Books published by publisher Cornell University Press

In this beautiful collection of poems and paintings, Billy Collins, former U.S. poet laureate, joins with David Allen Sibley, America's foremost bird illustrator, to celebrate the winged creatures that have inspired so many poets to sing for centuries. From Catullus and Chaucer to Robert Browning and James Wright, poets have long treated birds as powerful metaphors for beauty, escape, transcendence, and divine expression. Here, in this substantial anthology, more than one hundred contemporary and classic poems are paired with close to sixty original, ornithologically precise illustrations. Part poetry collection, part field guide, part art book, Bright Wings presents verbal and visual interpretations of the natural world and reminds us of our intimate connection to the "bright wings" around us. Each in their own way, these poems and pictures honor the enchanting creatures that have been, and continue to be, longtime collaborators with the poet's and painter's art.Poet and bird pairings include: Wallace Stevens and the Blackbird; Emily Dickinson and the Robin; Marianne Moore and the Frigate Pelican; Thomas Hardy and the Goldfinch; Sylvia Plath and the Pheasant; John Updike and the Seagull; Walt Whitman and the Eagle; Billy Collins and the Sparrow.

The year is 2393, and the world is almost unrecognizable. Clear warnings of climate catastrophe went ignored for decades, leading to soaring temperatures, rising sea levels, widespread drought and—finally—the disaster now known as the Great Collapse of 2093, when the disintegration of the West Antarctica Ice Sheet led to mass migration and a complete reshuffling of the global order. Writing from the Second People's Republic of China on the 300th anniversary of the Great Collapse, a senior scholar presents a gripping and deeply disturbing account of how the children of the Enlightenment—the political and economic elites of the so-called advanced industrial societies—failed to act, and so brought about the collapse of Western civilization. In this haunting, provocative work of science-based fiction, Naomi Oreskes and Eric M. Conway imagine a world devastated by climate change. Dramatizing the science in ways traditional nonfiction cannot, the book reasserts the importance of scientists and the work they do and reveals the self-serving interests of the so called "carbon combustion complex" that have turned the practice of science into political fodder. Based on sound scholarship and yet unafraid to speak boldly, this book provides a welcome moment of clarity amid the cacophony of climate change literature.

A dazzling dual portrait of Frank Lloyd Wright and early twentieth-century New York, revealing the city’s role in establishing the career of America’s most famous architect Frank Lloyd Wright (1867–1959) took his first major trip to New York in 1909, fleeing a failed marriage and artistic stagnation. He returned a decade later, his personal life and architectural career again in crisis. Booming 1920s New York served as a refuge, but it also challenged him and resurrected his career. The city connected Wright with important clients and commissions that would harness his creative energy and define his role in modern architecture, even as the stock market crash took its toll on his benefactors. Wright denounced New York as an “unlivable prison” even as he reveled in its culture. The city became an urban foil for Wright’s work in the desert and in the “organic architecture” he promoted as an alternative to American Art Deco and the International Style. New York became a major protagonist at the end of Wright’s life, as he spent his final years at the Plaza Hotel working on the Guggenheim Museum, the building that would cement his legacy. Anthony Alofsin has broken new ground by mining the recently opened Wright archives held by Columbia University and the Museum of Modern Art. His foundational research provides a crucial and innovative understanding of Wright’s life, his career, and the conditions that enabled his success. The result is at once a stunning biography and a glittering portrait of early twentieth-century Manhattan.

This encyclopedia is the first comprehensive reference book on the discovery and recovery of underwater archaeological remains around the world and across time. Written by archaeologists and other scientists who have made the discoveries, it offers a wealth of authoritative and accessible information on shipwrecks, drowned cities, ritual deposits, and other relics of our submerged past.Published in association with the British Museum Press.

Jonathan Edwards (1703–1758) is a towering figure in American history. A controversial theologian and the author of the famous sermon Sinners in the Hands of an Angry God, he ignited the momentous Great Awakening of the eighteenth century.In this definitive and long-awaited biography, Jonathan Edwards emerges as both a great American and a brilliant Christian. George Marsden evokes the world of colonial New England in which Edwards was reared―a frontier civilization at the center of a conflict between Native Americans, French Catholics, and English Protestants. Drawing on newly available sources, Marsden demonstrates how these cultural and religious battles shaped Edwards’s life and thought. Marsden reveals Edwards as a complex thinker and human being who struggled to reconcile his Puritan heritage with the secular, modern world emerging out of the Enlightenment. In this, Edwards’s life anticipated the deep contradictions of our American culture.Meticulously researched and beautifully composed, this biography offers a compelling portrait of an eminent American.

A Nobel laureate offers a keen, thought-provoking analysis of Africa's current crises and points the way to cultural and political renewal A member of the unique generation of African writers and intellectuals who came of age in the last days of colonialism, Wole Soyinka has witnessed the promise of independence and lived through postcolonial failure. He deeply comprehends the pressing problems of Africa, and, an irrepressible essayist and a staunch critic of the oppressive boot, he unhesitatingly speaks out.In this magnificent new work, Soyinka offers a wide-ranging inquiry into Africa's culture, religion, history, imagination, and identity. He seeks to understand how the continent's history is entwined with the histories of others, while exploring Africa's truest assets: "its humanity, the quality and valuation of its own existence, and modes of managing its environment—both physical and intangible (which includes the spiritual)."Fully grasping the extent of Africa's most challenging issues, Soyinka nevertheless refuses defeatism. With eloquence he analyzes problems ranging from the meaning of the past to the threat of theocracy. He asks hard questions about racial attitudes, inter-ethnic and religious violence, the viability of nations whose boundaries were laid out by outsiders, African identity on the continent and among displaced Africans, and more. Soyinka's exploration of Africa relocates the continent in the reader's imagination and maps a course toward an African future of peace and affirmation.

In this highly original and influential book, Catherine Wendy Bracewell reconstructs and analyzes the tumultuous history of the uskoks of Senj, the martial bands nominally under the control of the Habsburg Military Frontier in Croatia, who between the 1530s and the 1620s developed a community based on raiding the Ottoman hinterland, Venetian possessions in Dalmatia, and shipping on the Adriatic.Drawing on a broad range of sources, including the archives of the Dalmatian communes under Venetian rule and military frontier records, Bracewell provides the first comprehensive analysis of the uskoks as a social phenomenon, examining their origins, their military and social organization, their plunder economy, their mental world, and their relations with other groups in this borderland between three empires. The uskoks lived on the Christian-Muslim frontier, and they invoked Europe’s struggle against Islam to justify their often bloody deeds. As Bracewell demonstrates, however, their actions were also shaped by the maze of local political and economic rivalries, social conflicts, and confessional antagonisms. In a book that tests the concept of the social bandit, the author analyzes the motives that guided the uskoks and distinguishes these from the factors that impelled various elements of the local population to support them.

E. H. Gombrich's Little History of the World, though written in 1935, has become one of the treasures of historical writing since its first publication in English in 2005. The Yale edition alone has now sold over half a million copies, and the book is available worldwide in almost thirty languages. Gombrich was of course the best-known art historian of his time, and his text suggests illustrations on every page. This illustrated edition of the Little History brings together the pellucid humanity of his narrative with the images that may well have been in his mind's eye as he wrote the book. The two hundred illustrations—most of them in full color—are not simple embellishments, though they are beautiful. They emerge from the text, enrich the author's intention, and deepen the pleasure of reading this remarkable work. For this edition the text is reset in a spacious format, flowing around illustrations that range from paintings to line drawings, emblems, motifs, and symbols. The book incorporates freshly drawn maps, a revised preface, and a new index. Blending high-grade design, fine paper, and classic binding, this is both a sumptuous gift book and an enhanced edition of a timeless account of human history.

A gloriously illustrated edition of the international bestseller E. H. Gombrich’s A Little History of the World, an engaging and lively book written for readers both young and old, vividly brings the full span of human experience on Earth to life, from the stone age to the atomic age. Gombrich’s text paints a colorful picture of wars and conquests; of grand works of art; of the advances and limitations of science; of remarkable people and remarkable events. But Gombrich was, first and foremost, the best-known art historian of his time; his beloved Little History suggests illustrations on every page. Featuring more than two hundred illustrations—most in color—this beautiful edition incorporates a wide range of images, showing us the earliest cave paintings, the classic sculptures of the ancient Greeks, beautiful Islamic calligraphy, oil portraits of the mighty through the ages, and much more. With a high-grade design, fine paper, and classic binding, this enhanced edition will have an important place on family bookshelves for many years to come.

Was there a conservative Enlightenment? Could a self-proclaimed man of learning and progressive science also have been an agent of monarchy and reaction? Cadwallader Colden (1688–1776), an educated Scottish emigrant and powerful colonial politician, was at the forefront of American intellectual culture in the mid-eighteenth century. While living in rural New York, he recruited family, friends, servants, and slaves into multiple scientific ventures and built a transatlantic network of contacts and correspondents that included Benjamin Franklin and Carl Linnaeus. Over several decades, Colden pioneered colonial botany, produced new theories of animal and human physiology, authored an influential history of the Iroquois, and developed bold new principles of physics and an engaging explanation of the cause of gravity. The Enlightenment of Cadwallader Colden traces the life and ideas of this fascinating and controversial "gentleman-scholar." John M. Dixon’s lively and accessible account explores the overlapping ideological, social, and political worlds of this earliest of New York intellectuals. Colden and other learned colonials used intellectual practices to assert their gentility and establish their social and political superiority, but their elitist claims to cultural authority remained flimsy and open to widespread local derision. Although Colden, who governed New York as an unpopular Crown loyalist during the imperial crises of the 1760s and 1770s, was brutally lampooned by the New York press, his scientific work, which was published in Europe, raised the international profile of American intellectualism.