Other editions of book The Man Who Knew Too Much: By Gilbert Keith Chesterton : Illustrated

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A prolific and popular writer, G. K. Chesterton (1874–1936) is best known as the creator of detective-priest Father Brown (even though Chesterton's mystery stories constitute only a small fraction of his writings). The eight adventures in this classic British mystery trace the activities of Horne Fisher, the man who knew too much, and his trusted friend Harold March. Although Horne's keen mind and powerful deductive gifts make him a natural sleuth, his inquiries have a way of developing moral complications. Notable for their wit and sense of wonder, these tales offer an evocative portrait of upper-crust society in pre–World War I England.

The Man Who Knew Too Much is a wonderful book of detective stories by best-selling English writer G. K. Chesterton, published by Cassell and Company in 1922. Any profits made from the sale of this book will go towards supporting the Freeriver Community project, a project that aims to support community and encourage well-being. To learn more about the Freeriver Community project please visit the website- www.freerivercommunity.com

The Man Who Knew Too Much is a collection of short stories by British writer Gilbert K. Chesterton, featuring his detective Horne Fisher. From the upper-classes himself, Fisher has a unique insight into political power—a position which complicates his investigations when they approach the higher levels of corrupt government. Chesterton's witty, paradoxical work, published in 1922, gives an interesting view of the pre-Great War era.

The Man Who Knew Too Much is a collection of short stories by British writer Gilbert K. Chesterton, featuring his detective Horne Fisher. From the upper-classes himself, Fisher has a unique insight into political power—a position which complicates his investigations when they approach the higher levels of corrupt government. Chesterton's witty, paradoxical work, published in 1922, gives an interesting view of the pre-Great War era.

The Man Who Knew Too Much and other stories (1922) is a book of detective stories by English writer G. K. Chesterton, published in 1922 by Cassell and Company in the United Kingdom, and Harper Brothers in the United States. The book contains eight connected short stories about "The Man Who Knew Too Much", and additional unconnected stories featuring separate heroes/detectives. The United States edition contained one of these additional stories: "The Trees of Pride", while the United Kingdom edition contained "Trees of Pride" and three more, shorter stories: "The Garden of Smoke", "The Five of Swords" and "The Tower of Treason".

Why buy our paperbacks? Printed in USA on High Quality Paper Standard Font size of 10 for all books Fulfilled by Amazon Expedited shipping 30 Days Money Back Guarantee Unabridged (100% Original content) BEWARE OF LOW-QUALITY SELLERS Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. About The Man Who Knew Too Much By Gilbert Keith Chesterton The Man Who Knew Too Much is a compilation of eight detective stories by the English philosopher and prolific writer Gilbert Keith Chesterton. The protagonist of these stories is the man of the title, Horne Fisher, an upper-class detective whose investigative gifts often put him in uncomfortable situations where he has to take difficult decisions. In stories like “The Face in the Target” and “The Vengeance of the Statue,” which are all told by a third-person narrator, Fisher uses his deductive faculties and theatrical representations to absolve the innocent and incriminate the guilty. Most of the crimes dealt with in these stories are about mysterious murders. Yet, Fisher has also to solve other cases related to theft as well as to disputes over money and estates. Due to his friendly or family relationships with influential statesmen, Fisher often finds himself with “too much” knowledge about the way things are run in the country. This paradoxically valuable and embarrassing knowledge forces him many a time to let the murderer get away with his crime in order to avoid something more dangerous to happen to the country such as war or rebellion.

Hardcover reprint of the original 1922 edition; hardbound in brown cloth with gold stamped lettering, 8vo - 6x9". This item is printed on demand as a collector quality facsimile, crafted to hold its own in a library of first editions. Book Information: Chesterton, G. K. (Gilbert Keith). The Man Who Knew Too Much. Indiana: Repressed Publishing LLC, 2016.Original Publishing: Chesterton, G. K. (Gilbert Keith).. The Man Who Knew Too Much.. New York, London: Harper & Brothers, 1922.

The Man Who Knew Too Much I. THE FACE IN THE TARGET Harold March, the rising reviewer and social critic, was walking vigorously across a great tableland of moors and commons, the horizon of which was fringed with the far-off woods of the famous estate of Torwood Park. He was a good-looking young man in tweeds, with very pale curly hair and pale clear eyes. Walking in wind and sun in the very landscape of liberty, he was still young enough to remember his politics and not merely try to forget them. For his errand at Torwood Park was a political one; it was the place of appointment named by no less a person than the Chancellor of the Exchequer, Sir Howard Horne, then introducing his so-called Socialist budget, and prepared to expound it in an interview with so promising a penman. Harold March was the sort of man who knows everything about politics, and nothing about politicians. He also knew a great deal about art, letters, philosophy, and general culture; about almost everything, indeed, except the world he was living in. Abruptly, in the middle of those sunny and windy flats, he came upon a sort of cleft almost narrow enough to be called a crack in the land. It was just large enough to be the water-course for a small stream which vanished at intervals under green tunnels of undergrowth, as if in a dwarfish forest. Indeed, he had an odd feeling as if he were a giant looking over the valley of the pygmies. When he dropped into the hollow, however, the impression was lost; the rocky banks, though hardly above the height of a cottage, hung over and had the profile of a precipice. As he began to wander down the course of the stream, in idle but romantic curiosity, and saw the water shining in short strips between the great gray boulders and bushes as soft as great green mosses, he fell into quite an opposite vein of fantasy. It was rather as if the earth had opened and swallowed hi

This contains the first 8 of the 12 stories in the published book The Man Who Knew Too Much and Other Stories. In these 8 detective thrillers, the main protagonist is Horne Fisher. (The omitted four are individual stories with separate heroes/detectives.)Due to close relationships with the leading political figures in the land, Fisher knows too much about the private politics behind the public politics of the day. This knowledge is a burden to him because he is able to uncover the injustices and corruptions of the murders in each story, but in most cases the real killer gets away with the killing because to bring him openly to justice would create a greater chaos: starting a war, reinciting Irish rebellions, or removing public faith in the government.A film of the same title was made in 1934 and remade in 1956, both directed by Alfred Hitchcock, but the films had nothing at all in common (except the title) with these short stories. Hitchcock decided to use the title simply because he had the rights for some of the stories