Books with title Blue Wizard, The

"The Wizard," H. Rider Haggard's 21st novel out of an eventual 58, was initially released as a serial in a publication called "The African Review" and then in its complete form in the October 29, 1896 "Arrowsmith's Christmas Annual for Boys." It was the third of four African novels that Haggard wrote from 1895-97, the others being "Black Heart and White Heart," "Swallow" and "Elissa," all of which I can highly recommend, by the way, especially "Swallow." "The Wizard" tells the story of Thomas Owen, a British missionary who ventures into the wilds of south central Africa to bring the Good Word to a tribe called the Amasuka, or the Children of Fire.

Has the age of miracle quite gone by, or is it still possible to the Voice of Faith calling aloud upon the earth to wring from the dumb heavens an audible answer to its prayer? Does the promise uttered by the Master of mankind upon the eve of the end—"Whoso that believeth in Me, the works that I do he shall do also . . . and whatsoever ye shall ask in My name, that will I do;"—still hold good to such as do ask and do believe? Let those who care to study the history of the Rev. Thomas Owen, and of that strange man who carried on and completed his work, answer this question according to their judgment.

Has the age of miracle quite gone by, or is it still possible to the Voice of Faith calling aloud upon the earth to wring from the dumb heavens an audible answer to its prayer? Does the promise uttered by the Master of mankind upon the eve of the end-"Whoso that believeth in Me, the works that I do he shall do also . . . and whatsoever ye shall ask in My name, that will I do;"-still hold good to such as do ask and do believe? Let those who care to study the history of the Rev. Thomas Owen, and of that strange man who carried on and completed his work, answer this question according to their judgment.

The Wizard is a novel by Henry Rider Haggard, first published by Longmans, Green, and Co., in 1896. The Wizard is one of the many examples of imperialist literature. According to Rebecca Stott, author of the article “The Dark Continent: Africa as Female Body in Haggard’s Adventure Fiction,” Haggard’s fiction is still popular today and attempts to expose a “cultural and historical definition of white masculinity at its most rugged and its most terrified.”

Has the age of miracle quite gone by, or is it still possible to the Voice of Faith calling aloud upon the earth to wring from the dumb heavens an audible answer to its prayer? Does the promise uttered by the Master of mankind upon the eve of the end-"Whoso that believeth in Me, the works that I do he shall do also . . . and whatsoever ye shall ask in My name, that will I do;"-still hold good to such as do ask and do believe? Let those who care to study the history of the Rev.