Other editions of book Iliad: By Homer & Illustrated

How is this book unique? Illustrations includedUnabridgedThe Iliad (Ancient Greek in Classical Attic; sometimes referred to as the Song of Ilion or Song of Ilium) is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. Although the story covers only a few weeks in the final year of the war, the Iliad mentions or alludes to many of the Greek legends about the siege; the earlier events, such as the gathering of warriors for the siege, the cause of the war, and related concerns tend to appear near the beginning. Then the epic narrative takes up events prophesied for the future, such as Achilles' looming death and the sack of Troy, prefigured and alluded to more and more vividly, so that when it reaches an end, the poem has told a more or less complete tale of the Trojan War.

How is this book unique? Illustrations includedOriginal & Unabridged EditionOne of the best books to readClassic historical fiction booksExtremely well formattedThe Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. Although the story covers only a few weeks in the final year of the war, the Iliad mentions or alludes to many of the Greek legends about the siege; the earlier events, such as the gathering of warriors for the siege, the cause of the war, and related concerns tend to appear near the beginning. Then the epic narrative takes up events prophesied for the future, such as Achilles' looming death and the sack of Troy, prefigured and alluded to more and more vividly, so that when it reaches an end, the poem has told a more or less complete tale of the Trojan War.

Scepticism is as much the result of knowledge, as knowledge is of scepticism. To be content with what we at present know, is, for the most part, to shut our ears against conviction; since, from the very gradual character of our education, we must continually forget, and emancipate ourselves from, knowledge previously acquired; we must set aside old notions and embrace fresh ones; and, as we learn, we must be daily unlearning something which it has cost us no small labour and anxiety to acquire.And this difficulty attaches itself more closely to an age in which progress has gained a strong ascendency over prejudice, and in which persons and things are, day by day, finding their real level, in lieu of their conventional value. The same principles which have swept away traditional abuses, and which are making rapid havoc among the revenues of sinecurists, and stripping the thin, tawdry veil from attractive superstitions, are working as actively in literature as in society. The credulity of one writer, or the partiality of another, finds as powerful a touchstone and as wholesome a chastisement in the healthy scepticism of a temperate class of antagonists, as the dreams of conservatism, or the impostures of pluralist sinecures in the Church. History and tradition, whether of ancient or comparatively recent times, are subjected to very different handling from that which the indulgence or credulity of former ages could allow. Mere statements are jealously watched, and the motives of the writer form as important an ingredient in the analysis of his history, as the facts he records. Probability is a powerful and troublesome test; and it is by this troublesome standard that a large portion of historical evidence is sifted. Consistency is no less pertinacious and exacting in its demands. In brief, to write a history, we must know more than mere facts. Human nature, viewed under an induction of extended experience, is the best help to the criticism of human history. Historical characters can only be estimated by the standard which human experience, whether actual or traditionary, has furnished. To form correct views of individuals we must regard them as forming parts of a great whole—we must measure them by their relation to the mass of beings by whom they are surrounded, and, in contemplating the incidents in their[pg x] lives or condition which tradition has handed down to us, we must rather consider the general bearing of the whole narrative, than the respective probability of its details.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)Formatted for e-readerIllustratedAbout Iliad by Homer The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. Although the story covers only a few weeks in the final year of the war, the Iliad mentions or alludes to many of the Greek legends about the siege; the earlier events, such as the gathering of warriors for the siege, the cause of the war, and related concerns tend to appear near the beginning. Then the epic narrative takes up events prophesied for the future, such as Achilles' looming death and the sack of Troy, prefigured and alluded to more and more vividly, so that when it reaches an end, the poem has told a more or less complete tale of the Trojan War.

Andrew Lang, assisted by Walter Leaf and Ernest Myers, has put the old Greek epos into contemporary English prose. The subject of the Iliad, as the first line proclaims, is the “anger of Achilles.” The manner in which this subject is worked out will appear from the following summary in which we distinguish (1) the plot, i.e. the story of the quarrel, (2) the main course of the war, which forms a sort of underplot, and (3) subordinate episodes.

About Iliad by HomerHow is this book unique?E-reader & tablet formatted, Font Adjustments100% Original contentUnabridged EditionAuthor Biography InsideIllustrations includedThe Iliad (Ancient Greek in Classical Attic; sometimes referred to as the Song of Ilion or Song of Ilium) is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. Although the story covers only a few weeks in the final year of the war, the Iliad mentions or alludes to many of the Greek legends about the siege; the earlier events, such as the gathering of warriors for the siege, the cause of the war, and related concerns tend to appear near the beginning. Then the epic narrative takes up events prophesied for the future, such as Achilles' looming death and the sack of Troy, prefigured and alluded to more and more vividly, so that when it reaches an end, the poem has told a more or less complete tale of the Trojan War.

Unabridged - 14 CD's. "Eloquent, rhythmical and full of power, The Iliad is an extraordinary masterpiece that no listener can afford to miss. Perhaps one of the purest mirrors of human experience ever created, this unforgettable epic spans the farthest reaches of emotion-glory and shame, love and rage, courage and terror." "Narrator George Guidall's 40-year career in the theatre includes leading roles on Broadway. One of the audiobook industry's most acclaimed readers, Guidall has received Audie Awards for two of his perfomances.

One of the foremost achievements in Western literature, Homer's Iliad tells the story of the darkest episode in the Trojan War. At its center is Achilles, the greatest warrior-champion of the Greeks, and his refusal to fight after being humiliated by his leader, Agamemnon. But when the Trojan Hector kills Achilles's close friend Patroclus, Achilles storms back into battle to take revenge-knowing full well that this will ensure his own early death. This tragic series of events is interwoven with powerfully moving descriptions of the ebb and flow of battle, of the domestic world inside Troy's besieged city of Ilium, and of the conflicts between the gods on Olympus as they argue over the fate of mortals. The Iliad is a work of extraordinary pathos and profundity that concerns itself with issues as fundamental as the meaning of life and death. Even the heroic ethic itself-with its emphasis on pride, honor, prowess in battle, and submission to the inexorable will of the gods-is not left unquestioned. This version of the Iliad is the translation by Alexander Pope.

The Iliad by Homer (as translated by Samuel Butler)Homer’s epic poem dates back to the eighth century, BC. The classic adventure story that follows the fate of two great armies takes place over just a two-week time period. The Iliad and Homer’s The Odyssey are the greatest poems to come from ancient oral tradition.The epic tale begins nine years after the start of the Trojan war between the Greeks and the Trojans. The Greek (Achaean) army has just taken the town of Chryse, and two beautiful maidens have been captured. The leader of the Achaean army, Agamemnon, takes one maiden, Chryseis, for himself. The second maiden, Briseis, is granted to Achilles, the most able and heroic of the Achaean soldiers. Chryseis’ father is a priest under the god Apollo, and when Agamemnon refuses to return his daughter, he sends a plague upon the Achaean army. After many die, Agamemnon agrees to return Chryseis. Upset about losing his prize, Agamemnon demands that Briseis be taken from Achilles and give to him. Achilles, insulted and angered by this offense, quits the Achaean army and vows revenge.As gods begin to take sides, the war increases in intensity and many lives are sacrificed. Troy becomes stronger and stronger, threatening to defeat the Achaean army once and for all. Will Achilles let go of his pride, rejoin his comrades, and defend his homeland? The Iliad was praised by the likes of Socrates and Plato, and continues to enthrall scholars today. It has been adapted into countless adaptations, literary and film.