Other editions of book Twenty Years After - The Romances of Alexander Dumas

Twenty Years After is a novel by Alexandre Dumas, first serialized from January to August 1845. A book of The d'Artagnan Romances, it is a sequel to The Three Musketeers and precedes The Vicomte de Bragelonne (which includes the sub-plot Man in the Iron Mask). The novel follows events in France during the Fronde, during the childhood reign of Louis XIV, and in England near the end of the English Civil War, leading up to the victory of Oliver Cromwell and the execution of King Charles I. Through the words of the main characters, particularly Athos, Dumas comes out on the side of the monarchy in general, or at least the text often praises the idea of benevolent royalty. His musketeers are valiant and just in their efforts to protect young Louis XIV and the doomed Charles I from their attackers.

Twenty Years After (1845), the sequel to The Three Musketeers, is a supreme creation of suspense and heroic adventure. Two decades have passed since the musketeers triumphed over Cardinal Richelieu and Milady. Time has weakened their resolve, and dispersed their loyalties. But treasons and stratagems still cry out for justice: civil war endangers the throne of France, while in England Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is a titanic struggle with the son of Milady, who wears the face of Evil.

Playwright, novelist, travel writer, journalist, entrepreneur – it is hard to place Alexandre Dumas in one category alone, as his genres almost always influence one another. But most scholars and critics agree that he is clearly one of the greatest adventure novelists of all time. Responsible for such well-known titles The Count of Monte Cristo, The Corsican Brothers, The Man in the Iron Mask, and perhaps one of the most iconic and recognizable novels ever written, The Three Musketeers, the name Dumas has become synonymous with stories of drama, adventure, travel and intrigue featuring exceptional characters, exotic locales and fascinating journeys, both literal and figurative. His works have engaged readers all over the world, and been printed in over 100 languages.

The fantastic adventures of the Three Musketeers continue - starting with an intrigue surrounding D'Artagnan who has, for twenty years, remained a lieutenant.Twenty Years After (French: Vingt ans après) is a novel by Alexandre Dumas, first serialized from January to August 1845. A book of The d'Artagnan Romances, it is a sequel to The Three Musketeers and precedes The Vicomte de Bragelonne (which includes the sub-plot Man in the Iron Mask).The novel follows events in France during the Fronde, during the childhood reign of Louis XIV, and in England near the end of the English Civil War, leading up to the victory of Oliver Cromwell and the execution of King Charles I. Through the words of the main characters, particularly Athos, Dumas comes out on the side of the monarchy in general, or at least the text often praises the idea of benevolent royalty. His musketeers are valiant and just in their efforts to protect young Louis XIV and the doomed Charles I from their attackers.The action begins during the regency of Queen Anne of Austria (term 1643–1651), with Cardinal Mazarin as First Minister. D'Artagnan, who seemed to have a promising career ahead of him at the end of The Three Musketeers, has for twenty years remained a lieutenant, and seems unlikely to progress despite his ambition and the debt the queen owes him. He is summoned by Mazarin, who requires an escort; the French people detest Mazarin, and are on the brink of rebellion (La Fronde). D'Artagnan is sent to the Bastille to retrieve a prisoner, who turns out to be his former adversary, the Comte de Rochefort.After renewing his acquaintance with d'Artagnan and making a promise to aid his advancement, Rochefort is brought to his audience with Mazarin, where he learns that the cause for his imprisonment was his refusal to serve Mazarin at an earlier stage. He does, however, remember his promise, and though he offers his own service to Mazarin, he refuses to watch over the Duc de Beaufort, who is imprisoned at the time, and soon learns that, in consequence, he is to be returned to the Bastille, though this does not deter him from speaking highly of the achievements of d'Artagnan and the Three Musketeers.Having determined that d'Artagnan is the man he seeks, Mazarin enters the chambers of the Queen to let her know that he has enlisted the man who had served her so well twenty years earlier. The Queen, feeling guilty for having forgotten d'Artagnan's service, gives Mazarin a diamond ring to return to d'Artagnan, one which she had previously given him that d'Artagnan sold. The avaricious Mazarin merely uses the diamond to show d'Artagnan that he is once again to enter the Queen's service. He commissions d'Artagnan to go in search of his friends.

The fantastic adventures of the Three Musketeers continue - starting with an intrigue surrounding D'Artagnan who has, for twenty years, remained a lieutenant.We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Clean attractive hardcover book with decorated binding. Red cloth boards with stamped gold lettering and trefoils and blind-stamped decoration on cover; gold lettering and trefoil on spine. No bumping or fading. Tiny pinhead size spot of wear at top spine edge. Binding is tight and square, hinges are sound - no cracking. Pages and edges are clean with clean blank endpapers - no names, writing or marks. With four color illustrations by Frank Adams. Newly translated by alfred Allinson. No date of publication, circa 1900. 352 pages.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

In a splendid chamber of the Palais Royal, formerly styled the Palais Cardinal, a man was sitting in deep reverie, his head supported on his hands, leaning over a gilt and inlaid table which was covered with letters and papers. Behind this figure glowed a vast fireplace alive with leaping flames; great logs of oak blazed and crackled on the polished brass andirons whose flicker shone upon the superb habiliments of the lonely tenant of the room, which was illumined grandly by twin candelabra rich with wax-lights. Any one who happened at that moment to contemplate that red simar--the gorgeous robe of office--and the rich lace, or who gazed on that pale brow, bent in anxious meditation, might, in the solitude of that apartment, combined with the silence of the ante-chambers and the measured paces of the guards upon the landing-place, have fancied that the shade of Cardinal Richelieu lingered still in his accustomed haunt. It was, alas! the ghost of former greatness. France enfeebled, the authority of her sovereign contemned, her nobles returning to their former turbulence and insolence, her enemies within her frontiers--all proved the great Richelieu no longer in existence. In truth, that the red simar which occupied the wonted place was his no longer, was still more strikingly obvious from the isolation which seemed, as we have observed, more appropriate to a phantom than a living creature--from the corridors deserted by courtiers, and courts crowded with guards--from that spirit of bitter ridicule, which, arising from the streets below, penetrated through the very casements of the room, which resounded with the murmurs of a whole city leagued against the minister; as well as from the distant and incessant sounds of guns firing--let off, happily, without other end or aim, except to show to the guards, the Swiss troops and the military who surrounded the Palais Royal, that the people were possessed of arms. The shade of Richelieu was Mazarin. Now Mazarin was alone and defenceless, as he well knew. "Foreigner!" he ejaculated, "Italian! that is their mean yet mighty byword of reproach--the watchword with which they assassinated, hanged, and made away with Concini; and if I gave them their way they would assassinate, hang, and make away with me in the same manner, although they have nothing to complain of except a tax or two now and then. Idiots! ignorant of their real enemies, they do not perceive that it is not the Italian who speaks French badly, but those who can say fine things to them in the purest Parisian accent, who are their real foes.