Other editions of book Palmetto-Leaves

In 1867, Stowe settled in a small cottage in Mandarin, Florida, overlooking the St. Johns River. She had promised her Boston publisher another novel but was so taken with northeast Florida that she produced instead a series of sketches of the land and the people which she submitted in 1872 under the title Palmetto Leaves. Stowe describes life in Florida in the latter half of the 19th century—”a tumble-down, wild, panicky kind of life—this general happy-go-luckiness which Florida inculcates.” Her idyllic sketches of picnicking, sailing, and river touring expeditions and simple stories of events and people in this tropical winter summer land became the first unsolicited promotional writing to interest northern tourists in Florida.

Palmetto-Leaves by Harriet Beecher Stowe.CONTENTS.1. Nobody’s Dog.2. A Flowery January in Florida.3. The Wrong Side of the Tapestry.4. A Letter to the Girls.5. A Water-Coach, and a Ride in It.6. Picnicking up Julington.7. Magnolia.8. Yellow Jessamines.9. “Florida for Invalids.”10. Swamps and Orange-Trees.11. Letter-Writing.12. Magnolia Week.13. Buying Land in Florida.14. Our Experience in Crops.15. May in Florida.16. St. Augustine.17. Our Neighbor over the Way.18. The Grand Tour up River.19. Old Cudjo and the Angel.20. The Laborers of the South.

Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com

We are delighted to publish this classic book as part of our extensive classic literature collection. This book is a reproduction of an important historical work. Unlike some other reproductions of classic texts, We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. Also in books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy. We use state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.Yes, here he comes again! Look at him! Whose dog is he? We are sitting around the little deck-house of the Savannah steamer, in that languid state of endurance which befalls voyagers, when, though the sky is clear, and the heavens blue, and the sea calm as a looking-glass, there is yet that gentle, treacherous, sliding rise and fall, denominated a ground-swell.Reader, do you remember it? Of all deceitful demons of the deep, this same smooth, slippery, cheating ground-swell is the most diabolic. Because, you see, he is a mean imp, an underhanded, unfair, swindling scamp, who takes from you all the glory of endurance. Fair to the eye, plausible as possible, he says to you, “What’s the matter? What can you ask brighter than this sky, smoother than this sea, more glossy and calm than these rippling waves? How fortunate that you have such an exceptionally smooth voyage!”

This work as a part of the knowledge base of civilization was reproduced from the original artifact, and remains as true to the original work as possible. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.Yes, here he comes again! Look at him! Whose dog is he? We are sitting around the little deck-house of the Savannah steamer, in that languid state of endurance which befalls voyagers, when, though the sky is clear, and the heavens blue, and the sea calm as a looking-glass, there is yet that gentle, treacherous, sliding rise and fall, denominated a ground-swell. Reader, do you remember it? Of all deceitful demons of the deep, this same smooth, slippery, cheating ground-swell is the most diabolic. Because, you see, he is a mean imp, an underhanded, unfair, swindling scamp, who takes from you all the glory of endurance. Fair to the eye, plausible as possible, he says to you, "What's the matter? What can you ask brighter than this sky, smoother than this sea, more glossy and calm than these rippling waves? How fortunate that you have such an exceptionally smooth voyage!"

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

Reader, do you remember it? Of all deceitful demons of the deep, this same smooth, slippery, cheating ground– swell is the most diabolic. Because, you see, he is a mean imp, an underhanded, unfair, swindling scamp, who takes from you all the glory of endurance. Fair to the eye, plausible as possible, he says to you, "What's the matter? What can you ask brighter than this sky, smoother than this sea, more glossy and calm than these rippling waves? How fortunate that you have such an exceptionally smooth voyage!" And yet look around the circle of pale faces fixed in that grim expression of endurance, the hands belonging to them resolutely clasping lemons,—those looks of unutterable, repressed disgust and endurance. Are these people seasick? Oh, no! of course not. "Of course," says the slippery, plausible demon, "these people can't be sick in this delightful weather, and with this delightful, smooth sea!"

In 1867, Stowe settled in a small cottage in Mandarin, Florida, overlooking the St. Johns River. She had promised her Boston publisher another novel but was so taken with northeast Florida that she produced instead a series of sketches of the land and the people which she submitted in 1872 under the title Palmetto Leaves. Stowe describes life in Florida in the latter half of the 19th century—”a tumble-down, wild, panicky kind of life—this general happy-go-luckiness which Florida inculcates.” Her idyllic sketches of picnicking, sailing, and river touring expeditions and simple stories of events and people in this tropical winter summer land became the first unsolicited promotional writing to interest northern tourists in Florida.