Books with title HEDDA GABLER

Hedda Gabler By Henrik Ibsen Hedda Gabler is a play published in 1890 by Norwegian playwright Henrik Ibsen. It premiered in 1891 in Germany to negative reviews, but has subsequently gained recognition as a classic of realism, nineteenth century theatre, and world drama. A 1902 production starring Minnie Maddern Fiske was a major sensation on Broadway and following its initial limited run was revived with the same actress the next year. Some critics consider the character of Hedda one of the great dramatic roles in theatre, and some portrayals have been very controversial, especially the Australian production where a male plays Hedda.[citation needed] Depending on the interpretation, Hedda may be portrayed as an idealistic heroine fighting society, a victim of circumstance, a prototypical feminist, or a manipulative villain. Hedda's married name is Hedda Tesman; Gabler is her maiden name. On the subject of the title, Ibsen wrote: "My intention in giving it this name was to indicate that Hedda as a personality is to be regarded rather as her father's daughter than her husband's wife."

Hedda, the famous daughter of General Gabler, married George Tesman out of desperation, but she finds life with him to be dull and tedious. Interesting events unfold. Hedda Gabler is a play written by Norwegian playwright Henrik Ibsen. It is recognized as a classic of realism, nineteenth-century theatre, and world drama. The title character, Hedda, is considered one of the great dramatic roles in theatre. The play has been adapted for the screen a number of times, from the silent film era onwards, in several languages.

Hedda Gabler, arguably Ibsen’s greatest work, is a tumultuous and sweeping play about a woman contending with her own dissatisfaction at the turn of the nineteenth century. Considered by many critics a heroine as complex and tragic so as to rival Hamlet, Hedda finds her life in disarray after the sudden appearance of her husband’s rival—her former lover, Eilert—and, consumed by jealousy toward Eilert’s new paramour, triggers the chain of events that will lead to the play’s ultimate, shocking conclusion.