Other editions of book sketches by boz Every-Day LIfe and Every-Day People

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Charles Dickens's first published book, Sketches by Boz (1836) heralded an exciting new voice in English literature. This richly varied collection of observation, fancy and fiction shows the London he knew so intimately at its best and worst - its streets, theatres, inns, pawnshops, law courts, prisons, omnibuses and the river Thames - in honest and visionary descriptions of everyday life and people. Through pen portraits that often anticipate characters from his great novels, we see the condemned man in his prison cell, garrulous matrons, vulgar young clerks and Scrooge-like bachelors, while Dickens's powers for social critique are never far from the surface, in unflinching depictions of the vast metropolis's forgotten citizens, from child workers to prostitutes. A startling mixture of humour and pathos, these Sketches reveal London as wonderful terrain for an extraordinary young writer.Sketches is a remarkable achievement, and looks towards Dickens's giant novels in its profusion of characters, its glimpses of surreal modernity and its limitless fund of pathos and comic invention.

Sketches by Boz is a collection of short pieces published by Charles Dickens in 1836. Dickens' career as a writer of fiction truly began with this collection in 1833, when he started writing humorous sketches for The Morning Chronicle, using the pen-name "Boz". The first edition was accompanied by illustrations by George Cruikshank.The sketch "Mr. Minns and his Cousin" (originally titled "A Dinner at Poplar Walk") was the first piece of fiction that Dickens ever had published.

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Charles Dickens's first published book, Sketches by Boz (1836) heralded an exciting new voice in English literature. This richly varied collection of observation, fancy and fiction shows the London he knew so intimately at its best and worst - its streets, theatres, inns, pawnshops, law courts, prisons, omnibuses and the river Thames - in honest and visionary descriptions of everyday life and people. Through pen portraits that often anticipate characters from his great novels, we see the condemned man in his prison cell, garrulous matrons, vulgar young clerks and Scrooge-like bachelors, while Dickens's powers for social critique are never far from the surface, in unflinching depictions of the vast metropolis's forgotten citizens, from child workers to prostitutes. A startling mixture of humour and pathos, these Sketches reveal London as wonderful terrain for an extraordinary young writer.Sketches is a remarkable achievement, and looks towards Dickens's giant novels in its profusion of characters, its glimpses of surreal modernity and its limitless fund of pathos and comic invention.