Books published by publisher Everyman's Library

"The Princess and the Pea," "The Little Mermaid," and other great Andersen fairy tales have enchanted children since the first ones appeared in Danish in the 1830s and '40s. Spink's translation into English is widely recognized as the finest, and the new Everyman's Library edition is further graced by the magical pictures made in 1899 by three of Britain's most celebrated illustrators.

Retold out of the old romances, this collection of Arthurian tales endeavors to make each adventure--"The Quest for the Round Table, " "The First Quest of Sir Lancelot, " "How the Holy Grail Came to Camelot, " and so forth--part of a fixed pattern that effectively presents the whole story, as it does in Le Morte D'Arthur, but in a way less intimidating to young readers. (All Ages)

Three of George MacDonald Fraser’s incomparable and hilarious novels featuring the lovable rogue, soldier, cheat, and coward: Harry Paget Flashman.Praised by everyone from John Updike to Jane Smiley, Fraser was an acknowledged master of comedy and satire, an unrivaled storyteller, whose craft was matched only by his impeccable historical research. And his greatest creation was, of course, Flashman. The novels collected here find our hero in the midst of his usual swashbuckling adventures of derring-do: fleeing adversaries in the First Anglo-Afghan War; meeting and nearly deceiving a young Abraham Lincoln in America; alternately impersonating a native Indian cavalry recruit and wooing women in India; and managing, whatever the circumstances, to keep his hero’s reputation unsullied.A must-have treat for the legions of dedicated Flashman fans, and a delightful introduction for those lucky enough to be encountering him for the first time.

The ancient Chinese military classic that is widely admired today by both military and business strategists--in a new translation, with new notes and commentary.For more than two thousand years, The Art of War has provided leaders with essential tactical and management advice. An elemental part of Chinese culture, it has also become a touchstone in the West for achieving success, whether on the battlefield or in business. This Everyman's Library edition features a brilliant new translation by Peter Harris. Alongside the pithy and powerful ancient text, Harris includes: --Extracts from the canon of traditional Chinese commentators who have explained Sun Tzu's wisdom over the centuries --Notes --A bibliography --A chronology of Chinese dynasties --A map --An illuminating introduction on the warrior-philosopher Sun Tzu and the role of The Art of War in history and today

Britain’s three-hundred-year relationship with the Indian subcontinent produced much fiction of interest but only one indisputable masterpiece: E. M. Forster’s A Passage to India, published in 1924, at the height of the Indian independence movement. Centering on an ambiguous incident between a young Englishwoman of uncertain stability and an Indian doctor eager to know his conquerors better, Forster’s book explores, with unexampled profundity, both the historical chasm between races and the eternal one between individuals struggling to ease their isolation and make sense of their humanity.

The most famous of all story collections, The Arabian Nights, also known as The Book of the Thousand and One Nights, is beloved around the world. Composed of Persian, Arabic, Greek, Indian, and other sources that accumulated over hundreds of years, these fabulous stories-within-stories have long fired readers’ imaginations with an enchanted world of flying carpets, magic lamps, genies, demons, magicians and sorceresses, carnivorous giants, and bloodthirsty bandits. Translation has played a key role in the formation of The Arabian Nights as we know it, making it far more prominent in the West than it has ever been in the Arab world. Westerners’ first discovery of some of the tales in the early eighteenth century sparked a feverish thirst for more, which led to compilations that freely adapted, reconfigured, and even added to the originals. The resulting love affair with the art, architecture, literature, cuisine, and culture of the East significantly remapped the European literary landscape. Editor Wen-chin Ouyang has compiled a carefully chosen selection from influential English translations, showcasing the strengths of different translators, including Richard Burton, Edward Lane, Jonathan Scott, and John Payne. Here are Shahrazad, Sinbad the Sailor, Aladdin, Ali Baba, and many more, in the most readable and enjoyable versions available.

Introduction by Peter Washington; Translation by William Weaver Italo Calvino’s masterpiece combines a love story and a detective story into an exhilarating allegory of reading, in which the reader of the book becomes the book’s central character. Based on a witty analogy between the reader’s desire to finish the story and the lover’s desire to consummate his or her passion, IF ON A WINTER’S NIGHT A TRAVELER is the tale of two bemused readers whose attempts to reach the end of the same book—IF ON A WINTER’S NIGHT A TRAVELER, by Italo Calvino, of course—are constantly and comically frustrated. In between chasing missing chapters of the book, the hapless readers tangle with an international conspiracy, a rogue translator, an elusive novelist, a disintegrating publishing house, and several oppressive governments. The result is a literary labyrinth of storylines that interrupt one another—an Arabian Nights of the postmodern age.

Emma, a passionate dreamer raised in the French countryside, is ready for her life to take off when she marries the decent, dull Dr. Charles Bovary. Marriage, however, fails to live up to her expectations, which are fueled by sentimental novels, and she turns disastrously to love affairs. The story of Emma’s adultery scandalized France when Madame Bovary was first published. Today, the heartbreaking story of Emma’s financial ruin remains just as compelling.In Madame Bovary, his story of a shallow, deluded, unfaithful, but consistently compelling woman living in the provinces of nineteenth-century France, Gustave Flaubert invented not only the modern novel but also a modern attitude toward human character and human experience that remains with us to this day. One of the rare works of art that it would be fair to call perfect, Madame Bovary has had an incalculable influence on the literary culture that followed it. This translation, by Francis Steegmuller, is acknowledged by common consensus as the definitive English rendition of Flaubert’s text.

It is the story of the Galactic Empire, crumbling after twelve thousand years of rule. And it is the particular story of psycho-historian Hari Seldon, the only man who can see the horrors the future has in store: a dark age of ignorance, barbarism and violence that will last for thirty thousand years. Gathering together a band of courageous men and women, Seldon leads them to a hidden location at the edge of the galaxy where he hopes they can preserve human knowledge and wisdom against all who would destroy them. Asimov went on to add numerous sequels and prequels to the trilogy, building up what has become known as the Foundation series, but it is the original three books, first published in the Forties and Fifties, which remain the most powerful, imaginative and breathtaking.

When David Copperfield escapes from the cruelty of his childhood home, he embarks on a journey to adulthood which will lead him through comedy and tragedy, love and heartbreak and friendship and betrayal. Over the course of his adventure, David meets an array of eccentric characters and learns hard lessons about the world before he finally discovers true happiness.Charles Dickens’s most celebrated novel and the author’s own favorite, David Copperfield is the classic account of a boy growing up in a world that is by turns magical, fearful, and grimly realistic. In a book that is part fairy tale and part thinly veiled autobiography, Dickens transmutes his life experience into a brilliant series of comic and sentimental adventures in the spirit of the great eighteenth-century novelists he so much admired. Few readers can fail to be touched by David’s fate, and fewer still to be delighted by his story. The cruel Murdstone, the feckless Micawber, the unctuous and sinister Uriah Heep, and David Copperfield himself, into whose portrait Dickens puts so much of his own early life, form a central part of our literary legacy.This edition reprints the original Everyman preface by G. K. Chesterton and includes thirty-nine illustrations by Phiz.

An adventurous story of a frontier boy raised by Indians, The Light in the Forest is a beloved American classic.When John Cameron Butler was a child, he was captured in a raid on the Pennsylvania frontier and adopted by the great warrrior Cuyloga. Renamed True Son, he came to think of himself as fully Indian. But eleven years later his tribe, the Lenni Lenape, has signed a treaty with the white men and agreed to return their captives, including fifteen-year-old True Son. Now he must go back to the family he has forgotten, whose language is no longer his, and whose ways of dress and behavior are as strange to him as the ways of the forest are to them.

Lucie Manette had been separated from her father for eighteen years while he languished in Paris’s most feared prison, the Bastille. Finally reunited, the Manettes’s fortunes become inextricably intertwined with those of two men, the heroic aristocrat Darnay, and the dissolute lawyer, Carton. Their story, which encompasses violence, revenge, love and redemption, is grippingly played out against the backdrop of the terrifying brutality of the French Revolution.A Tale of Two Cities begins on a muddy English road in an atmosphere charged with mystery and drama, and it ends in the Paris of the French Revolution with one of the most famous acts of self-sacrifice in literature. In between lies one of Charles Dickens’s most exciting books– a historical novel that, generation after generation, has given readers access to the profound human dramas that lie behind cataclysmic social and political events.Famous for the character of Sydney Carton, who sacrifices himself upon the guillotine–“It is a far, far better thing that I do, than I have ever done”–the novel is also a powerful study of crowd psychology and the dark emotions aroused by the Revolution, and is illuminated by Dickens’s lively comedy.This edition reprints the original Everyman introduction by G. K. Chesterton and includes sixteen illustrations by Phiz.