Other editions of book The Alchemist

An outbreak of plague in London forces a gentleman, Lovewit, to flee temporarily to the country, leaving his house under the sole charge of his butler, Jeremy. Jeremy uses the opportunity given to him to use the house as the headquarters for fraudulent acts. He transforms himself into "Captain Face," and enlists the aid of Subtle, a fellow conman, and Dol Common, a prostitute.The play opens with a violent argument between Subtle and Face concerning the division of the riches which they have, and will continue to gather. Face threatens to have an engraving made of Subtle with a face worse than that of the notorious highwayman Gamaliel Ratsey. Dol breaks the pair apart and reasons with them that they must work as a team if they are to succeed. Their first customer is Dapper, a lawyer's clerk who wishes Subtle to use his supposed necromantic skills to summon a "familiar" or spirit to help in his gambling ambitions. The tripartite suggest that Dapper may win favour with the "Queen of Fairy," but he must subject himself to humiliating rituals in order for her to help him. Their second gull is Drugger, a tobacconist, who is keen to establish a profitable business. After this, a wealthy nobleman, Sir Epicure Mammon, arrives, expressing the desire to gain himself the philosopher's stone, which he believes will bring him huge material and spiritual wealth. He is accompanied by Surly, a sceptic and debunker of the whole idea of alchemy. He is promised the philosopher's stone and promised that it will turn all base metal into gold. Surly however, suspects Subtle of being a thief. Mammon accidentally sees Dol and is told that she is a Lord's sister who is suffering from madness. Subtle contrives to become angry with Ananias, an Anabaptist, and demands that he should return with a more senior member of his sect (Tribulation). Drugger returns and is given false and ludicrous advice about setting up his shop; he also brings news that a rich young widow (Dame Pliant) and her brother (Kastril) have arrived in London. Both Subtle and Face in their greed and ambition seek out to win the widow.The Anabaptists return and agree to pay for goods to be transmuted into gold. These are in fact Mammon's goods. Dapper returns and is promised that he shall meet with the Queen of Fairy soon. Drugger brings Kastril who, on being told that Subtle is a skilled match-maker, rushes to fetch his sister. Drugger is given to understand that the appropriate payment might secure his marriage to the widow. Dapper is blindfolded and subjected to 'fairy' humiliations; but on the reappearance of Mammon, he is gagged and hastily thrust into the privy. Mammon is introduced to Doll. He has been told that Dol is a nobleman's sister who has gone mad, but he is not put off, and pays her extravagant compliments. Kastril and his sister come again. Kastril is given a lesson in quarrelling, and the widow captivates both Face and Subtle. They quarrel over who is to have her.Surly returns, disguised as a Spanish nobleman. Face and Subtle believe that the Spaniard speaks no English and they insult him. They also believe that he has come for a woman, but Dol is elsewhere in the building 'engaged' with Mammon, so Face has the inspiration of using Dame Pliant. She is reluctant to become a Spanish countess but is vigorously persuaded by her brother to go off with Surly. The tricksters need to get rid of Mammon. Dol contrives a fit and there is an 'explosion' from the 'laboratory'. In addition, the lady's furious brother is hunting for Mammon, who leaves. Surly reveals his true identity to Dame Pliant and hopes that she will look on him favourably as a consequence.

The Alchemist is a comedy by English playwright Ben Jonson. First performed in 1610 by the King's Men, it is generally considered Jonson's best and most characteristic comedy; Samuel Taylor Coleridge considered it had one of the three most perfect plots in literature. The play's clever fulfilment of the classical unities and vivid depiction of human folly have made it one of the few Renaissance plays (except the works of Shakespeare) with a continuing life on stage (except for a period of neglect during the Victorian era).

First performed in 1610, The Alchemist is one of Ben Jonson's greatest comedies. Written for the King's Men-the acting company to which Shakespeare belonged-it was first performed in Oxford because the playhouses in London were closed due to the plague. It was an immediate success and has remained a popular staple ever since. The play centers around a con man, his female accomplice, and a roguish butler who uses his master's house to gull a series of victims out of their money and goods. Jonson uses the play to satirize as many people as he can-pompous lords, greedy commoners, and self-righteous Anabaptists alike-as his three con artists proceed to bilk everyone who comes to their door. They don multiple roles and weave elaborate tales to exploit their victim's greed and amass a small fortune. But it all comes to a sudden, raucous end when the master unexpectedly returns to London and all the victims gather to try and reclaim their property.