Other editions of book Wessex Tales

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In this, his first collection of short stories, Hardy sought to record the legends, superstitions, local customs, and lore of a Wessex that was rapidly passing out of memory. But these tales also portray the social and economic stresses of 1880s Dorset, and reveal Hardy's growing scepti-cism about the possibility of achieving personal and sexual satisfaction in the modern world. By turns humorous, ironic, macabre, and elegiac, these six stories show the range of Hardy's story-telling genius.

Wessex Tales is an 1888 collection of tales written by English novelist and poet Thomas Hardy, many of which are set before Hardy's birth in 1840.In the various short stories, Hardy writes of the true nature of nineteenth-century marriage and its inherent restrictions, the use of grammar as a diluted form of thought, the disparities created by the role of class status in determining societal rank, the stance of women in society and the severity of even minor diseases causing the rapid onset of fatal symptoms prior to the introduction of sufficient medicinal practices. A focal point of all the short stories is that of social constraints acting to diminish one's contentment in life, necessitating unwanted marriages, repression of true emotion and succumbing to melancholia due to constriction within the confines of 19th-century perceived normalcy.

In this, his first collection of short stories, Hardy sought to record the legends, superstitions, local customs, and lore of a Wessex that was rapidly passing out of memory. But these tales also portray the social and economic stresses of 1880s Dorset, and reveal Hardy's growing scepticism about the possibility of achieving personal and sexual satisfaction in the modern world. By turns humorous, ironic, macabre, and elegiac, these seven stories show the range of Hardy's story-telling genius. The critically established text, the first to be based on detailed study of all revised texts, presents manuscript readings which have never before appeared in print.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About Wessex Tales by Thomas Hardy Wessex Tales is an 1888 collection of tales written by English novelist and poet Thomas Hardy, many of which are set before Hardy's birth in 1840. In the various short stories, Hardy writes of the true nature of nineteenth century marriage and its inherent restrictions, the use of grammar as a diluted form of thought, the disparities created by the role of class status in determining societal rank, the stance of women in society and the severity of even minor diseases causing the rapid onset of fatal symptoms prior to the introduction of sufficient medicinal practices. A focal point of all the short stories is that of social constraints acting to diminish one's contentment in life, necessitating unwanted marriages, repression of true emotion and succumbing to melancholia due to constriction within the confines of 19th century perceived normalcy. Published in 1888, Wessex Tales contained five stories ("The Three Strangers", "The Withered Arm", "Fellow-Townsmen", "Interlopers at the Knap", and "The Distracted Preacher") all published first in periodicals.

An apology is perhaps needed for the neglect of contrast which is shown by presenting two consecutive stories of hangmen in such a small collection as the following. But in the neighbourhood of county-towns tales of executions used to form a large proportion of the local traditions; and though never personally acquainted with any chief operator at such scenes, the writer of these pages had as a boy the privilege of being on speaking terms with a man who applied for the office, and who sank into an incurable melancholy because he failed to get it, some slight mitigation of his grief being to dwell upon striking episodes in the lives of those happier ones who had held it with success and renown. His tale of disappointment used to cause some wonder why his ambition should have taken such an unfortunate form, but its nobleness was never questioned. In those days, too, there was still living an old woman who, for the cure of some eating disease, had been taken in her youth to have her ‘blood turned’ by a convict’s corpse, in the manner described in ‘The Withered Arm.’

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