Other editions of book Crimson fairy book

There was once a king’s son who told his father that he wished to marry. ‘No, no!’ said the king; ‘you must not be in such a hurry. Wait till you have done some great deed. My father did not let me marry till I had won the golden sword you see me wear.’ The prince was much disappointed, but he never dreamed of disobeying his father, and he began to think with all his might what he could do. It was no use staying at home, so one day he wandered out into the world to try his luck, and as he walked along he came to a little hut in which he found an old woman crouching over the fire. ‘Good evening, mother. I see you have lived long in this world; do you know anything about the three bulrushes?’ ‘Yes, indeed, I’ve lived long and been much about in the world, but I have never seen or heard anything of what you ask. Still, if you will wait till to-morrow I may be able to tell you something.’ Well, he waited till the morning, and quite early the old woman appeared and took out a little pipe and blew in it, and in a moment all the crows in the world were flying about her. Not one was missing. Then she asked if they knew anything about the three bulrushes, but not one of them did. The prince went on his way, and a little further on he found another hut in which lived an old man. On being questioned the old man said he knew nothing, but begged the prince to stay overnight, and the next morning the old man called all the ravens together, but they too had nothing to tell. The prince bade him farewell and set out. He wandered so far that he crossed seven kingdoms, and at last, one evening, he came to a little house in which was an old woman. ‘Good evening, dear mother,’ said he politely. ‘Good evening to you, my dear son,’ answered the old woman. ‘It is lucky for you that you spoke to me or you would have met with a horrible death. But may I ask where are you going?’ ‘I am seeking the three bulrushes. Do you know anything about them?’ ‘I don’t know anything myself, but wait till to-morrow. Perhaps I can tell you then.’ So the next morning she blew on her pipe, and lo! and behold every magpie in the world flew up. That is to say, all the magpies except one who had broken a leg and a wing. The old woman sent after it at once, and when she questioned the magpies the crippled one was the only one who knew where the three bulrushes were.

It is almost impossible to envision what childhood would be like without the enchanting world of fairyland. Princes and princesses, kings and queens, giants and dwarfs, monsters and magicians, fairies and ogres — these are the companions who thrill young boys and girls of all lands and all times, as Andrew Lang's phenomenally successful collections of stories have proved. From the day that they were first printed, the Lang fairy books of many colors have entertained thousands of boys and girls, as they have also brought pleasure to the many parents who have read these unforgettable classics to their children.The Crimson Fairy Book contains a fascinating collection of tales from many countries: Hungary, Russia, Rumania, Finland, Iceland, Japan, and Sicily are only some of them. Filled with imagination, excitement, and adventure, these tales will delight children with their illogical yet strangely reasonable events, and will offer parents a pleasant change from the well-worn favorites. One story — "The Cottager and His Cat" — tells of how cats were introduced into Iceland; another Japanese tale — "The Crab and the Monkey" — tells how a crab gets the best of a roguish monkey; and a remarkable tale — "Little Wildrose" — from Rumania tells how a beautiful child was reared in an eagle's nest.All in all, the collection contains 36 stories, all narrated in the clear, lively prose for which Lang was famous. Not only are Lang's generally conceded to be the best English versions of standard stories, his collections are the richest and widest in range. His position as one of England's foremost folklorists as well as his first-rate literary abilities make his collections unmatchable in the English language.

Each Fairy Book demands a preface from the Editor, and these introductions are inevitably both monotonous and unavailing. A sense of literary honesty compels the Editor to keep repeating that he is the Editor, and not the author of the Fairy Tales, just as a distinguished man of science is only the Editor, not the Author of Nature. Like nature, popular tales are too vast to be the creation of a single modern mind. The Editor's business is to hunt for collections of these stories told by peasant or savage grandmothers in many climes, from New Caledonia to Zululand; from the frozen snows of the Polar regions to Greece, or Spain, or Italy, or far Lochaber. When the tales are found they are adapted to the needs of British children by various hands, the Editor doing little beyond guarding the interests of propriety, and toning down to mild reproofs the tortures inflicted on wicked stepmothers, and other naughty characters. These explanations have frequently been offered already; but, as far as ladies and children are concerned, to no purpose. They still ask the Editor how he can invent so many stories-more than Shakespeare, Dumas, and Charles Dickens could have invented in a century. And the Editor still avers, in Prefaces, that he did not invent one of the stories; that nobody knows, as a rule, who invented them, or where, or when. It is only plain that, perhaps a hundred thousand years ago, some savage grandmother told a tale to a savage granddaughter; that the granddaughter told it in her turn; that various tellers made changes to suit their taste, adding or omitting features and incidents; that, as the world grew civilised, other alterations were made, and that, at last, Homer composed the 'Odyssey,' and somebody else composed the Story of Jason and the Fleece of Gold, and the enchantress Medea, out of a set of wandering popular tales, which are still told among Samoyeds and Samoans, Hindoos and Japanese.

How is this book unique? Illustrations includedOriginal & Unabridged EditionOne of the best books to readClassic historical fiction booksExtremely well formattedPrinces and princesses, kings and queens, giants and dwarfs, monsters and magicians, fairies and ogres — these are the companions who thrill young boys and girls of all lands and all times, as Andrew Lang's phenomenally successful collections of stories have proved. From the day that they were first printed, the Lang fairy books of many colors have entertained thousands of boys and girls. The Crimson Fairy Book contains a fascinating collection of tales from many countries: Hungary, Russia, Rumania, Finland, Iceland, Japan, and Sicily are only some of them. Filled with imagination, excitement, and adventure, these tales will delight everyone with their illogical yet strangely reasonable events. All in all, the collection contains 36 stories. Not only are Lang's generally conceded to be the best English versions of standard stories, his collections are the richest and widest in range.

A storyteller's night without one of Mr. Andrew Lang's books of fairy tales would be but a dull affair. This one is " The Crimson Fairy Book ", made up of some three dozen tales chosen, as in previous collections, from the folk-lore of all nations, and adapted.These 36 stories originated in Hungary, Russia, Finland, Iceland, Tunisia, the Baltic, and elsewhere.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Crimson Fairy Book by Andrew Lang Princes and princesses, kings and queens, giants and dwarfs, monsters and magicians, fairies and ogres — these are the companions who thrill young boys and girls of all lands and all times, as Andrew Lang's phenomenally successful collections of stories have proved. From the day that they were first printed, the Lang fairy books of many colors have entertained thousands of boys and girls. The Crimson Fairy Book contains a fascinating collection of tales from many countries: Hungary, Russia, Rumania, Finland, Iceland, Japan, and Sicily are only some of them. Filled with imagination, excitement, and adventure, these tales will delight everyone with their illogical yet strangely reasonable events. All in all, the collection contains 36 stories. Not only are Lang's generally conceded to be the best English versions of standard stories, his collections are the richest and widest in range.

Andrew Lang's Fairy Books are a series of twenty-five collections of true and fictional stories for children, published between 1889 and 1913. The best known books of the series are the twelve collections of fairy tales, known as Andrew Lang's "Coloured" Fairy Books or Andrew Lang's Fairy Books of Many Colors. In all, the volumes feature 798 stories, besides the 153 poems in The Blue Poetry Book. Andrew Lang (1844–1912) was a Scots poet, novelist, and literary critic. As acknowledged in the prefaces, although Lang himself made most of the selections, his wife and other translators did a large portion of the translating and retelling of the actual stories. Four of the later volumes (from 1908 to 1912) were published as by "Mrs. Lang". According to Anita Silvey, "The irony of Lang's life and work is that although he wrote for a profession—literary criticism; fiction; poems; books and articles on anthropology, mythology, history, and travel ... he is best recognized for the works he did not write."[1] The twelve Coloured Fairy Books were illustrated by H. J. Ford (Henry Justice Ford), the first two volumes shared with G. P. Jacomb-Hood and Lancelot Speed respectively, the sequels alone. Several other volumes were illustrated by Ford. A. Wallis Mills also contributed some illustrations.

It is almost impossible to envision what childhood would be like without the enchanting world of fairyland. Princes and princesses, kings and queens, giants and dwarfs, monsters and magicians, fairies and ogres — these are the companions who thrill young boys and girls of all lands and all times, as Andrew Lang's phenomenally successful collections of stories have proved. From the day that they were first printed, the Lang fairy books of many colors have entertained thousands of boys and girls, as they have also brought pleasure to the many parents who have read these unforgettable classics to their children. The Crimson Fairy Book contains a fascinating collection of tales from many countries: Hungary, Russia, Rumania, Finland, Iceland, Japan, and Sicily are only some of them. Filled with imagination, excitement, and adventure, these tales will delight children with their illogical yet strangely reasonable events, and will offer parents a pleasant change from the well-worn favorites. One story — "The Cottager and His Cat" — tells of how cats were introduced into Iceland; another Japanese tale — "The Crab and the Monkey" — tells how a crab gets the best of a roguish monkey; and a remarkable tale — "Little Wildrose" — from Rumania tells how a beautiful child was reared in an eagle's nest. All in all, the collection contains 36 stories, all narrated in the clear, lively prose for which Lang was famous. Not only are Lang's generally conceded to be the best English versions of standard stories, his collections are the richest and widest in range. His position as one of England's foremost folklorists as well as his first-rate literary abilities make his collections unmatchable in the English language.

Andrew Lang's Fairy Books are a series of twenty-five collections of true and fictional stories for children, published between 1889 and 1913. The best known books of the series are the twelve collections of fairy tales, known as Andrew Lang's "Coloured" Fairy Books or Andrew Lang's Fairy Books of Many Colors. In all, the volumes feature 798 stories, besides the 153 poems in The Blue Poetry Book. These 36 stories originated in Hungary, Russia, Finland, Iceland, Tunisia, the Baltic, and elsewhere.

The Fairy Books, or "Coloured" Fairy Books is a collection of fairy tales divided into twelve books, each associated with a different colour. Collected together by Andrew Land they are sourced from a number of different countries and were translated by Lang's wife and other translators who also retold many of the tales. The collection has been incalculably important and, although he did not source the stories himself direct from the oral tradition he can make claim to the first English translation of many.First published in 1903, The Crimson Fairy Book is the 8th volume in this series.

The Fairy Books, or "Coloured" Fairy Books is a collection of fairy tales divided into twelve books, each associated with a different colour. Collected together by Andrew Land they are sourced from a number of different countries and were translated by Lang's wife and other translators who also retold many of the tales. The collection has been incalculably important and, although he did not source the stories himself direct from the oral tradition he can make claim to the first English translation of many. First published in 1903, The Crimson Fairy Book is the 8th volume in this series.