Books published by publisher Modern Library,2003

"One of the last century's greatest woman writers". ("Guardian"). It is London in the late 1930s and sixteen-year-old orphan Portia is plunged into the sophisticated and politely treacherous world of her wealthy half-brother's home. Wide-eyed and disconcertingly vulnerable, Portia encounters the attractive, carefree cad Eddie. To him, Portia is at once child and woman, and he fears her gushing love. To her, Eddie is the only reason to be alive. But when Eddie follows Portia to a sea-side resort, the flash of a cigarette lighter in a darkened cinema illuminates a stunning romantic betrayal - and sets in motion one of the most moving and desperate flights of the heart in modern literature.

Widely recognized as one of literature's most gripping ghost stories, this classic tale of moral degradation concerns the sinister transformation of two innocent children into flagrant liars and hypocrites. The story begins when a governess arrives at an English country estate to look after Miles, aged ten, and Flora, eight. At first, everything appears normal but then events gradually begin to weave a spell of psychological terror.One night a ghost appears before the governess. It is the dead lover of Miss Jessel, the former governess. Later, the ghost of Miss Jessel herself appears before the governess and the little girl. Moreover, both the governess and the housekeeper suspect that the two spirits have appeared to the boy in private. The children, however, adamantly refuse to acknowledge the presence of the two spirits, in spite of indications that there is some sort of evil communication going on between the children and the ghosts.Without resorting to clattering chains, demonic noises, and other melodramatic techniques, this elegantly told tale succeeds in creating an atmosphere of tingling suspense and unspoken horror matched by few other books in the genre. Known for his probing psychological novels dealing with the upper classes, James in this story tried his hand at the occult — and created a masterpiece of the supernatural that has frightened and delighted readers for nearly a century.

A New York Times Notable Book • Finalist for the PEN/Martha Albrand Award for First Nonfiction“Highly readable biography . . . The woman who emerges from these pages is a complex figure—heroic, driven . . . and entirely human.”—Richard Bernstein, The New York TimesPassionate Nomad captures the momentous life and times of Freya Stark with precision, compassion, and marvelous detail. Hailed by The Times of London as “the last of the Romantic Travellers” upon her death in 1993, Freya Stark combined unflappable bravery, formidable charm, fearsome intellect, and ferocious ambition to become the twentieth century’s best-known woman traveler. Digging beneath the mythology, Geniesse uncovers a complex, controversial, and quixotic woman whose indomitable spirit was forged by contradictions: a child of privilege, Stark grew up in near poverty; yearning for formal education, she was largely self-taught; longing for love, she consistently focused on the wrong men. Despite these hardships, Stark’s astonishing career spanned more than sixty years, during which she produced twenty-two books that sealed her reputation as a consummate woman of letters. This edition includes a new Epilogue by the author that, citing newly discovered evidence, calls into question the circumstances of Stark’s birth and adds new insight into this adventurous and lively personality.Praise for Passionate Nomad“Passionate Nomad is a work of nonfiction that reads and sings with the drama and lilt of a fine novel. The story of Freya Stark is stunning, inspiring, sad, funny, unique, and moving. Jane Fletcher Geniesse tells it straight, but with a care for delicious detail and a sympathy for the characters that make this a truly special book.”—Jim Lehrer“Passionate Nomad supplies a fascinating individual thread in the tapestry of twentiethcentury Middle Eastern history. . . . [Geniesse] has achieved, in the end, an admirable focus, at once critical and sympathetic. . . . For all Stark’s unresolved contradictions, . . . her distinction as a latter-day woman of letters survives.”—The New York Times Book Review “Compulsively readable . . . [Geniesse] has done a thorough job re-creating the life of a woman many consider to be the last of the great romantic travelers.”—The Plain Dealer (Cleveland)

Edgar Allan Poe was one of the most original writers in the history of American letters, a genius who was tragically misunderstood in his lifetime. He was a seminal figure in the development of science fiction and the detective story, and exerted a great influence on Dostoyevsky, Arthur Conan Doyle, Jules Verne, and Charles Baudelaire, who championed him long before Poe was appreciated in his own country. Baudelaire's enthusiasm brought Poe a wide audience in Europe, and his writing came to have enormous importance for modern French literature. This edition includes his most well-known works--"The Raven," "The Pit and the Pendulum," "Annabel Lee," "The Fall of the House of Usher," "The Murders in the Rue Morgue"--as well as less-familiar stories, poems, and essays.

A New York Times Notable Book • Finalist for the PEN/Martha Albrand Award for First Nonfiction“Highly readable biography . . . The woman who emerges from these pages is a complex figure—heroic, driven . . . and entirely human.”—Richard Bernstein, The New York TimesPassionate Nomad captures the momentous life and times of Freya Stark with precision, compassion, and marvelous detail. Hailed by The Times of London as “the last of the Romantic Travellers” upon her death in 1993, Freya Stark combined unflappable bravery, formidable charm, fearsome intellect, and ferocious ambition to become the twentieth century’s best-known woman traveler. Digging beneath the mythology, Geniesse uncovers a complex, controversial, and quixotic woman whose indomitable spirit was forged by contradictions: a child of privilege, Stark grew up in near poverty; yearning for formal education, she was largely self-taught; longing for love, she consistently focused on the wrong men. Despite these hardships, Stark’s astonishing career spanned more than sixty years, during which she produced twenty-two books that sealed her reputation as a consummate woman of letters. This edition includes a new Epilogue by the author that, citing newly discovered evidence, calls into question the circumstances of Stark’s birth and adds new insight into this adventurous and lively personality.Praise for Passionate Nomad“Passionate Nomad is a work of nonfiction that reads and sings with the drama and lilt of a fine novel. The story of Freya Stark is stunning, inspiring, sad, funny, unique, and moving. Jane Fletcher Geniesse tells it straight, but with a care for delicious detail and a sympathy for the characters that make this a truly special book.”—Jim Lehrer“Passionate Nomad supplies a fascinating individual thread in the tapestry of twentiethcentury Middle Eastern history. . . . [Geniesse] has achieved, in the end, an admirable focus, at once critical and sympathetic. . . . For all Stark’s unresolved contradictions, . . . her distinction as a latter-day woman of letters survives.”—The New York Times Book Review “Compulsively readable . . . [Geniesse] has done a thorough job re-creating the life of a woman many consider to be the last of the great romantic travelers.”—The Plain Dealer (Cleveland)

The First New Translation in Forty YearsSet sometime between the mid-sixteenth and early-seventeenth century, Gogol’s epic tale recounts both a bloody Cossack revolt against the Poles (led by the bold Taras Bulba of Ukrainian folk mythology) and the trials of Taras Bulba’s two sons.As Robert Kaplan writes in his Introduction, “[Taras Bulba] has a Kiplingesque gusto . . . that makes it a pleasure to read, but central to its theme is an unredemptive, darkly evil violence that is far beyond anything that Kipling ever touched on. We need more works like Taras Bulba to better understand the emotional wellsprings of the threat we face today in places like the Middle East and Central Asia.” And the critic John Cournos has noted, “A clue to all Russian realism may be found in a Russian critic’s observation about Gogol: ‘Seldom has nature created a man so romantic in bent, yet so masterly in portraying all that is unromantic in life.’ But this statement does not cover the whole ground, for it is easy to see in almost all of Gogol’s work his ‘free Cossack soul’ trying to break through the shell of sordid today like some ancient demon, essentially Dionysian. So that his works, true though they are to our life, are at once a reproach, a protest, and a challenge, ever calling for joy, ancient joy, that is no more with us. And they have all the joy and sadness of the Ukrainian songs he loved so much.”

Beyond its importance as a literary work of unvarnished genius, Geoffrey Chaucer’s unfinished epic poem is also one of the most beloved works in the English language–and for good reason: It is lively, absorbing, perceptive, and outrageously funny. But despite the brilliance of Chaucer’s work, the continual evolution of our language has rendered his words unfamiliar to many of us. Esteemed poet, translator, and scholar Burton Raffel’s magnificent new unabridged translation brings Chaucer’s poetry back to life, ensuring that none of the original’s wit, wisdom, or humanity is lost to the modern reader. This Modern Library edition also features an Introduction by the widely influential medievalist and author John Miles Foley that discusses Chaucer’s work as well as his life and times.

Full of mischief, valor, ribaldry, and romance, The Arabian Nights has enthralled readers for centuries. These are the tales that saved the life of Shahrazad, whose husband, the king, executed each of his wives after a single night of marriage. Beginning an enchanting story each evening, Shahrazad always withheld the ending: A thousand and one nights later, her life was spared forever. This volume reproduces the 1932 Modern Library edition, for which Bennett A. Cerf chose the most famous and representative stories from Sir Richard F. Burton's multivolume translation, and includes Burton's extensive and acclaimed explanatory notes. These tales, including Alaeddin; or, the Wonderful Lamp, Sinbad the Seaman and Sinbad the Landsman, and Ali Baba and the Forty Thieves, have entered into the popular imagination, demonstrating that Shahrazad's spell remains unbroken.

A glorious, edible tour of Paris through six decades of writing from Gourmet magazine, edited and introduced by Ruth ReichlFor sixty years the best food writers have been sending dispatches from Paris to Gourmet. Collected here for the first time, their essays create a unique and timeless portrait of the world capital of love and food. When the book begins, just after the war, we are in a hungry city whose chefs struggle to find the eggs and cream they need to re-create the cuisine from before the German occupation. We watch as Paris comes alive again with zinc-topped tables crowded with people drinking café au lait and reveling in crisp baguettes, and the triumphant rebirth of three-star cuisine. In time, nouvelle cuisine is born and sweeps through a newly chic and modern city. It is all here: the old-time bourgeois dinners, the tastemakers of the fashion world, the hero-chefs, and, of course, Paris in all its snobbery and refinement, its inimitable pursuit of the art of fine living. Beautifully written, these dispatches from the past are intimate and immediate, allowing us to watch the month-by-month changes in the world’s most wonderful city. Remembrance of Things Paris is a book for anyone who wants to return to a Paris where a buttery madeleine is waiting around every corner.Contributors include Louis Diat, Naomi Barry, Joseph Wechsberg, Judith and Evan Jones, Don Dresden, Lillian Langseth-Christensen, Diane Johnson, Michael Lewis, and Jonathan Gold.

When this longtime Modern Library favorite--filled with fifty-two stories of heart-stopping suspense--was first published in 1944, one of its biggest fans was critic Edmund Wilson, who in The New Yorker applauded what he termed a sudden revival of the appetite for tales of horror. Represented in the anthology are such distinguished spell weavers as Edgar Allen Poe ("The Black Cat"), Wilkie Collins ("A Terribly Strange Bed"), Henry James ("Sir Edmund Orme"), Guy de Maupassant ("Was It a Dream?"), O. Henry ("The Furnished Room"), Rudyard Kipling ("They"), and H.G. Wells ("Pollock and the Porroh Man"). Included as well are such modern masters as Algernon Blackwood ("Ancient Sorceries"), Walter de la Mare ("Out of the Deep"), E.M. Forster ("The Celestial Omnibus"), Isak Dinesen ("The Sailor-Boys Tale"), H.P. Lovecraft ("The Dunwich Horror"), Dorothy L. Sayers ("Suspicion"), and Ernest Hemingway ("The Killers"). "There is not a story in this collection that does not have the breath of life, achieve the full suspension of disbelief that is so particularly important in [this] type of fiction," wrote the Saturday Review. With an introduction and notes by Phyllis Cerf Wagner and Herbert Wise.

A dramatic countdown of the final months of World War II in Europe, The Last 100 Days brings to life the waning power and the ultimate submission of the Third Reich. To reconstruct the tumultuous hundred days between Yalta and the fall of Berlin, John Toland traveled more than 100,000 miles in twenty-one countries and interviewed more than six hundred people—from Hitler’s personal chauffeur to Generals von Manteuffel, Wenck, and Heinrici; from underground leaders to diplomats; from top Allied field commanders to brave young GIs. Toland adeptly weaves together these interviews using research from thousands of primary sources. When it was first published, The Last 100 Days made history, revealing after-action reports, staff journals, and top-secret messages and personal documents previously unavailable to historians. Since that time, it has come to be regarded as one of the greatest historical narratives of the twentieth century.