Books with title The Idiot

Prince Lev Nikolayevich Myshkin, a fair-haired young man in his mid-twenties and a descendant of one of the oldest Russian lines of nobility, arrives in Saint Petersburg on a November morning. He has spent the past four years in a Swiss clinic for treatment of his epilepsy and supposed intellectual deficiencies. On the train journey to Russia, Myshkin meets Parfyon Semyonovich Rogozhin, and is struck by his passionate intensity, particularly in relation to a beautiful woman with whom he is obsessed. Myshkin's only relation in St. Petersburg is the very distant Lizaveta Prokofyevna Yepanchina. Madame Yepanchina is the wife of General Yepanchin, a wealthy and respected man in his late fifties. The prince makes the acquaintance of the Yepanchins, who have three daughters—Alexandra, Adelaida, and Aglaya, the last being the youngest and the most beautiful. General Yepanchin has an ambitious and vain assistant named Gavril Ardalionovich Ivolgin (nicknamed Ganya) whom Myshkin also meets during his visit to the household. Ganya, though actually in love with Aglaya, is trying to marry Nastassya Filippovna Barashkov, an extraordinarily beautiful femme fatale who was once the mistress of the aristocrat Totsky. Totsky has promised Ganya 75,000 rubles if he marries the "fallen" Nastassya Filippovna instead. As Myshkin seems to be innocent and naïve, Ganya openly discusses the subject of the proposed marriage in front of him. It turns out that Nastassya Filippovna is the same woman pursued obsessively by Rogozhin, and Ganya asks the Prince whether Rogozhin would marry her. The Prince replies that he might well marry her and then murder her a week later. The prince rents a room in the Ivolgin apartment, also occupied by Ganya; Ganya's sister Varvara Ardalyonovna (Varya); his mother, Nina Alexandrovna; his teenage brother, Nikolai (Kolya); his father, General Ivolgin; and another lodger named Ferdyshchenko. Nastassya Filippovna arrives and insults Ganya's family, which has refused to accept her as a possible wife for Ganya. Myshkin restrains her from continuing. The insult is compounded by the arrival of Rogozhin accompanied by a rowdy crowd of drunks and rogues. On the strength of his newly inherited fortune, Rogozhin promises to bring 100,000 rubles to Nastassya Filippovna's birthday party that evening, at which she is to announce whom she shall marry. Among the guests at the party are Totsky, General Yepanchin, Ganya, Ferdyshchenko, Ptitsyn—a usurer friend of Ganya's who is a suitor to Varya Ivolgin—and others. With the acquiescence of Kolya, Prince Myshkin arrives, uninvited. Following Myshkin's advice, Nastassya Filippovna refuses Ganya's proposal. Rogozhin arrives with the promised 100,000 rubles, but Myshkin himself offers to marry Nastassya Filippovna instead, announcing that he has recently received a large inheritance. Though surprised and deeply touched by Myshkin's love, Nastassya Filippovna, after throwing the 100,000 rubles in the fire and telling Ganya they are his if he wants to get them out, chooses to leave with Rogozhin. Myshkin follows them.

The 26-year-old Prince Lev Nikolayevich Myshkin returns to Russia after spending several years at a Swiss sanatorium. Scorned by the society of Saint Petersburg for his trusting nature and naiveté, he finds himself at the center of a struggle between a beautiful kept woman and a virtuous and pretty young girl, both of whom win his affection. Unfortunately, Myshkin's very goodness precipitates disaster, leaving the impression that, in a world obsessed with money, power, and sexual conquest, a sanatorium may be the only place for a saint.

A Russian prince returns to Saint Petersburg after a long absence in Switzerland, where he was undergoing treatment for epilepsy. On the train he meets and befriends a man of low origins. This man becomes the dark counterpart of the inherently good prince; the two can also be seen as Christ- and devil-like figures. Dostoevsky wished to portray an unspoiled man, whose goodness is plunged into the chaos of Saint Petersberg society and a passionate contest for the disreputable Nastasya.

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David Fishelson has transformed Dostoyevsky's The Idiot into a spellbinding drama that illuminates the titanic novel. In The Idiot, meet the kindly, childlike Prince Myshkin, as he returns to the decadent social whirl of 1860s St. Petersburg. The two most beautiful, sought-after women in the town compete for his affections, in a duel that grows increasingly dangerous.

Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women-the notorious kept woman Nastasya and the pure Aglaia-both involved, in turn, with the corrupt, money-hungry Ganya. In the end, Myshkin's honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him.

Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women—the notorious kept woman Nastasya and the pure Aglaia—both involved, in turn, with the corrupt, money-hungry Ganya. In the end, Myshkin’s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him.

Just two years after completing the crime and punishment, Dostoevsky produced a second novel with a very different man at his center. In Idiot, saint Prince Myshkin returns to Russia from a Swiss sanatorio and finds himself a stranger in a society obsessed with wealth, power, and sexual conquest. Soon he gets caught up in a love triangle with a well-known woman, Nastasya, and a pretty Aglaya girl.

The Idiot is an ironic reference to the central character of the novel, Prince (Knyaz) Lyov Nikolaevich Myshkin, a young man whose goodness and open-hearted simplicity lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man". The novel examines the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved. The result, according to philosopher A.C. Grayling, is "one of the most excoriating, compelling and remarkable books ever written; and without question one of the greatest."

A Russian prince returns to Saint Petersburg after a long absence in Switzerland, where he was undergoing treatment for epilepsy. On the train he meets and befriends a man of low origins. This man becomes the dark counterpart of the inherently good prince; the two can also be seen as Christ- and devil-like figures. Dostoevsky wished to portray an unspoiled man, whose goodness is plunged into the chaos of Saint Petersberg society and a passionate contest for the disreputable Nastasya.