Other editions of book The yellow wallpaper 1973

The Yellow Wallpaper By Charlotte Perkins Gilman The Yellow Wallpaper is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental. Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a "temporary nervous depression – a slight hysterical tendency", a diagnosis common to women in that period. She hides her journal from her husband and his sister the housekeeper, fearful of being reproached for overworking herself. The room's windows are barred to prevent children from climbing through them, and there is a gate across the top of the stairs, though she and her husband have access to the rest of the house and its adjoining estate.

An important classic “must-read” and a still widely popular short story by the American writer Charlotte Perkins Gilman, The Yellow Wallpaper is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's physical and mental health. Told in the first person, the story is a series of journal entries written by a woman (Jane) whose physician husband (John) has confined her to the upstairs bedroom of a house. She is forbidden from working and has to hide her journal from him, so she can recuperate from what he calls a "temporary nervous depression – a slight hysterical tendency," a diagnosis common to women in that period. The brilliant short story depicts the effect of confinement on the narrator's mental health and her descent into psychosis. With nothing else to stimulate her, she becomes progressively obsessed by the pattern and color of the wallpaper.

A woman and her husband rent a summer house, but what should be a restful getaway turns into a suffocating psychological battle. This chilling account of postpartum depression and a husband's controlling behavior in the guise of treatment will leave you breathless. This Inwood Commons Modern Edition updates Charlotte Perkins Gilman's classic so that it's as easy to read and as relevant as if it was written today. The book also includes the author's argument to Congress for women's voting rights, her reasons for writing The Yellow Wallpaper, two essays from modern scholars, and the original unedited versions in appendices.

Based on the 1892 New England Magazine text, this teaching edition of The Yellow Wallpaper includes a generous selection of historical materials. The documents are organized into thematic units and features nineteenth-century advice manuals for young women and mothers; medical texts discussing the nature of women's sexuality; social reform literature concerning women's rights, the working classes, and immigration; and excerpts from periodicals, diaries, and writers' notebooks that give students a sense of the changing literary scene that Gilman entered. Editorial features designed to help students read the novel in light of the documents include a general introduction providing historical and cultural background, a chronology o Hawthorne's life and times, an introduction to each thematic group of documents, headnotes, extensive annotations, a generous selection of illustrations, and a selected bibliography.

The Yellow Wallpaper is a short story by Charlotte Perkins Gilman, It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's physical and mental health. Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband has confined her to the upstairs bedroom of a house he has rented for the summer. She is forbidden from working and has to hide her journal from him, so she can recuperate from what he calls a "temporary nervous depression - a slight hysterical tendency," a diagnosis common to women in that period.

Excerpt from The Yellow Wall PaperA colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity, but that would be asking too much of fate!About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A journal of the descent into madness of a woman suffering from a ''temporary nervous depression — a slight hysterical tendency.'' Hints throughout the story suggest the woman's problem is the recent birth of her child, insinuating postpartum depression. Confined in an upstairs room to recuperate by her well-meaning but dictatorial and oblivious husband, the yellow wallpaper in the room becomes the focal point of her growing insanity.

"The Yellow Wallpaper" (original title: "The Yellow Wall-paper. A Story") is a 6,000-word short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental. Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a "temporary nervous depression – a slight hysterical tendency", a diagnosis common to women in that period. She hides her journal from her husband and his sister the housekeeper, fearful of being reproached for overworking herself. The room's windows are barred to prevent children from climbing through them, and there is a gate across the top of the stairs, though she and her husband have access to the rest of the house and its adjoining estate.

The Yellow Wallpaper is a short story by the American writer Charlotte Perkins Gilman. Widely regarded as one of the most important early works in American feminist literature exposing the social regard for women and their mental health. Presented as the journal entries of a woman as her husband has locked her into the bedroom of their summer house. She is forbidden from working so she can recover from a nervous depression.

The Yellow Wallpaper by Charlotte Gilman. There are things in that wallpaper that nobody knows about but me, or ever will. The Yellow Wallpaper demonstrates 19th century attitudes toward women's physical and mental health. The story is a collection of journal entries written by a woman whose husband has locked her in the upstairs bedroom of a house he has rented for the summer. It is a big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore. It was nursery first and then playroom and gymnasium, I should judge; for the windows are barred for little children, and there are rings and things in the walls. The paint and paper look as if a boys' school had used it. It is stripped off--the paper--in great patches all around the head of my bed, about as far as I can reach, and in a great place on the other side of the room low down. I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin. It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide--plunge off at outrageous angles, destroy themselves in unheard of contradictions. The color is repellant, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight. It is a dull yet lurid orange in some places, a sickly sulphur tint in others. No wonder the children hated it! I should hate it myself if I had to live in this room long.