Books published by publisher ModernLibrary

The legends of King Arthur and his knights of the Round Table have inspired some of the greatest works of literature--from Cervantes's Don Quixote to Tennyson's Idylls of the King. Although many versions exist, Malory's stands as the classic rendition. Malory wrote the book while in Newgate Prison during the last three years of his life; it was published some fourteen years later, in 1485, by William Caxton. The tales, steeped in the magic of Merlin, the powerful cords of the chivalric code, and the age-old dramas of love and death, resound across the centuries.The stories of King Arthur, Lancelot, Queen Guenever, and Tristram and Isolde seem astonishingly moving and modern. Malory's Le Morte d'Arthur endures and inspires because it embodies mankind's deepest yearnings for brotherhood and community, a love worth dying for, and valor, honor, and chivalry.

2008 NATIONAL BOOK AWARD WINNERPeter Matthiessen’s great American epic–Killing Mister Watson, Lost Man’s River, and Bone by Bone–was conceived as one vast mysterious novel, but because of its length it was originally broken up into three books. In this bold new rendering, Matthiessen has cut nearly a third of the overall text and collapsed the time frame while deepening the insights and motivations of his characters with brilliant rewriting throughout. In Shadow Country, he has marvelously distilled a monumental work, realizing his original vision. Inspired by a near-mythic event of the wild Florida frontier at the turn of the twentieth century, Shadow Country reimagines the legend of the inspired Everglades sugar planter and notorious outlaw E. J. Watson, who drives himself relentlessly toward his own violent end at the hands of neighbors who mostly admired him, in a killing that obsessed his favorite son.Shadow Country traverses strange landscapes and frontier hinterlands inhabited by Americans of every provenance and color, including the black and Indian inheritors of the archaic racism that, as Watson’s wife observed, "still casts its shadow over the nation."Peter Matthiessen’s lyrical and illuminating work in the Watson narrative has been praised highly by such contemporaries as Saul Bellow, William Styron, and W. S. Merwin. Joseph Heller said "I read it in great gulps, up each night later than I wanted to be, in my hungry impatience to find out more and more." Praise for Shadow Country“Shadow Country is altogether gripping, shocking, and brilliantly told, not just a tour de force in its stylistic range, but a great American novel, as powerful a reading experience as nearly any in our literature. This magnificent, sad masterpiece about race, history, and defeated dreams can easily stand comparison with Ralph Ellison's Invisible Man and Robert Penn Warren's All the King's Men. Little wonder, too, that parts of the story of E.J. Watson call up comparisons with Dostoevsky, Conrad, and, inevitably, Faulkner. In every way, Shadow Country is a bravura performance, at once history, fiction, and myth–as well as the capstone to the career of one of the most admired and admirable writers of our time.” — The New York Review of Books“Magnificent and capacious…. I'll just say right here that the book took my sleeve and like the ancient mariner would not let go. Matthiessen has made his three-part saga into a new thing…. Finally now we have these books welded like a bell, and with Watson's song the last sound, all the elements fuse and resonate….a breathtaking saga.” — The Los Angeles Times“Gorgeously written and unfailingly compelling, Shadow Country is the exhilarating masterwork of [Matthiessen’s] career, every bit as ambitious as Moby Dick.” — National Geographic Adventure magazine“Peter Mattiessen consolidates his epic masterpiece of Florida -- and crafts something even better…[He] deserves credit for decades of meticulous research and obsessive details and soaring prose that converted the Watson legend into critically acclaimed literature….Anyone wanting an explanation for what happened to Florida can now find it in a single novel, a great American novel.” — Miami Herald“Matthiessen is writing about one man's life in Shadow Country, but he is also writing about the life of the nation over the course of half a century. Watson's story is essentially the story of the American frontier, of the conquering of wild lands and people, and of what such empires cost….Even among a body of work as magnificent as Matthiessen's, this is his great book.” — St. Petersburg Times“Shadow Country is a magnum opus. Matthiessen is meticulous in creating characters, lyrical in describing landscapes, and resolute in dissecting the values and costs that accompanied the development of this nation.” --Seattle Times“Shadow Country” is an ambitious, lasting, and meaningful work of literature that will not soon fade away. It is a testament to Mr. Matthiessen’s integrity as an artist that he felt compelled to return to the Watson material to produce this work and satisfy his original vision….a multifaceted work that can be read variously or simultaneously as a psychological novel, a historical novel, a morality tale, a political allegory, or a mystery. -- East Hampton Star“Matthiessen’s Watson trilogy is a touchstone of modern American literature…this reworking…is remarkable….Where Watson was a magnificent character before, he comes across as nothing short of iconic here; it’s difficult to find another figure in American literature so thoroughly and confincingly portrayed.” — Publishers Weekly, starred review, Pick of the Week“Matthiessen has reinvigorated and rejoined the trilogy’s novels…a mosaic about the life and lynch-mob death of a turn-of-the century Florida Everglades sugar planter and serial killer named E. J. Watson — into the 900-plus-page Shadow Country. This is no mere repackaging: Four hundred pages were cut from the novels, previous background characters now tromp to the foreground, and the books’ rangy, Faulknerian essence is rendered more digestible. Deliciously digestible, that is; this is a thick porterhouse of a novel.” — Men’s Journal "The fiction of Peter Matthiessen is the reason a lot of people in my generation decided to be writers. No doubt about it. SHADOW COUNTRY lives up to anyone's highest expectations for great writing." -- Richard Ford "Peter Matthiessen is a brilliantly gifted and ambitious writer, an inspired anatomist of the American mythos. His storytelling skills are prodigious and his rapport with his subject is remarkable." -- Joyce Carol Oates"Peter Matthiessen's work, both in fiction and non-fiction, has become a unique achievement in his own generation and in American literature as a whole. Everything that he has written has been conveyed in his own clear, deeply informed, elegant and powerful prose. The Watson saga-in-the-round, to which he has devoted nearly thirty years, is his crowning achievement. SHADOW COUNTRY, his distillation of the earlier trilogy, is his transmutation of it to represent his original vision. It is the quintessence of his lifelong concerns, and a great legacy." -- W.S. Merwin

“Like swordplay itself, By the Sword is elegant, accurate, romantic, and full of brio—the definitive study, hugely readable, of man’s most deadly art.”—Simon WinchesterWith a new Preface by the authorNapoleon fenced. So did Shakespeare, Karl Marx, Grace Kelly, and President Truman, who as a schoolboy would practice fencing with Bess—his future wife— when the two of them returned home from school. Lincoln was a canny dueler. Ignatius Loyola challenged a man to a duel for denying Christ’s divinity (and won). Less successful, but no less enthusiastic, was Mussolini, who would tell his wife he was “off to get spaghetti,” their code to avoid alarming the children. By the Sword is an epic history of sword fighting—a science, an art, and, for many, a religion that began at the dawn of civilization in ancient Egypt and has been an obsession for mankind ever since. With wit and insight, Richard Cohen gives us an engrossing history of the world via the sword.Praise for By the Sword“Touché! While scrupulous and informed about its subject, Richard Cohen’s book is about more than swordplay. It reads at times like an alternative social history of the West.”—Sebastian Faulks “In writing By the Sword, [Cohen] has shown that he is as skilled with the pen as he is with the sword.”—The New York Times “Irresistible . . . extraordinary . . . vivid and hugely enjoyable.”—The Economist “A virtual encyclopedia on the subject of sword fighting.”—San Francisco Chronicle “Literate, learned, and, beg pardon, razor-sharp . . . a pleasure for practitioners, and a rewarding entertainment for the armchair swashbuckler.”—Kirkus Reviews (starred review)

SOON TO BE A MAJOR MOTION PICTURE • Two women in 1920s New York discover how fluid and dangerous our perceptions of race can be in this electrifying classic of the Harlem Renaissance—with an introduction by Kaitlyn Greenidge, author of We Love You, Charlie Freeman, finalist for the 2016 Center for Fiction First Novel Prize Irene Redfield is living an affluent, enviable life with her husband and children in the thriving African American enclave of Harlem in the 1920s. That is, until she runs into her childhood friend, Clare Kendry. Since they last saw each other, Clare, who is similarly light-skinned, has been “passing” for a white woman, married to a racist man who does not know about his wife’s real identity, which she has chosen to hide from the rest of the world. Irene is both fascinated and repulsed by Clare’s dangerous secret, and in turn, Clare yearns for Irene’s sense of ease and security with her Black identity and community, which Clare gave up in pursuit of a more advantageous life, and which she can never embrace again. As the two women grow close, Clare begins to insert herself and her deception into every part of Irene’s stable existence, and their complex reunion sets off a chain of events that dynamically alters both women forever. In this psychologically gripping and chilling novel, Nella Larsen explores the blurriness of race, sacrifice, alienation, and desire that defined her own experience as a woman of mixed race, issues that still powerfully resonate today. Ultimately, Larsen forces us to consider whether we can ever truly choose who we are. The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.Praise for Passing“The genius of this book is that its protagonists . . . are complex and fully realized. . . . The work of a highly talented and thoughtful writer.”—Richard Bernstein, The New York Times

Like any set of oral reflections, The Character of Physical Law has special value as a demonstration of the mind in action. The reader is particularly lucky in Richard Feynman - one of the most eminent and imaginative modern physicists.In these Messenger Lectures, originally delivered at Cornell University and recorded for television by the BBC, Richard Feynman offers an overview of selected physical laws and gathers their common features into one broad principle of invariance. He maintains at the outset that the importance of a physical law is not ''how clever we are to have found it out - but . . . how clever nature is to pay attention to it'' and steers his discussions toward a final exposition of the elegance and simplicity of all scientific laws. Rather than an essay on the most significant achievements in modern science, The Character of Physical Law is a statement of what is most remarkable in nature. Feynman's enlightened approach, his wit, and his enthusiasm make this a memorable exposition of the scientist's craft. The law of gravitation is the author's principal example. Relating the details of its discovery and stressing its mathematical character, he uses it to demonstrate the essential interaction of mathematics and physics. He views mathematics as the key to any system of scientific laws, suggesting that if it were possible to fill out the structure of scientific theory completely, the result would be an integrated set of mathematical axioms. The principles of conservation, symmetry, and time irreversibility are then considered in relation to developments in classical and modern physics, and in his final lecture, Feynman develops his own analysis of the process and future of scientific discovery.

In 1893 Nansen set sail in the Fram, a ship specially designed and built to be frozen into the polar ice cap, withstand its crushing pressures, and travel with the sea's drift closer to the North Pole than anyone had ever gone before. Experts said such a ship couldn't be built and that the voyage was tantamount to suicide. This brilliant first-person account, originally published in 1897, marks the beginning of the modern age of exploration. Nansen vividly describes the dangerous voyage and his 15-month-long dash to the North Pole by sledge. An unforgettable tale and a must-read for any armchair explorer.

A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds Selected by the Modern Library as one of the 100 best novels of all time Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” Fifty years after its initial publication at the height of the Vietnam War, Vonnegut's portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties. “Poignant and hilarious, threaded with compassion and, behind everything, the cataract of a thundering moral statement.”—The Boston Globe

'Flower and plant have no conscious will. They are shameless, exposing their genitals. And so in a sense are Proust's men and women . . . shameless. There is no question of right and wrong. Homosexuality . . . is as devoid of moral implications as the mode of fecundation of the Primula veris or the Lythrum salicoria.--------------------------------------------------------------------------------------SAMUEL BECKETT The theme of Sodom and Gomorrah is sexual ambiguity. In the opening scene, the narrator secretly observes a sexual encounter between two men that is played out 'as though in obedience to the laws of an occult art' The book unfolds on matters of 'vice,' 'inversion,' mystery, desire, love, longing, and illusion. The final volume of a new, definitive text of A la recherche du temps perdu was published by the Bibliotheque de la Pleiade in 1989. For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin's acclaimed reworking of C. K. Scott Moncrieff's translation to take into account the new French editions.

Selected by the Modern Library as one of the 100 best nonfiction books of all timeWhen first published in 1903, W.E.B. Du Bois’s The Souls of Black Folk struck like a thunderclap, quickly establishing itself as a work that wholly redefined the history of the black experience in America, introducing the now famous “problem of the color line.” In decades since, its stature has only grown, and today it ranks as one of the most influential and resonant works in the history of American thought. This centennial edition contains a landmark Introduction by historian David Levering Lewis that brilliantly demonstrates how The Souls of Black Folk remains indispensable not only to an understanding of the history of race and democracy in America but to considerations of the future of racial and cultural comity in the twenty-first century.

Tumble down the rabbit hole with Alice for a fantastical adventure from Walt Disney Pictures and Tim Burton. Inviting and magical, ALICE IN WONDERLAND is an imaginative new twist on one of the most beloved stories of all time. Alice (Mia Wasikowska), now 19 years old, returns to the whimsical world she first entered as a child and embarks on a journey to discover her true destiny. This Wonderland is a world beyond your imagination and unlike anything you've seen before. The extraordinary characters you've loved come to life richer and more colorful than ever. There's the Mad Hatter (Johnny Depp), the White Queen (Anne Hathaway), the Red Queen (Helena Bonham Carter), the White Rabbit (Michael Sheen) and more. A triumphant cinematic experience -- ALICE IN WONDERLAND is an incredible feast for your eyes, ears and heart that will captivate audiences of all sizes.

A glorious, edible tour of Paris through six decades of writing from Gourmet magazine, edited and introduced by Ruth ReichlFor sixty years the best food writers have been sending dispatches from Paris to Gourmet. Collected here for the first time, their essays create a unique and timeless portrait of the world capital of love and food. When the book begins, just after the war, we are in a hungry city whose chefs struggle to find the eggs and cream they need to re-create the cuisine from before the German occupation. We watch as Paris comes alive again with zinc-topped tables crowded with people drinking café au lait and reveling in crisp baguettes, and the triumphant rebirth of three-star cuisine. In time, nouvelle cuisine is born and sweeps through a newly chic and modern city. It is all here: the old-time bourgeois dinners, the tastemakers of the fashion world, the hero-chefs, and, of course, Paris in all its snobbery and refinement, its inimitable pursuit of the art of fine living. Beautifully written, these dispatches from the past are intimate and immediate, allowing us to watch the month-by-month changes in the world’s most wonderful city. Remembrance of Things Paris is a book for anyone who wants to return to a Paris where a buttery madeleine is waiting around every corner.Contributors include Louis Diat, Naomi Barry, Joseph Wechsberg, Judith and Evan Jones, Don Dresden, Lillian Langseth-Christensen, Diane Johnson, Michael Lewis, and Jonathan Gold.

First published in 1985, The Cider House Rules is John Irving's sixth novel. Set in rural Maine in the first half of this century, it tells the story of Dr. Wilbur Larch--saint and obstetrician, founder and director of the orphanage in the town of St. Cloud's, ether addict and abortionist. It is also the story of Dr. Larch's favorite orphan, Homer Wells, who is never adopted.