Other editions of book Under The Lilacs

Under the Lilacs By Louisa May AlcottUnder the Lilacs is a children's novel by Louisa May Alcott, first published in 1878.Bab and Betty, two little girls, are having a tea party with their dolls when an unknown dog appears and steals their cake. The girls find the dog, Sancho, along with his owner Ben Brown, a run-away from the circus who is hiding in their play barn in a carriage. They discover that Ben is a horse master and when he is taken in by the Moss', they get him a job on a neighboring farm. It is there that he can work with horses and drive cows. Ben eventually finds out that his father, who he loved dearly, was dead. A neighbor, Miss Celia, helps him through his grief and he moves in with her and her brother Thornton who is fourteen. He has a job, and a family, and an opportunity for education. Ben has a wonderful life now, but his life in the circus was full of adventure and excitement which is a struggle for Ben. Many adventures and summer-happenings go on in Celia's house, as Ben slowly finds his place among his friends. Sancho gets lost and later is found by Betty with his tail cut off. Sancho's temper is therefore affected forever prompting him to be unfriendly to tramps and strangers, Ben is accused of stealing, Miss Celia gets hurt and Ben takes a wild ride on her horse, Lita. They have an archery competition, where Ben emerges as the winner almost beaten by Bab. In the end Ben's father is revealed to be alive and he comes home. There they both settle down.The elm-tree avenue was all overgrown, the great gate was never unlocked, and the old house had been shut up for several years. Yet voices were heard about the place, the lilacs nodded over the high wall as if they said, "We could tell fine secrets if we chose," and the mullein outside the gate made haste to reach the keyhole, that it might peep in and see what was going on. If it had suddenly grown up like a magic bean-stalk, and looked in on a certain June day, it would have seen a droll but pleasant sight, for somebody evidently was going to have a party. From the gate to the porch went a wide walk, paved with smooth slabs of dark stone, and bordered with the tall bushes which met overhead, making a green roof. All sorts of neglected flowers and wild weeds grew between their stems, covering the walls of this summer parlor with the prettiest tapestry. A board, propped on two blocks of wood, stood in the middle of the walk, covered with a little plaid shawl much the worse for wear, and on it a miniature tea-service was set forth with great elegance. To be sure, the tea-pot had lost its spout, the cream-jug its handle, the sugar-bowl its cover, and the cups and plates were all more or less cracked or nicked; but polite persons would not take notice of these trifling deficiencies, and none but polite persons were invited to this party. On either side of the porch was a seat, and here a somewhat remarkable sight would have been revealed to any inquisitive eye peering through the aforesaid keyhole.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Under the Lilacs CHAPTER I A MYSTERIOUS DOG The elm-tree avenue was all overgrown, the great gate was never unlocked, and the old house had been shut up for several years. Yet voices were heard about the place, the lilacs nodded over the high wall as if they said, "We could tell fine secrets if we chose," and the mullein outside the gate made haste to reach the keyhole, that it might peep in and see what was going on. If it had suddenly grown up like a magic bean-stalk, and looked in on a certain June day, it would have seen a droll but pleasant sight, for somebody evidently was going to have a party. From the gate to the porch went a wide walk, paved with smooth slabs of dark stone, and bordered with the tall bushes which met overhead, making a green roof. All sorts of neglected flowers and wild weeds grew between their stems, covering the walls of this summer parlor with the prettiest tapestry. A board, propped on two blocks of wood, stood in the middle of the walk, covered with a little plaid shawl much the worse for wear, and on it a miniature tea-service was set forth with great elegance. To be sure, the tea-pot had lost its spout, the cream-jug its handle, the sugar-bowl its cover, and the cups and plates were all more or less cracked or nicked; but polite persons would not take notice of these trifling deficiencies, and none but polite persons were invited to this party.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1905]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - English, Pages 337. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

Under the Lilacs is a children's novel by Louisa May Alcott, first published in 1878. The story is about two girls; Bab and Betty Moss; Miss Celia; a circus runaway, Ben Brown; and his dog Sancho.Louisa May Alcott (November 29, 1832 – March 6, 1888) was an American novelist and poet best known as the author of the novel Little Women (1868) and its sequels Little Men (1871) and Jo's Boys (1886).[1] Raised in New England by her transcendentalist parents, Abigail May and Amos Bronson Alcott, she grew up among many of the well-known intellectuals of the day, such as Ralph Waldo Emerson, Nathaniel Hawthorne, Henry David Thoreau, and Henry Wadsworth Longfellow.Alcott's family suffered from financial difficulties, and while she worked to help support the family from an early age, she also sought an outlet in writing. She began to receive critical success for her writing in the 1860s. Early in her career, she sometimes used the pen name A. M. Barnard, under which she wrote novels for young adults that focused on spies, revenge, and crossdressers.Published in 1868, Little Women is set in the Alcott family home, Orchard House, in Concord, Massachusetts, and is loosely based on Alcott's childhood experiences with her three sisters. The novel was very well received and is still a popular children's novel today, filmed several times.Alcott was an abolitionist and a feminist and remained unmarried throughout her life. She died from a stroke, two days after her father died, in Boston on March 6, 1888.Early LifeLouisa May Alcott was born on November 29, 1832,[1] in Germantown,[1] which is now part of Philadelphia, Pennsylvania, on her father's 33rd birthday. She was the daughter of transcendentalist and educator Amos Bronson Alcott and social worker Abby May and the second of four daughters: Anna Bronson Alcott was the eldest; Elizabeth Sewall Alcott and Abigail May Alcott were the two youngest. The family moved to Boston in 1834,[2] where Alcott's father established an experimental school and joined the Transcendental Club with Ralph Waldo Emerson and Henry David Thoreau. Bronson Alcott's opinions on education and tough views on child-rearing as well as his moments of mental instability shaped young Alcott's mind with a desire to achieve perfection, a goal of the transcendentalists.[3] His attitudes towards Alcott's wild and independent behavior, and his inability to provide for his family, created conflict between Bronson Alcott and his wife and daughters.[3][4] Abigail resented her husbands' inability to recognize her sacrifices and related his thoughtlessness to the larger issue of the inequality of sexes. She passed this recognition and desire to redress wrongs done to women on to Louisa.In 1840, after several setbacks with the school, the Alcott family moved to a cottage on 2 acres (0.81 ha) of land, situated along the Sudbury River in Concord, Massachusetts. The three years they spent at the rented Hosmer Cottage were described as idyllic.[5] By 1843, the Alcott family moved, along with six other members of the Consociate Family,[3] to the Utopian Fruitlands community for a brief interval in 1843–1844. After the collapse of the Utopian Fruitlands, they moved on to rented rooms and finally, with Abigail May Alcott's inheritance and financial help from Emerson, they purchased a homestead in Concord. They moved into the home they named "Hillside" on April 1, 1845, but moved in 1852, selling to Nathaniel Hawthorne who renamed it The Wayside. Moving 22 times in 30 years, the Alcotts returned to Concord once again in 1857 and moved into Orchard House, a two-story clapboard farmhouse, in the spring of 1858.Alcott's early education included lessons from the naturalist Henry David Thoreau who inspired her to write Thoreau's Flute based on her time at Walden's Pond. Most of the education she received though, came from her father who was strict and believed in "the sweetness of self-denial."

Excerpt from Under the LilacsHE elm-tree avenue was all overgrown, the great gate was never unlocked, and the Old house had been Shut up for several years.Yet voices were heard about the place, the lilacs nodded over the high wall as if they said, We could tell fine secrets if we chose, and the mullein outside the gate made haste to reach the keyhole, that it might peep in and see what was going on.If it had suddenly grown up like a magic bean stalk, and looked in on a certain June day, it would have seen a droll but pleasant Sight, for somebody evidently was going to have a party.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.