Other editions of book Witch Wood

Set against the religious struggles and civil wars of seventeenth century Scotland, John Buchan’s gripping atmospheric tale in the spirit of Stevenson and Neil Munro. As a moderate presbyterian minister, young David Sempill disputes with the extremists of his faith, as all around, the defeated remnants of Montrose’s men are being harried and slaughtered. There are still older conflicts to be faced however, symbolised by the presence of the Melanudrigall Wood, a last remnant of the ancient Caledonian forest. Here there is black magic to be uncovered, but also the more positive pre-Christian intimations of nature worship. In such setting, and faced with the onset of the plague, David Sempill’s struggle and eventual disappearance take on a strange and timeless aspect in what was John Buchan’s own favourite among his many novels.

The Reverend David Sempill began his ministry in Woodilee on the fifteenth day of August in the year of grace sixteen hundred and forty-four. He was no stranger to the glen, for as a boy he had spent his holidays with his grandfather, who was the miller of Roodfoot. In that year when the horn of the Kirk was exalted the voice of a patron mattered less; Mr. Sempill had been, as they said, "popularly called," and so entered upon his office with the eager interest of the parish which had chosen him. A year before he had been licensed by the presbytery of Edinburgh; he was ordained in Woodilee in the present year on the last Sabbath of June, and "preached in" on the first Sabbath of August by the weighty voice of Mungo Muirhead, the minister of Kirk Aller.

Set against the religious struggles and civil wars of seventeenth century Scotland, John Buchan’s gripping atmospheric tale in the spirit of Stevenson and Neil Munro. As a moderate presbyterian minister, young David Sempill disputes with the extremists of his faith, as all around, the defeated remnants of Montrose’s men are being harried and slaughtered. There are still older conflicts to be faced however, symbolised by the presence of the Melanudrigall Wood, a last remnant of the ancient Caledonian forest. Here there is black magic to be uncovered, but also the more positive pre-Christian intimations of nature worship. In such setting, and faced with the onset of the plague, David Sempill’s struggle and eventual disappearance take on a strange and timeless aspect in what was John Buchan’s own favourite among his many novels.

John Buchan's own favourite among his novels, in which he dealt with the hypocrisy which can lie close to the surface of apparently god-fearing respectability. The story is set in the Scottish Borders during the civil war and the main character is the new young minister in a small village. The minister wrestles with his own christian faith as opposed to the severe presbyterianism of the Kirk and also has to deal with a pagan coven, a wounded soldier from Montrose's defeated army as well as falling in love. The story itself is breathlessly exciting – a real page-turner – and Buchan's characters really live, from the young minister David, with his gradual disillusionment with the Kirk he is pledged to serve to the grace and gaiety of Buchan's most attractive and well drawn heroine, Katrine Yester.

Set against the religious struggles and civil wars of seventeenth century Scotland, John Buchan’s gripping atmospheric tale in the spirit of Stevenson and Neil Munro. As a moderate presbyterian minister, young David Sempill disputes with the extremists of his faith, as all around, the defeated remnants of Montrose’s men are being harried and slaughtered. There are still older conflicts to be faced however, symbolized by the presence of the Melanudrigall Wood, a last remnant of the ancient Caledonian forest. Here there is black magic to be uncovered, but also the more positive pre-Christian intimations of nature worship.

Set against the religious struggles and civil wars of seventeenth century Scotland, John Buchan’s gripping atmospheric tale in the spirit of Stevenson and Neil Munro. As a moderate presbyterian minister, young David Sempill disputes with the extremists of his faith, as all around, the defeated remnants of Montrose’s men are being harried and slaughtered. There are still older conflicts to be faced however, symbolised by the presence of the Melanudrigall Wood, a last remnant of the ancient Caledonian forest. Here there is black magic to be uncovered, but also the more positive pre-Christian intimations of nature worship. In such setting, and faced with the onset of the plague, David Sempill’s struggle and eventual disappearance take on a strange and timeless aspect in what was John Buchan’s own favourite among his many novels.Time, my grandfather used to say, stood still in that glen of his. But the truth of the saying did not survive his death, and the first daisies had scarcely withered on his grave before a new world was knocking at the gate.

Set against the religious struggles and civil wars of seventeenth century Scotland, John Buchan’s gripping atmospheric tale in the spirit of Stevenson and Neil Munro. As a moderate presbyterian minister, young David Sempill disputes with the extremists of his faith, as all around, the defeated remnants of Montrose’s men are being harried and slaughtered. There are still older conflicts to be faced however, symbolized by the presence of the Melanudrigall Wood, a last remnant of the ancient Caledonian forest. Here there is black magic to be uncovered, but also the more positive pre-Christian intimations of nature worship.

Witch Wood is a 1927 novel by the Scots author John Buchan, set in the Scottish Borders during the Wars of the Three Kingdoms. Critics have called it Buchan's masterpiece. In a prologue to the novel, the narrator recalls legends of the time, 300 years ago, when the minister of the Kirk of Woodilee in the Scottish lowlands was spirited away by the fairies or – as some said by the devil.