Other editions of book Last Days of Pompeii, The

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Last Days of Pompeii by Edward George Bulwer-Lytton. The Last Days of Pompeii is a novel written by the baron Edward Bulwer-Lytton in 1834. The novel was inspired by the painting The Last Day of Pompeii by the Russian painter Karl Briullov, which Bulwer-Lytton had seen in Milan. It culminates in the cataclysmic destruction of the city of Pompeii by the eruption of Mount Vesuvius in AD 79. ‘HEAVEN had given to Glaucus every blessing but one: it had given him beauty, health, fortune, genius, illustrious descent, a heart of fire, a mind of poetry; but it had denied him the heritage of freedom. He was born in Athens, the subject of Rome. Succeeding early to an ample inheritance, he had indulged that inclination for travel so natural to the young, and had drunk deep of the intoxicating draught of pleasure amidst the gorgeous luxuries of the imperial court. He was an Alcibiades without ambition. He was what a man of imagination, youth, fortune, and talents, readily becomes when you deprive him of the inspiration of glory. His house at Rome was the theme of the debauchees, but also of the lovers of art; and the sculptors of Greece delighted to task their skill in adorning the porticoes and exedrae of an Athenian.’

Edward George Earle Bulwer-Lytton was born on May 25th, 1803 the youngest of three sons. When Edward was four his father died and his mother moved the family to London. As a child he was delicate and neurotic and failed to fit in at any number of boarding schools. However, he was academically and creatively precocious and, as a teenager, he published his first work; Ishmael and Other Poems in 1820. In 1822 he entered university at Cambridge and in 1825 he won the Chancellor's Gold Medal for English verse for Sculpture. The following year he received his B.A. degree and printed, for private circulation, the small volume of poems, Weeds and Wild Flowers. During his career he was to be extremely prolific and write across a number of genres; historical fiction, mystery, romance, the occult, and science fiction as well as poetry. In 1828 his novel, Pelham, brought him an income, as well as a commercial and critical reputation. The books intricate plot and humorous, intimate portrayals kept many a gossip busy trying to pair up public figures with characters in the book. Bulwer-Lytton reached, perhaps, the height of his popularity with the publication of Godolphin (1833), followed by The Pilgrims of the Rhine (1834), The Last Days of Pompeii (1834), Rienzi, Last of the Roman Tribunes (1835), and Harold, the Last of the Saxons (1848). In 1841, he started the Monthly Chronicle, a semi-scientific magazine. The Victorian era was filled with many magazines and periodicals all of whom had a great fascination to chronicle and publish the many things that the Empire and Industrial Revolution were discovering, inventing and changing. In 1858 he entered Lord Derby's government as Secretary of State for the Colonies. He took an active interest in the development of the Crown Colony of British Columbia and wrote with great passion to the Royal Engineers upon assigning them their duties there. In 1866 Bulwer-Lytton was raised to the peerage as Baron Lytton of Knebworth in the County of Hertford but his passion for politics now somewhat dimmed. Bulwer-Lytton had long suffered with a disease of the ear and for the last two or three years of his life he lived in Torquay nursing his health. An operation to cure his deafness resulted in an abscess forming in his ear which later burst. Edward George Earle Bulwer-Lytton endured intense pain for a week and died at 2am on January 18th, 1873, in Torquay, just short of his 70th birthday.

Classic Victorian tale of the last days of Pompeii, doomed city that lay at the feet of Mount Vesuvius. From poets to flower-girls, gladiators to Roman tribunes, here is a plausible story of their lives, their loves, and the tragic fate that awaited them. The novel uses its characters to contrast the decadent culture of first-century Rome with both older cultures and coming trends. The protagonist, Glaucus, represents the Greeks who have been subordinated by Rome, and his nemesis Arbaces the still older culture of Egypt. Olinthus is the chief representative of the nascent Christian religion, which is presented favorably but not uncritically. The Witch of Vesuvius, though she has no supernatural powers, shows Bulwer-Lytton’s interest in the occult.'HO, Diomed, well met! Do you sup with Glaucus to–night?' said a young man of small stature, who wore his tunic in those loose and effeminate folds which proved him to be a gentleman and a coxcomb.

The Last Days of Pompeii is a novel written by Edward Bulwer-Lytton in 1834. The novel was inspired by the painting The Last Day of Pompeii by the Russian painter Karl Briullov, which Bulwer-Lytton had seen in Milan.[1] It culminates in the cataclysmic destruction of the city of Pompeii by the eruption of Mount Vesuvius in AD 79.The novel uses its characters to contrast the decadent culture of 1st-century Rome with both older cultures and coming trends. The protagonist, Glaucus, represents the Greeks who have been subordinated by Rome, and his nemesis Arbaces the still older culture of Egypt. Olinthus is the chief representative of the nascent Christian religion, which is presented favourably but not uncritically. The Witch of Vesuvius, though she has no supernatural powers, shows Bulwer-Lytton's interest in the occult—a theme which would emerge in his later writing, particularly The Coming Race.A popular sculpture by American sculptor Randolph Rogers, Nydia, the Blind Flower Girl of Pompeii (1856), was based on a character from the book

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.