Other editions of book The Adventures of Gerard

Brigadier Gerard is an officer in Napoleon's army—recklessly brave, engagingly openhearted, and unshakable (if not a little absurd) in his devotion to the enigmatic emperor. Arthur Conan Doyle's wonderful stories about the brigadier are as funny as they are hair-raising, and the brigadier himself has long since found a place in the hearts of his admirers second only to that of Doyle's incomparable Sherlock Holmes. Gerard's comic adventures are sure to find new devotees among the ardent fans of such writers as Patrick O'Brian and George MacDonald Fraser.The Adventures of Gerard contains eight exciting tales of the brigadier's exploits. They are "How Brigadier Gerard Lost His Ear," "How the Brigadier Captured Saragossa," "How the Brigadier Slew the Fox," "How the Brigadier Saved the Army," "How the Brigadier Triumphed in England," "How the Brigadier Rode to Minsk," "How the Brigadier Bore Himself to Waterloo," and "The Last Adventure of the Brigadier."

Sir Arthur Ignatius Conan Doyle (22 May 1859 – 7 July 1930) was a Scottish writer and physician, most noted for his fictional stories about the detective Sherlock Holmes, which are generally considered milestones in the field of crime fiction. This is a collection of short stories, lesser known stories. The swashbuckling, eponymous hero, Etienne Gerard, is one of Napoleon's gallant French Hussars, who considers himself the finest of them all. Conan Doyle pokes gentle fun at both the French and the English. This is the second volume containing eight adventures. (Excerpt from Wikipedia)

Excerpt from Adventures of GerardI hape that some readers may possibly be interested in these little tales of the Napoleonic soldiers to the extent of following them up to the springs from which they flow. The age was rich in military material, some of it the most human and the most picturesque that I have ever read. Setting aside historical works or the biographies of the leaders there is a mass of evidence written by the actual fighting men themselves, which describes their feelings and their experiences, stated always from the point of view of the particular branch of the service to which they belonged. The Cavalry were particularly happy in their writers of memoirs. Thus De Rocca in his M émoires sur la guerre des Francais en Espagne has given the narrative of a H ussar, while De N aylies in his Mémoires sur la guerre d'espagne gives the same campaigns from the point of view of the Dragoon. Then we have the Souvenirs Mil.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In a follow-up to the previously published volume The Exploits of Brigadier Gerard, Arthur Conan Doyle presents more of the recollections of the fictional retired French brigadier. Equal parts humor writing and classic adventure tales, these stories are sure to be a hit. Coycoy brings great works of literature from the past centuries, holding the highest standards and reproduce the text as its earliest readers would have encountered it. Look for more titles in the Coycoy's collection to build your own and best library. @coycoy.editorial

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.