Books published by publisher Temple University Press

The “invisible men” of sociologist Adia Harvey Wingfield’s urgent and timely No More Invisible Man are African American professionals who fall between extremely high status, high-profile black men and the urban underclass. Her compelling interview study considers middle-class, professional black men and the challenges, obstacles, and opportunities they encounter in white male–dominated occupations.No More Invisible Man chronicles these men’s experiences as a tokenized minority in the workplace to show how issues of power and inequality exist—especially as they relate to promotion, mobility, and developing occupational networks. Wingfield’s intersectional analysis deftly charts the ways that gender, race, and class collectively shape black professional men’s work experiences.In its examination of men’s interactions with women and other men, as well as men’s performances of masculinity and their emotional demeanors in these jobs, No More Invisible Man extends our understanding of racial- and gender-based dynamics in professional work.

E. H. Gombrich's Little History of the World, though written in 1935, has become one of the treasures of historical writing since its first publication in English in 2005. The Yale edition alone has now sold over half a million copies, and the book is available worldwide in almost thirty languages. Gombrich was of course the best-known art historian of his time, and his text suggests illustrations on every page. This illustrated edition of the Little History brings together the pellucid humanity of his narrative with the images that may well have been in his mind's eye as he wrote the book. The two hundred illustrations—most of them in full color—are not simple embellishments, though they are beautiful. They emerge from the text, enrich the author's intention, and deepen the pleasure of reading this remarkable work. For this edition the text is reset in a spacious format, flowing around illustrations that range from paintings to line drawings, emblems, motifs, and symbols. The book incorporates freshly drawn maps, a revised preface, and a new index. Blending high-grade design, fine paper, and classic binding, this is both a sumptuous gift book and an enhanced edition of a timeless account of human history.

A gloriously illustrated edition of the international bestseller E. H. Gombrich’s A Little History of the World, an engaging and lively book written for readers both young and old, vividly brings the full span of human experience on Earth to life, from the stone age to the atomic age. Gombrich’s text paints a colorful picture of wars and conquests; of grand works of art; of the advances and limitations of science; of remarkable people and remarkable events. But Gombrich was, first and foremost, the best-known art historian of his time; his beloved Little History suggests illustrations on every page. Featuring more than two hundred illustrations—most in color—this beautiful edition incorporates a wide range of images, showing us the earliest cave paintings, the classic sculptures of the ancient Greeks, beautiful Islamic calligraphy, oil portraits of the mighty through the ages, and much more. With a high-grade design, fine paper, and classic binding, this enhanced edition will have an important place on family bookshelves for many years to come.

Raised in the squalor of a New York tenement until he was 10 years old, Nelson Díaz saw his life change when his family moved to a brand-new high-rise project in West Harlem in the 1950s. That experience, along with lessons learned as the only Latino law student at Temple University, would drive him throughout his life as a lawyer and activist, fighting for the expansion of rights for all Americans.“No soy de aquí ni de allá” is a mantra for Puerto Ricans who feel like foreigners wherever they are and who seek a place for themselves. In his inspiring autobiography, Not from Here, Not from There, Díaz tells the story of his struggles and triumphs as his perspective widened from the New York streets and law school classrooms to the halls of power in Philadelphia and Washington, DC. Whether as a leader in economic development, a pioneer in court reform, or a champion of fair housing, Díaz has never stopped advocating for others. Díaz was happy to be the first Latino to “do something,” but he never wanted to be the last. This story of an outsider who worked his way to the inside offers powerful lessons on finding a place in the world by creating spaces where everyone is welcome.

At the low-water bridge below Tom Miller Dam, west of downtown Austin, during the summer of his tenth or eleventh year, Ken Roberts had his first encounter with cedar choppers. On his way to the bridge for a leisurely afternoon of fishing, he suddenly found himself facing a group of boys who clearly came from a different place and culture than the middle-class, suburban community he was accustomed to. Rather, “. . . they looked hard—tanned, skinny, dirty. These were not kids you would see in Austin.” When Roberts’s fishing companion curtly refused the strangers’ offer to sell them a stringer of bluegills, the three boys went away, only to reappear moments later, one of them carrying a club. Roberts and his friend made a hasty retreat. This encounter provoked in the author the question, “Who are these people?” The Cedar Choppers: Life on the Edge of Nothing is his thoughtful, entertaining, and informative answer. Based on oral history interviews with several generations of cedar choppers and those who knew them, this book weaves together the lively, gritty story of these largely Scots-Irish migrants with roots in Appalachia who settled on the west side of the Balcones Fault during the mid-nineteenth century, subsisting mainly on hunting, trapping, moonshining, and, by the early twentieth century, cutting, transporting, and selling cedar fence posts and charcoal. The emergence of Austin as a major metropolitan area, especially after the 1950s, soon brought the cedar choppers and their hillbilly lifestyle into direct confrontation with the gentrified urban population east of the Balcones Fault. This clash of cultures, which provided the setting for Roberts’s encounter as a young boy, propels this first book-length treatment of the cedar choppers, their clans, their culture and mores, and their longing for a way of life that is rapidly disappearing.

The first-ever English translation of a seventeenth-century ornithology text, complete with historic watercolor illustrations This beautifully illustrated book brings together the newly commissioned, first-ever English translation of one of the earliest studies in ornithology with the original watercolors, now part of the British Royal Collection, that provided the inspiration for its engraved illustrations. The watercolors, created for the “Paper Museum” of the seventeenth-century scholar and art collector Cassiano dal Pozzo, are here combined with the translated text of amateur naturalist Pietro Olina’s original Uccelliera of 1622 to create a new work that provides a fascinating glimpse of ornithology’s earliest days—a period when folklore informed natural history studies as much as science did. With meditations on the “epileptic” robin redbreast and a recipe for chickpea pasta meant to satisfy a nightingale and keep it in song, this work is an enchanting re-presentation of natural history literature. Retaining the character of Olina’s original design, this unique book describes over forty much-loved species, and is sure to please bird watchers, naturalists, and antiquarian book lovers alike.

The international bestseller: E. H. Gombrich’s sweeping history of the world, for the curious of all ages “All stories begin with ‘Once upon a time.’ And that’s just what this story is all about: what happened, once upon a time.” So begins A Little History of the World, an engaging and lively book written for readers both young and old. Rather than focusing on dry facts and dates, E. H. Gombrich vividly brings the full span of human experience on Earth to life, from the stone age to the atomic age. He paints a colorful picture of wars and conquests; of grand works of art; of the advances and limitations of science; of remarkable people and remarkable events, from Confucius to Catherine the Great to Winston Churchill, and from the invention of art to the destruction of the Berlin Wall. For adults seeking a single-volume overview of world history, for students in search of a quick refresher course, or for families to read and learn from together, Gombrich’s Little History enchants and educates.

There are few couples in the history of 20th-century American art and culture more prominent than Georgia O’Keeffe (1887–1986) and Alfred Stieglitz (1864–1946). Between 1915, when they first began to write to each other, and 1946, when Stieglitz died, O’Keeffe and Stieglitz exchanged over 5,000 letters (more than 25,000 pages) that describe their daily lives in profoundly rich detail. This long-awaited volume features some 650 letters, carefully selected and annotated by leading photography scholar Sarah Greenough.In O’Keeffe’s sparse and vibrant style and Stieglitz’s fervent and lyrical manner, the letters describe how they met and fell in love in the 1910s; how they carved out a life together in the 1920s; how their relationship nearly collapsed during the early years of the Depression; and how it was reconstructed in the late 1930s and early 1940s. At the same time, the correspondence reveals the creative evolution of their art and ideas; their friendships with many of the most influential figures in early American modernism (Charles Demuth, Arthur Dove, Marsden Hartley, John Marin, and Paul Strand, to name a few); and their relationships and conversations with an exceptionally wide range of key figures in American and European art and culture (including Duncan Phillips, Diego Rivera, D. H. Lawrence, Frank Lloyd Wright, and Marcel Duchamp). Furthermore, their often poignant prose reveals insights into the impact of larger cultural forces—World Wars I and II; the booming economy of the 1920s; and the Depression of the 1930s—on two articulate, creative individuals.

An art museum is a magical place. What will you find inside? This playful primer features 37 full-color illustrations of paintings, sculpture, tapestries, prints, photographs, and installations from the collections of the Philadelphia Museum of Art. Children can learn their ABCs while discovering the beauty of a bridge by Monet, a dancer by Degas, a medieval knight’s helmet, a Japanese teahouse, and other wonders from around the world.

University Press returns with another short and captivating portrait of one of history’s most compelling figures, Albert Einstein.Albert Einstein was once told by a teacher that he would never amount to anything. Yet he went on to develop the special and general theories of relativity, won the Nobel Prize for physics in 1921, and become the most influential physicist of the 20th century.Einstein would later write that he was deeply affected by his first encounter with a compass at age five. He was mystified that invisible forces could deflect the needle. This would lead to a lifelong fascination with invisible forces. Along his circuitous route to fame, Einstein fell in love, enjoyed his family, escaped from Nazi Germany, experienced heartbreak, and advised the President of the United States.This short book tells the intensely human story of a man who changed the world in a way that no one else could.