Books published by publisher University of Alberta Press

Most communists, as any plains state patriot would have told you in the 1950s, lived in Los Angeles or New York City, not Minot, North Dakota. The Cold War as it played out across the Great Plains was not the Cold War of the American cities and coasts. Nor was it tempered much by midwestern isolationism, as common wisdom has it. In this book, David W. Mills offers an enlightening look at what most of the heartland was up to while America was united in its war on Reds. Cold War in a Cold Land adopts a regional perspective to develop a new understanding of a critical chapter in the nation’s history. Marx himself had no hope that landholding farmers would rise up as communist revolutionaries. So it should come as no surprise that in places like South Dakota, where 70 percent of the population owned land and worked for themselves, people didn’t take the threat of internal subversion very seriously. Mills plumbs the historical record to show how residents of the plains states—while deeply patriotic and supportive of the nation’s foreign policy—responded less than enthusiastically to national anticommunist programs. Only South Dakota, for example, adopted a loyalty oath, and it was fervently opposed throughout the state. Only Montana, prodded by one state legislator, formed an investigation committee—one that never investigated anyone and was quickly disbanded. Plains state people were, however, “highly churched” and enthusiastically embraced federal attempts to use religion as a bulwark against atheistic communist ideology. Even more enthusiastic was the Great Plains response to the military buildup that accompanied Cold War politics, as the construction of airbases and missile fields brought untold economic benefits to the region. A much-needed, nuanced account of how average citizens in middle America experienced Cold War politics and policies, Cold War in a Cold Land is a significant addition to the history of both the Cold War and the Great Plains.

On a cold January morning in 1986, NASA launched the Space Shuttle Challenger, despite warnings against doing so by many individuals, including Allan McDonald. The fiery destruction of Challenger on live television moments after launch remains an indelible image in the nation’s collective memory. In Truth, Lies, and O-Rings, McDonald, a skilled engineer and executive, relives the tragedy from where he stood at Launch Control Center. As he fought to draw attention to the real reasons behind the disaster, he was the only one targeted for retribution by both NASA and his employer, Morton Thiokol, Inc., makers of the shuttle's solid rocket boosters. In this whistle-blowing yet rigorous and fair-minded book, McDonald, with the assistance of internationally distinguished aerospace historian James R. Hansen, addresses all of the factors that led to the accident, some of which were never included in NASA's Failure Team report submitted to the Presidential Commission.Truth, Lies, and O-Rings is the first look at the Challenger tragedy and its aftermath from someone who was on the inside, recognized the potential disaster, and tried to prevent it. It also addresses the early warnings of very severe debris issues from the first two post-Challenger flights, which ultimately resulted in the loss of Columbia some fifteen years later.

Herping is the observation of amphibians and reptiles for recreation or for the production of citizen science―the cold-blooded equivalent of birding. The Field Herping Guide: Finding Amphibians and Reptiles in the Wild is the first book to explore the fun and fascinating world of observing herpetofauna across North America. The natural world holds an amazing diversity of herps, some as close as our own backyards. This guidebook is geared toward new field herpers and uses proven methods from professional herpetologists Mike Pingleton and Joshua Holbrook.The guide addresses basic questions new field herpers have about amphibians and reptiles: What do I need to know about their biology? Where do I look for them, and when? These topics are covered in a straightforward manner, with images, a glossary of essential terms, personal anecdotes, and informational vignettes that support the subject material.TOPICS COVERED INCLUDE: Getting Started Understanding Herp Behavior Finding Herps Catching and Handling Herps Safety in the Field Ethics and Etiquette, Rights and Responsibilities Classification, Taxonomy, and Species Identification Citizen Science and Data Collection Herp Photography Social Aspects of Field Herping A History of Field Herping

"Here at last is an accurate and enjoyable rendering of Lu Xun's fiction in an American English idiom that masterfully captures the sardonic wit, melancholy pathos, and ironic vision of China's first truly modern writer." -Michael S. Duke, University of British ColumbiaThe inventor of the modern Chinese short story, Lu Xun is universally regarded as twentieth century China’s greatest writer. This long awaited volume presents new translations of all Lu Xun’s stories, including his first, “Remembrances of the Past,” written in classical Chinese. These new renderings faithfully convey both the brilliant style and the pungent expression for which Lu Xun is famous.Also included are a substantial introduction by the translator and sufficient annotation to make the stories fully accessible, enabling readers approaching Lu Xun for the first time to appreciate why these stories occupy a permanent place not only in Chinese literature but in world literature as well.

One of The Guardian's Best Books of 2018A Lit Hub Favorite Book of 2018An EcoLit Books Best Environmental Book of 2018"The American people sees itself advance across the wilderness, draining swamps, straightening rivers, peopling the solitude, and subduing nature," wrote Alexis de Tocqueville in 1835. That's largely how we still think of nineteenth-century America today: a country expanding unstoppably, bending the continent's natural bounty to the national will, heedless of consequence. A country of slavery and of Indian wars. There's much truth in that vision. But if you know where to look, you can uncover a different history, one of vibrant resistance, one that's been mostly forgotten. This Radical Land recovers that story. Daegan Miller is our guide on a beautifully written, revelatory trip across the continent during which we encounter radical thinkers, settlers, and artists who grounded their ideas of freedom, justice, and progress in the very landscapes around them, even as the runaway engine of capitalism sought to steamroll everything in its path. Here we meet Thoreau, the expert surveyor, drawing anticapitalist property maps. We visit a black antislavery community in the Adirondack wilderness of upstate New York. We discover how seemingly commercial photographs of the transcontinental railroad secretly sent subversive messages, and how a band of utopian anarchists among California's sequoias imagined a greener, freer future. At every turn, everyday radicals looked to landscape for the language of their dissent--drawing crucial early links between the environment and social justice, links we're still struggling to strengthen today. Working in a tradition that stretches from Thoreau to Rebecca Solnit, Miller offers nothing less than a new way of seeing the American past--and of understanding what it can offer us for the present . . . and the future.

In 1940, for the first time since America’s founding, a sitting president sought a third term in office. But this was only one remarkable aspect of that year’s election, which was, as John Jeffries makes clear in his new book, one of the most interesting and important elections in American history.Franklin Roosevelt’s plan to pack the Supreme Court had failed; in the wake of a recent recession, his New Deal had hardened support and opposition among both parties; and the German advance across Europe, along with Japanese aggression in Asia, was stirring fierce debate over America’s role in the world. Adding to the moment of profound uncertainty was FDR’s procrastination over whether to run again. Jeffries explores how these tensions played out and what they meant, not just for the presidential election but also for domestic politics and policy generally, and for state and local contests. In the context of the Roosevelt Coalition and the New Deal party system, he parses the debates and struggles within both the Democratic and Republican parties as Roosevelt deliberated over running and Wendell Wilkie, a businessman from Indiana and New York City, got the nod from Republicans over a field including the rising moderate Thomas E. Dewey, the conservative Michigan senator Arthur Vandenburg, and the isolationist Ohio senator Robert Taft.A Third Term for FDR reveals how domestic policy more than international events influenced Roosevelt’s decision to run and his victory in November. A detailed analysis of the results offers insights into the impact of the year’s events on voting, and into the election’s long-term implications and ramifications—many of which continue to this day.

Written from a vantage point both high and deliberately narrow, the early novels of the late British master Anthony Powell nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and the strange drivers of human behavior. More explorations of relationships and vanity than plot-driven narratives, Powell’s early works reveal the stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in his epic, A Dance to the Music of Time. In Afternoon Men, the earliest and perhaps most acid of Powell’s novels, we meet the museum clerk William Atwater, a young man stymied in both his professional and romantic endeavors. Immersed in Atwater’s coterie of acquaintances—a similarly unsatisfied cast of rootless, cocktail-swilling London sophisticates—we learn of the conflict between his humdrum work life and louche social scene, of his unrequited love, and, during a trip to the country, of the absurd contrivances of proper manners. A satire that verges on nihilism and a story touched with sexism and equal doses self-loathing and self-medication, AfternoonMen has a grim edge to it. But its dialogue sparks and its scenes grip, and for aficionados of Powell, this first installment in his literary canon will be a welcome window onto the mind of a great artist learning his craft.

Starting in the 1950s, Americans eagerly built the planet’s largest public work: the 42,795-mile National System of Interstate and Defense Highways. Before the concrete was dry on the new roads, however, a specter began haunting them—the highway killer. He went by many names: the “Hitcher,” the “Freeway Killer,” the “Killer on the Road,” the “I-5 Strangler,” and the “Beltway Sniper.” Some of these criminals were imagined, but many were real. The nation’s murder rate shot up as its expressways were built. America became more violent and more mobile at the same time. Killer on the Road tells the entwined stories of America’s highways and its highway killers. There’s the hot-rodding juvenile delinquent who led the National Guard on a multistate manhunt; the wannabe highway patrolman who murdered hitchhiking coeds; the record promoter who preyed on “ghetto kids” in a city reshaped by freeways; the nondescript married man who stalked the interstates seeking women with car trouble; and the trucker who delivered death with his cargo. Thudding away behind these grisly crime sprees is the story of the interstates—how they were sold, how they were built, how they reshaped the nation, and how we came to equate them with violence. Through the stories of highway killers, we see how the “killer on the road,” like the train robber, the gangster, and the mobster, entered the cast of American outlaws, and how the freeway—conceived as a road to utopia—came to be feared as a highway to hell.

When Vladimir Nabokov was up for a chair in literature at Harvard, the linguist Roman Jakobson protested: “What’s next? Shall we appoint elephants to teach zoology?” That anecdote, with which D. G. Myers begins The Elephants Teach, perfectly frames the issues this book tackles. Myers explores more than a century of debate over how writing should be taught and whether it can or should be taught in a classroom at all. Along the way, he incorporates insights from a host of poets and teachers, including Henry Wadsworth Longfellow, Ralph Waldo Emerson, Robert Frost, John Berryman, John Dewey, Lionel Trilling, Robert Lowell, Ezra Pound, and Saul Bellow. And from his exhaustive research, Myers extracts relevant background information on nineteenth-century educational theory; shifts in technology, publishing, and marketing; the growth of critical theory in this country; and the politics of higher education. While he shows how creative writing has become a machine for creating more creative writing programs, Myers also suggests that its history supplies a precedent for something different—a way for creativity and criticism, poetry and scholarship, to join together to produce not just writing programs but good writers. Updated with fresh commentary on what’s happened to creative writing in the academy since the first edition was published ten years ago, The Elephants Teach will be indispensable for students and teachers of writing, literature, and literary history.

Black Elk of the Sioux has been recognized as one of the truly remarkable men of his time in the matter of religious belief and practice. Shortly before his death in August, 1950, when he was the "keeper of the sacred pipe," he said, "It is my prayer that, through our sacred pipe, and through this book in which I shall explain what our pipe really is, peace may come to those peoples who can understand, and understanding which must be of the heart and not of the head alone. Then they will realize that we Indians know the One true God, and that we pray to Him continually." Black Elk was the only qualified priest of the older Oglala Sioux still living when The Sacred Pipe was written. This is his book: he gave it orally to Joseph Epes Brown during the latter's eight month's residence on the Pine Ridge Reservation in South Dakota, where Black Elk lived. Beginning with the story of White Buffalo Cow Woman's first visit to the Sioux to give them the sacred pip~, Black Elk describes and discusses the details and meanings of the seven rites, which were disclosed, one by one, to the Sioux through visions. He takes the reader through the sun dance, the purification rite, the "keeping of the soul," and other rites, showing how the Sioux have come to terms with God and nature and their fellow men through a rare spirit of sacrifice and determination. The wakan Mysteries of the Siouan peoples have been a subject of interest and study by explorers and scholars from the period of earliest contact between whites and Indians in North America, but Black Elk's account is without doubt the most highly developed on this religion and cosmography. The Sacred Pipe, published as volume thirty-six in the Civilization of the American Indian Series, will be greeted enthusiastically by students of comparative religion, ethnologists, historians, philosophers, and everyone interested in American Indian life.

Just as Norman Maclean writes at the end of "A River Runs through It" that he is "haunted by waters," so have readers been haunted by his novella. A retired English professor who began writing fiction at the age of 70, Maclean produced what is now recognized as one of the classic American stories of the twentieth century. Originally published in 1976, A River Runs through It and Other Stories now celebrates its twenty-fifth anniversary, marked by this new edition that includes a foreword by Annie Proulx.Maclean grew up in the western Rocky Mountains in the first decades of the twentieth century. As a young man he worked many summers in logging camps and for the United States Forest Service. The two novellas and short story in this collection are based on his own experiences—the experiences of a young man who found that life was only a step from art in its structures and beauty. The beauty he found was in reality, and so he leaves a careful record of what it was like to work in the woods when it was still a world of horse and hand and foot, without power saws, "cats," or four-wheel drives. Populated with drunks, loggers, card sharks, and whores, and set in the small towns and surrounding trout streams and mountains of western Montana, the stories concern themselves with the complexities of fly fishing, logging, fighting forest fires, playing cribbage, and being a husband, a son, and a father.By turns raunchy, poignant, caustic, and elegiac, these are superb tales which express, in Maclean's own words, "a little of the love I have for the earth as it goes by." A first offering from a 70-year-old writer, the basis of a top-grossing movie, and the first original fiction published by the University of Chicago Press, A River Runs through It and Other Stories has sold more than a million copies. As Proulx writes in her foreword to this new edition, "In 1990 Norman Maclean died in body, but for hundreds of thousands of readers he will live as long as fish swim and books are made."

In centuries long past, a vast swath of grassland swept down the center of North America, from Canada’s Prairie Provinces to central Texas. This once-plentiful prairie has now all but disappeared. Humans have grazed, mowed, and plowed the plains, dammed the rivers, and imposed their will on the land and its creatures. Fortunately, some remnants have survived, including the Joseph H. Williams Tallgrass Prairie Preserve in northeastern Oklahoma. In this visually stunning volume, wildlife photographer Harvey Payne and historian James P. Ronda offer an intimate look at and into one of America’s Last Great Places. Spanning nearly 40,000 acres in Oklahoma’s Osage County, the Preserve is a living witness to a world that once existed. But the Osage prairie is not a museum or theme park—and it is not frozen in time. Under the stewardship of The Nature Conservancy, which has overseen its restoration, the Preserve lives on as a fully functioning ecosystem. And for twenty-five years, Payne and Ronda have explored these lands, together and in solitude. Rendered here in brilliant color and paired with Ronda’s informative yet deeply personal commentary, Payne’s photographs open our eyes to the ever-changing world of the Tallgrass Preserve. In chapters focused on grass, sky, birds, bison, and fire, Ronda and Payne reveal that the “Big Empty” is, in fact, teeming with life. Through interwoven images and words, Visions of the Tallgrass shows that our nation’s grasslands are sacred ground, a priceless piece of our American past—and future.