Books published by publisher Didactic Press

A beautiful biography of the founder of the ancient Persian Empire, Cyrus the Great, whose monarchy was one of the wealthiest and most powerful the world has ever seen. Illustrated throughout to enhance the reading experience.Contents include: Herodotus and Xenophon.The Birth of Cyrus.The Visit to Media.Crœsus.Accession of Cyrus to the Throne.The Oracles.The Conquest of Lydia.The Conquest of Babylon.The Restoration of the Jews.The Story of Panthea.Conversations.The Death of Cyrus.

ALTHOUGH the folk-tales and legends of Brittany have received ample attention from native scholars and collectors, they have not as yet been presented in a popular manner to English-speaking readers. The probable reasons for what would appear to be an otherwise incomprehensible omission on the part of those British writers who make a popular use of legendary material are that many Breton folk-tales strikingly resemble those of other countries, that from a variety of considerations some of them are unsuitable for presentation in an English dress, and that most of the folk-tales proper certainly possess a strong family likeness to one another.But it is not the folk-tale alone which goes to make up the romantic literary output of a people; their ballads, the heroic tales which they have woven around passages in their national history, their legends (employing the term in its proper sense), along with the more literary attempts of their romance-weavers, their beliefs regarding the supernatural, the tales which cluster around their ancient homes and castles—all of these, although capable of separate classification, are akin to folk-lore, and I have not, therefore, hesitated to use what in my discretion I consider the best out of immense stores of material as being much more suited to supply British readers with a comprehensive view of Breton story. Thus, I have included chapters on the lore which cleaves to the ancient stone monuments of the country, along with some account of the monuments themselves. The Arthurian matter especially connected with Brittany I have relegated to a separate chapter, and I have considered it only fitting to include such of the lais of that rare and human songstress Marie de France as deal with the Breton land. The legends of those sainted men to whom Brittany owes so much will be found in a separate chapter, in collecting the matter for which I have obtained the kindest assistance from Miss Helen Macleod Scott, who has the preservation of the Celtic spirit so much at heart. I have also included chapters on the interesting theme of the black art in Brittany, as well as on the several species of fays and demons which haunt its moors and forests; nor will the heroic tales of its great warriors and champions be found wanting. To assist the reader to obtain the atmosphere of Brittany and in order that he may read these tales without feeling that he is perusing matter relating to a race of which he is otherwise ignorant, I have afforded him a slight sketch of the Breton environment and historical development, and in an attempt to lighten his passage through the volume I have here and there told a tale in verse, sometimes translated, sometimes original.

The romantic tales here retold for the English reader belong neither to the category of folk-lore nor of myth, although most of them contain elements of both. They belong, like the tales of Cuchulain, which have been similarly presented by Miss Hull, to the bardic literature of ancient Ireland, a literature written with an artistic purpose by men who possessed in the highest degree the native culture of their land and time. The aim with which these men wrote is also that which has been adopted by their present interpreter. I have not tried, in this volume, to offer to the scholar materials for the study of Celtic myth or folk-lore. My aim, however I may have fulfilled it, has been artistic, not scientific. I have tried, while carefully preserving the main outline of each story, to treat it exactly as the ancient bard treated his own material, or as Tennyson treated the stories of the MORT D'ARTHUR, that is to say, to present it as a fresh work of poetic imagination. In some cases, as in the story of the Children of Lir, or that of mac Datho's Boar, or the enchanting tale of King Iubdan and King Fergus, I have done little more than retell the bardic legend with merely a little compression; but in others a certain amount of reshaping has seemed desirable. The object in all cases has been the same, to bring out as clearly as possible for modern readers the beauty and interest which are either manifest or implicit in the Gaelic original...

The reader is requested to bear in mind that this volume lays no claim to scholarship, independent research, or originality of view. Its aim has been to select and collate, from sources not always easily accessible to the general reader, certain facts and conclusions bearing upon a subject of acknowledged interest. In so dealing with one of the many modes of primitive religion, it is perhaps inevitable that the writer should seem to exaggerate its importance, and in isolating a given series of data to undervalue the significance of the parallel facts from which they are severed. It is undeniable that the worship of the spirit-inhabited tree has usually, if not always, been linked with, and in many cases overshadowed by other cults; that sun, moon, and stars, sacred springs and stones, holy mountains, and animals of the most diverse kind, have all been approached with singular impartiality by primitive man, as enshrining or symbolising a divine principle. But no other form of pagan ritual has been so widely distributed, has left behind it such persistent traces, or appeals so closely to modern sympathies as the worship of the tree; of none is the study better calculated to throw light on the dark ways of primitive thought, or to arouse general interest in a branch of research which is as vigorous and fruitful as it is new. For these reasons, in spite of obvious disadvantages, its separate treatment has seemed to the writer to be completely justifiable.

An excellent introduction to the greatest astronomers, the ones who pushed the consciousness of the human race up and out and into the heavens, exploring space and stretching the collective mind of the human race. It is by the work of these astronomers that our true place in the universe was better understood, and they helped to usher in a period of wonder and technological development that would take us out to the stars.Contents include:INTRODUCTION.PTOLEMY.COPERNICUS.TYCHO BRAHE.GALILEO.KEPLER.ISAAC NEWTON.HALLEY.BRADLEY.WILLIAM HERSCHEL.LAPLACE.BRINKLEY.JOHN HERSCHEL.THE EARL OF ROSSE.AIRY.HAMILTON.LE VERRIER.ADAMS.

Formatted for Kindle devices and the Kindle for iOS app. Complete with illustrations from William Blake. "IN the far-off days when Dante lived, those who wrote books wrote them in the Latin tongue.Dante himself wrote the first seven cantos of his great poem in Latin. But like many another poet, he was not satisfied with his first attempt. He flung the seven Latin cantos aside and seemingly forgot all about them, for when he was banished from Florence the poem he had begun was not among his treasures.His wife, however, found the seven cantos and tossed them into a bag among her jewels. Then she also seemed to forget all about them.Five years later a nephew of Dante chanced to find the long-forgotten verses. He at once sent them to his uncle, who was still living in exile.When Dante received the cantos he had written so long ago, he believed that their recovery was a sign from Heaven that he should complete the great poem he had begun.He therefore set to work afresh, but this time he wrote, not in Latin, but in his own beautiful mother-tongue, which was, as you know, Italian.When at length the great poem was finished, Dante named it simply, "The Comedy," and it was not until many years after his death that the title was changed into "The Divine Comedy."A comedy was a tale which might be as sad as tale could be, so only that it ended in gladness.In "The Divine Comedy," then, about which this little book tells, you may expect to find much that is sad, much that is terrible. Yet you may be certain that before the end of the tale you will find in it gladness and joy."MARY MACGREGOR

In this book, besides reading of wonderful adventures and brave fighting, you will learn just what sort of man a perfect knight was required to be in the chivalrous times when men wore armour and rode on errantry. The duties of a 'good and faithful knight' were quite simple, but they were often very hard to perform. They were—to protect the distressed, to speak the truth, to keep his word to all, to be courteous and gentle to women, to defend right against might, and to do or say nothing that should sully the fair name of Christian knighthood...

In a country whose people are born story-tellers, where story-telling long since rose to the dignity of a profession, and the story-teller is sure of an appreciative audience, whether at a village fair or in a city theatre, the authoress had not to go far afield in search of her materials. But the range of this class of literature is wide, embracing as it does all that goes to make folk-lore, legendary history, fairy tales, and myths.From all these sources the present stories are drawn, and in each case the selection is justified and the story loses nothing in the telling. The simple directness of narrative peculiar to Japanese tales is not lost in the English setting, and the little glimpses we are given into Japanese verse may tempt the reader to do like Oliver Twist and "ask for more."