Books with title The black

"The Black Cat" is a short story by Edgar Allan Poe. It was first published in the August 19, 1843, edition of The Saturday Evening Post. It is a study of the psychology of guilt. A murderer carefully conceals his crime and believes himself unassailable, but eventually breaks down and reveals himself, impelled by a nagging reminder of his guilt. The story is presented as a first-person narrative using an unreliable narrator. He is a condemned man at the outset of the story. The narrator tells us that from an early age he has loved animals. He and his wife have many pets, including a large black cat named Pluto. This cat is especially fond of the narrator and vice versa. Their mutual friendship lasts for several years, until the narrator becomes an alcoholic. One night, after coming home intoxicated, he believes the cat is avoiding him. When he tries to seize it, the panicked cat bites the narrator, and in a fit of rage, he seizes the animal, pulls a pen-knife from his pocket, and deliberately gouges out the cat's eye. From that moment onward, the cat flees in terror at his master's approach. At first, the narrator is remorseful and regrets his cruelty. "But this feeling soon gave place to irritation. And then came, as if to my final and irrevocable overthrow, the spirit of perverseness." He takes the cat out in the garden one morning and hangs it from a tree, where it dies. That very night, his house mysteriously catches fire, forcing the narrator, his wife and their servant to flee. The next day, the narrator returns to the ruins of his home to find, imprinted on the single wall that survived the fire, the figure of a gigantic cat, hanging by its neck from a rope.

Zoe is shocked when she learns they are going to stay on board a Spanish yacht called ‘The Black Pig’. How will she be able to make new friends to chill with? Thomas realises nothing this exciting has ever happened to him before. Mum is just relieved to find somewhere to stay. Besides the ship’s crew, Pedro and his parents, seem nice enough. Yet treasure lurks just beneath the waves and strange things keep happening onshore.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Being a cop runs in Billy Harney's family. The son of Chicago's chief of detectives, whose twin sister Patti also followed in their father's footsteps, Billy would give up everything for the job, including his life. After a brutal shooting, Billy is left for dead alongside his tempestuous former partner and an ambitious assistant district attorney out for blood. But somehow Billy survives. He remembers nothing about the shootout, and is charged with double murder. Desperate to clear his name, Billy retraces his steps to get to the bottom of what happened. He must find the little black book; it could either set him free or confirm his worst fears.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Edward Phillips Oppenheim (1866 – 1946) was an English novelist, in his lifetime a major and successful writer of genre fiction including thrillers. Oppenheim featured on the cover of Time magazine on September 12, 1927. He was the self-styled "prince of storytellers." He composed some one hundred and fifty novels, mainly of the suspense and international intrigue nature, but including romances, comedies, and parables of everyday life. He was the earliest writer of spy fiction as understood today, and invented the "Rogue Male" school of adventure thrillers that was later exploited by John Buchan and Geoffrey Household. Undoubtedly his most renowned work was The Great Impersonation: it was filmed thrice, the last time as a strong piece of wartime propaganda. Perhaps Oppenheim's most enduring creation is the character of General Besserley,. Much of Oppenheim's work possesses a unique escapist charm, featuring protagonists who delight in Epicurean meals, surroundings of intense luxury, and the relaxed pursuit of criminal practice, on either side of the law.