Other editions of book The Trial

Written in 1914, The Trial is one of the most important novels of the twentieth century. It is the terrifying tale of Josef K., a respectable bank officer who is arrested on a charge that is never identified or explained. Whether read as an existential tale, a parable, or a prophecy of the excesses of modern bureaucracy wedded to the madness of totalitarianism, Kafka's nightmare resonates with chilling truth. Newly designed and typeset in a modern 6-by-9-inch format by Waking Lion Press.

The Trial Franz Kafka The Trial, original German title: Der Process, is a novel written by Franz Kafka in 1914 and 1915 but not published until 1925. One of Kafka's best-known works, it tells the story of a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed to neither him nor the reader. Like Kafka's other novels, The Trial was never completed, although it does include a chapter which brings the story to an end. Because of this, there are some inconsistencies and discontinuities in narration within the novel, such as disparities in timing. After Kafka's death in 1924 his friend and literary executor Max Brod edited the text for publication by Verlag Die Schmiede. The original manuscript is held at the Museum of Modern Literature, Marbach am Neckar, Germany. In 1999, the book was listed in Le Monde's 100 Books of the Century and as No. 2 of the Best German Novels of the Twentieth Century.

Josef K. is an employee at a bank, an Everyman without any particular qualities or ambitions. His inconsequence makes doubly strange his "arrest" by an officer of the court, made with no formal charges or explanation. Disoriented and consumed with guilt for a "crime" he does not understand, Josef K. must justify his life to a "court" with which he cannot communicate. The defendant can only ask questions, but receives no answers to clarify the surreal world in which he is compelled to wander. Through the court's relentless bureaucratic proceedings and absurd juxtapositions of different hypotheses of cause and effect, the whole rational structure of the world is undermined. The trial of Josef K. becomes a chilling existential metaphor for life itself, where every sentence is a sentence of death.

First published in 1925, The Trial tells the story of a man arrested for an unknown crime by a remote, inaccessible authority and his struggle for control over the increasing absurdity of his life. One of Franz Kafka's best-known works, The Trial has been variously interpreted as an examination of political power, a satirical depiction of bureaucracy, and a pessimistic religious parable. Left unfinished at the time of Kafka's 1924 death, The Trial is nevertheless a trenchant depiction of the seemingly incomprehensible nature of existence and a fascinating exploration of the universal issues of justice, power, freedom, and isolation.

On his thirtieth birthday, the chief cashier of a bank, Josef K., is unexpectedly arrested by two unidentified agents from an unspecified agency for an unspecified crime. The agents' boss later arrives and holds a mini-tribunal in the room of K.'s neighbor, Fräulein Bürstner. K. is not taken away, however, but left "free" and told to await instructions from the Committee of Affairs. He goes to work, and that night apologizes to Fräulein Bürstner for the intrusion into her room. At the end of the conversation he suddenly kisses her...

Josef K. is an employee at a bank, an Everyman without any particular qualities or ambitions. His inconsequence makes doubly strange his "arrest" by an officer of the court, made with no formal charges or explanation. Disoriented and consumed with guilt for a "crime" he does not understand, Josef K. must justify his life to a "court" with which he cannot communicate. The defendant can only ask questions, but receives no answers to clarify the surreal world in which he is compelled to wander. Through the court's relentless bureaucratic proceedings and absurd juxtapositions of different hypotheses of cause and effect, the whole rational structure of the world is undermined. The trial of Josef K. becomes a chilling existential metaphor for life itself, where every sentence is a sentence of death.

The story of The Trial's publication is almost as fascinating as the novel itself. Kafka intended his parable of alienation in a mysterious bureaucracy to be burned, along with the rest of his diaries and manuscripts, after his death in 1924. Yet his friend Max Brod pressed forward to prepare The Trial and the rest of his papers for publication. When the Nazis came to power, publication of Jewish writers such as Kafka was forbidden; Kafka's writings, many of which have distinctively Jewish themes, did not find a broad audience until after World War II. (Hannah Arendt once observed that although "during his lifetime he could not make a decent living, [Kafka] will now keep generations of intellectuals both gainfully employed and well-fed.") Among the current crop of Kafka heirs is Breon Mitchell, the translator of this edition of The Trial. Rather than tidying up Kafka's unconventional grammar and punctuation (as previous translators have done), Mitchell captures the loose, uneasy, even uncomfortable constructions of Kafka's original story. His translation technique is the only way to convey the comedy and confusion of this narrative, in which Josef K., "without having done anything truly wrong," is arrested, tried, convicted and executed--on a charge that is never disclosed to him.

Written in 1914, The Trial is one of the most important novels of the twentieth century. It is the terrifying tale of Josef K., a respectable bank officer who is arrested on a charge that is never identified or explained. Whether read as an existential tale, a parable, or a prophecy of the excesses of modern bureaucracy wedded to the madness of totalitarianism, Kafka's nightmare resonates with chilling truth. Newly designed and typeset for easy reading by Boomer Books.