's Curtain LecturesThe man called for the water-rate to-day; but I should like to know how people are to pay tax es who throw away five pounds to every fellow that asks them.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Excerpt from Mrs. Rasher's Curtain LecturesI wish you would quit them everlasting puns. It's vulgar to pun a very low species of wit, indeed; I heard Mrs. De Longue say so, the night I was to her reception. You can't help it; you must interlard your conversation with 'em? Good Lord, Rasher! Whatever else you do, leave your business be hind you when you come home. I declare, the very silk curtains in the parlor have an odor of it! Don't bristle up so? There it comes again it's enough to drive a woman mad! You can't help cutting up you're so used to it? N ow, look a-here, husband, we're going to settle this matter about the house this morning, or we're not going to settle it. If you'll quit that nonsense and listen to reason, I'll tell you what my ideas are; but if you don't, I won't say another word. Then you guess you'll keep on? And if you do you won't get me to keep still. That's just what you want; you'd be glad if I never opened my lips, though which of us is capable of speaking with the most pro priety I'll leave other people to judge.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

First serialized in Punch magazine in 1845, and officially published in book form in 1846, Mrs. Caudle's Curtain Lectures presents a collection of 37 lectures delivered by Mrs. Caudle to her husband as a means of reproach for his trivial infractions. Also, the author marvelously incorporates typical elements responsible for disagreements between spouses including the antipathetic mother-in-law, the ne’er-do-well friends, and the jealous outbursts.Jerrold’s charming piece of satire introduces the Victorian married couple, Mr. Job Caudle, a small shop owner, and his martinet wife. Aware that her husband is much too busy during the day to absorb her wisdom and convictions, Mrs. Caudle patiently waits till nightfall, when the pair is united in the comfort of their bed, to share her thoughts with him. Unable to escape her verbal attacks, Mr. Caudle must bravely endure her overreactions over his innocent deeds. Furthermore, Mrs. Caudle possesses the power to exaggerate situations and formulate inflated outcomes that will supposedly bring havoc to their family. Needless to say, Mrs. Caudle seems to fuss about her husband’s every move, as she fiercely brings attention to his innocent faults including money-lending, late night outings with friends, and a suspicious friendship with a certain woman. However, after thirty years of marriage, his wife dies and leaves him all alone in the night, but despite her physical absence, her voice still freshly lingers in his mind. As a result, he feels the need to write down her lectures each night and keep their nocturnal tradition alive.Interestingly, Mrs. Caudle's Curtain Lectures evokes a feeling of déjà vu, as Mrs. Caudle presents an archetypal model of the nagging and protective wife, whose husband is left defenseless against her scolding. A delightful set of heartfelt matrimonial discourse, Mrs. Caudle’s bedroom lectures are sure to raise a laugh with her comical, yet charmingly realistic portrayal of a Victorian wife, as she fulfills the authoritative role as Mr. Caudle’s lawfully wedded wife.

Douglas William Jerrold (London 3 January 1803 - 8 June 1857) was an English dramatist and writer. Jerrold's father, Samuel Jerrold, was an actor and lessee of the little theatre of Wilsby near Cranbrook in Kent. In 1807 Douglas moved to Sheerness, where he spent his childhood. He occasionally took a child part on the stage, but his father's profession held little attraction for him. In December 1813 he joined the guardship Namur, where he had Jane Austen's brother Francis as captain, and served as a midshipman until the peace of 1815. He saw nothing of the war save a number of wounded soldiers from Waterloo, but he retained an affection for the sea. The peace of 1815 ruined Jerrold's father; on 1 January 1816 he took his family to London, where Douglas began work as a printer's apprentice, and in 1819 he became a compositor in the printing-office of the Sunday Monitor. Several short papers and copies of verses by him had already appeared in the sixpenny magazines, and a criticism of the opera Der Freischütz was admired by the editor, who requested further contributions. Thus Jerrold became a professional journalist. Jerrold's figure was small and spare, and in later years bowed almost to deformity. His features were strongly marked and expressive, from the thin humorous lips to the keen blue eyes, gleaming from beneath the shaggy eyebrows. He was brisk and active, with the careless bluffness of a sailor. Open and sincere, he concealed neither his anger nor his pleasure; to his sailor's frankness all polite duplicity was distasteful. The cynical side of his nature he kept for his writings; in private life his hand was always open. In politics Jerrold was a Liberal, and he gave eager sympathy to Lajos Kossuth, Giuseppe Mazzini and Louis Blanc. In social politics especially he took an eager part; he never tired of declaiming against the horrors of war, the luxury of bishops, or the iniquity of capital punishment. Douglas Jerrold is now perhaps better known from his reputation as a brilliant wit in conversation than from his writings. As a dramatist he was very popular, though his plays have not kept the stage. He dealt with rather humbler forms of social world than had commonly been represented on the boards. He was one of the first and certainly one of the most successful of the men who in defence of the native English drama endeavoured to stem the tide of translation from the French, which threatened early in the 19th century to drown original native talent. His skill in construction and his mastery of epigram and brilliant dialogue are well exemplified in his comedy, Time Works Wonders (Haymarket, 26 April 1845). The tales and sketches which form the bulk of Jerrold's collected works vary much in skill and interest; but, although there are evident traces of their having been composed from week to week, they are always marked by keen satirical observation and pungent wit.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.