Books published by publisher Pen and Sword

When noted English author Rudyard Kipling pulled strings at the beginning of World War I to get his son a commission in the Irish Guards, he little realized that he was sending the young man to his death. John Kipling's death was made even more tragic by the fact that his burial place could not be identified. Rudyard Kipling's life-long quest to find his son's resting place had not been achieved by the time of his death and John Kipling's grave was not positively identified until 1992.

Attila the Hun is a household name. Rising to the Hunnic kingship around 434, he dominated European history for the next two decades. Attila bullied and manipulated both halves of the Roman empire, forcing successive emperors to make tribute payments or face invasion. Ian Hughes recounts Attila's rise to power, attempting to untangle his character and motivations so far as the imperfect sources allow. A major theme is how the two halves of the empire finally united against Attila, prompting his fateful decision to invade Gaul and his subsequent defeat at the Battle of the Catalaunian Plain in 451.Integral to the narrative is analysis of the history of the rise of the Hunnic Empire; the reasons for the Huns' military success; relations between the Huns and the two halves of the Roman Empire; Attila’s rise to sole power; and Attila’s doomed attempt to bring both halves of the Roman Empire under his dominion.

Naval power played a vital role in the Peloponnesian War. The conflict pitted Athens against a powerful coalition including the preeminent land power of the day, Sparta. Only Athens’ superior fleet, her ‘wooden walls’, by protecting her vital supply routes allowed her to survive. It also allowed the strategic freedom of movement to strike back where she chose, most famously at Sphacteria, where a Spartan force was cut off and forced to surrender.Athens’ initial tactical superiority was demonstrated at the Battle of Chalcis, where her ships literally ran rings round the opposition but this gap closed as her enemies adapted. The great amphibious expedition to Sicily was a watershed, a strategic blunder compounded by tactical errors which brought defeat and irreplaceable losses. Although Athens continued to win victories at sea, at Arginusae for example, her naval strength had been severely weakened while the Spartans built up their fleets with Persian subsidies. It was another naval defeat, at Aegispotomi (405 BC) that finally sealed Athens’ fate. Marc De Santis narrates these stirring events while analyzing the technical, tactical and strategic aspects of the war at sea.

Paul McDonald is a former RAF fast-jet pilot whose flying career spanned 34 years. He is not a typical senior RAF officer having been brought up on a council estate in a bleak northern industrial town. He became a pilot by accident and struggled to gain his wings. He spent 14 years on operational tours overseas including 2 tours at the height of the Cold War on a Tornado tactical nuclear squadron in Germany, only 15 minutes from responding to an anticipated Soviet onslaught. Earlier he served on a low-level photo reconnaissance squadron on NATO's vulnerable southern flank. He was decorated for gallantry in 1980 and later served in Kuwait as the Senior RAF Adviser, including Operation Desert Fox, the air war against Iraq in 1998.

The battles and sieges of the Classical world have been a rich source of inspiration to film makers since the beginning of cinema and the 60s and 70s saw the golden age of the ‘swords and sandals’ epic, with films such as Spartacus. Ridley Scott’s Gladiator led a modern revival that has continued with the release of films like 300, The Eagle and Centurion and HBO’s mini-series Rome. While Hollywood interpretations of Classical battle continue to spark interest in ancient warfare, to casual viewers and serious enthusiasts alike they also spark a host of questions about authenticity. What does Hollywood get right and wrong about weapons, organization, tactics and the experience of combat? Did the Spartans really fight clad only in their underpants and did the Persians have mysterious, silver-masked assassins in their armies? This original book discusses the merits of battle scenes in selected movies and along the way gives the reader an interesting overview of ancient battle. It should appeal to the serious student of ancient warfare, movie buffs and everyone in between.

It is over fifty years since the critics of the day acclaimed The Wooden Horse as a superbly told story of the most ingenious and daring escape of the Second World War. Millions of readers agreed, and the book became a modern classic. This revised and expanded edition tells the tale. The escape itself was conceived on classical lines. The Greeks built a wooden horse and by means of it got into the city of Troy; in 1943 two British officers built a wooden horse and by means of it got out of a German prison camp. Together with a third companion, they were the only British prisoners ever to escape and reach England from this camp, though many tried. It was Stalag Luft III, designed especially to hold the Germans’ most prized captives – Allied aircrew – and considered to be escape-proof. The break from the camp itself is only part of the story. Once outside the wire the escapers were still faced with the problem of getting out of Germany. Fugitives in the midst of a watchful enemy population, they had many close shaves when disaster threatened to overwhelm them – adventures which the reader shares to the full.The fantastic nature of this enterprise, the patience, determination and endurance, above all the steel nerve it demanded from an undernourished physique, are rendered the more impressive by the manner of the telling. The characters are so surely drawn that they could not but be real. Throughout the book runs a vein of humour which alone made those days bearable. Thewarmth of human companionship born of privation, fear and a common purpose is vividly portrayed.

Madame Marie Tussaud is known worldwide for the chain of wax museums she started over 200 hundred years ago. Less known is that her original wax models were often of the famous and infamous people she personally knew during and after the French Revolution. These were people like Voltaire, Robespierre, and Napoleon — people who changed the world. Even more, the wax figures were depicted in scenes drawn from the horrors she experienced during the reign of terror in Paris during her early adult years.This book shows how the traumatic and cataclysmic experiences of Madame Tussaud’s early life became part of her legacy. She created a succession of scenes in wax, telling events as she personally experienced them. Her wax sculptures were visceral. She made them herself, at times from the living person’s head and at other times from the recently guillotined head of a former house guest. As a result, people were drawn to her wax displays in those days because they were the most intense way of experiencing those events themselves.Madame Tussaud’s story is told through a series of unique and informative stories drawn from an in-depth study of both Madame Tussaud’s life and the dramatic times in which she lived. This narrative style makes learning about history rewarding for both avid history readers and people with a casual interest in this unique story.

For two weeks in August 1936, Nazi Germany achieved an astonishing propaganda coup when it staged the Olympic Games in Berlin. Hiding their anti-semitism and plans for territorial expansion, the Nazis exploited the Olympic ideal, dazzling visiting spectators and journalists alike with an image of a peaceful, tolerant Germany. In Hitler's Olympics, Anton Rippon tells the story of those remarkable Games, the first to overtly use the Olympic festival for political purposes. His account, which is illustrated with almost 200 rare photographs of the event, looks at how the rise of the Nazis affected German sportsmen and women in the early 1930s. And it reveals how the rest of the world allowed the Berlin Olympics to go ahead despite the knowledge that Nazi Germany was a police state.

Republished to coincide with the new ITV film, My Boy Jack? starring Daniel Radcliffe, this is the full account of the tragic life of John 'Jack' Kipling. On 27th September 1915 John Kipling, the only son of Britain's best loved poet, disappeared during the Battle of Loos. The body lay undiscovered for 77 years. Then, in a most unusual move, the Commonwealth War Graves Commission (CWGC) re-marked the grave of an unknown Lieutenant of the Irish Guards, as that of John Kipling. There is considerable evidence that John's grave has been wrongly identified and for the first time in this book, the authors name the soldier they believe is buried in 'John's grave'. This is the first biography of John's short life, analysing the devastating effect it had on his famous father's work.

In the fall of 1944, Allied commanders planned to land airborne divisions in an attempt to capture a series of bridges behind German lines, including the "bridge too far" at Arnhem. Geoffrey Powell, himself a veteran of the Arnhem operation, drew on conversations with many other survivors of the battle to write one of the most dramatic of all accounts of the battleWhen the book was first published in 1976 under a pseudonym, it was at once recognized as one of the finest evocations of an infantryman's war ever written.

A history of the First World War told through hundreds of letters exchanged by ordinary British soldiers and their families. Letters from the Trenches reveals what people really thought and felt during the conflict and covers all social classes and groups – from officers to conscripts, servicewomen to conscientious objectors. Jacqueline Wadsworth skilfully uses the letters to tell the human story of the First World War – what mattered to Britain’s soldiers, sailors and airmen and their feelings about the war; how the conflict changed people; and how life continued on the Home Front.Voices within the book include Sergeant John Adams, 9th Royal Irish Fusiliers, who wrote in May 1917:'For the day we get our letter from home is a red Letter day in the history of the soldier out here. It is the only way we can hear what is going on. The slender thread between us and the homeland.'Private Stanley Goodhead, of the Manchester Pals Battalion, wrote home in 1916:'I came out of the trenches last night after being in 4 days. You have no idea what 4 days in the trenches means...The whole time I was in I had only about 2 hours sleep and that was in snatches on the firing step. What dugouts there are, are flooded with mud and water up to the knees and the rats hold swimming galas in them...We are literally caked with brown mud and it is in all our food, tea etc.'